The author shares her story as a childfree-by-choice woman, and how she came to believe that "atypical chicks" are the ones who must be willing to create not just a new path to follow, but a paradigm shift to confront the need for a smaller population on earth and to ease the adaptation to our changing world by serving others. She long knew she was not like other women and not like men either. There is a middle space. Hybrids blend many male qualities with female. They could very well be the best of both worlds. Their hybrid nature often discourages motherhood and thereby allows the freedom to fully focus on serving the greater good. In the past, such people were marginalized, looked upon poorly by many. No more. Childfree women have a distinct and important role to fill in this over-populated 21st-century world. This is about a world in crisis from overpopulation, resource depletion, pollution and climate change and at the same time it is not about the many and rapidly expanding threats to our world. The details of those topics have been well covered in many peer-reviewed papers and authoritative books and are for this purpose best left to the experts and the many environmental advocates. This is about overpopulation and the many ramifications it is causing. The evidence of the population crisis is unmistakable. In one lifetime, planet earth has gone from 3 billion people to more than 7 billion and headed to 9 or 10 billion. Humans are overwhelming the life support systems on the planet. Our pollution is killing the oxygen-producing phytoplankton and forests. We are overharvesting fish and shellfish stocks, depleting our soils and groundwater reserves and increasingly dependent on a small handful of corporations for our seed and pharmaceutical needs. We must change or suffer unspeakable consequences. Rhonny makes a call to fellow childfree hybrids to serve as role models, to speak and teach and light a new way on an overpopulated world.

Yokoi is a manga artist who spends his nights delivering newspapers just to make rent, since his original works just don’t seem to sell. Suddenly, one day he gets a visit from Saito-san, a self-proclaimed fan of Yokoi's work who made the long journey to meet him. Yokoi quickly realizes that the things Saito-san sees, feels, and thinks about are different from most people… These two struggle together to find a place to belong in this unique slice-of-life!

In the 21st century, films about the lives and experiences of girls and young women have become increasingly visible. Yet, British cinema's engagement with contemporary girlhood has - unlike its Hollywood counterpart - been largely ignored until now. Sarah Hill's Young Women, Girls and Postfeminism in Contemporary British Film provides the first book-length study of how young femininity has been constructed, both in films like the St. Trinians franchise and by critically acclaimed directors like Andrea Arnold, Carol Morley and Lone Scherfig. Hill offers new ways to understand how postfeminism informs British cinema and how it is adapted to fit its specific geographical context. By interrogating UK cinema through this lens, Hill paints a diverse and distinctive portrait of modern femininity and consolidates the important academic links between film, feminist media and girlhood studies.

It's been two weeks since fanzine creator Yokoi and his fan Saito-san started living together. Saito-san sees and thinks about things differently than most people, so it takes all she has just to make it through the day, and she's finally done the thing she swore never to do... An unfolding tale of unsteady happiness for two people who find it difficult just to live.

Postfeminism in Context studies the representation of women in Australian popular culture over the past three decades to locate postfeminism in a specific time and place. Margaret Henderson and Anthea Taylor argue that ‘postfeminism’, as a critical term, has been too often deployed in ways that fail to account for historical and cultural specificity. This book analyses Australian popular culture – chick lit novels; ‘dramedy’ television shows; women’s magazines; YouTube beauty vlogs; self-help manuals; and newspapers – to reveal the tensions, contradictions and ambiguities that have always been constitutive of postfeminism, including in Australia. Examining how these popular forms intervene in dominant conversations about contemporary Australian femininities, Postfeminism in Context maps the ways in which various aspects of Australia’s history and national identity have shaped its postfeminism. While Henderson and Taylor identify some of the limited postfeminist tropes and patterns of representation evident in comparable locales, they also find that Australian popular culture has responded to feminism in a much more hopeful way. Adding some much-needed cultural specificity to the ongoing debate around this loaded term, Postfeminism in Context is essential reading for those interested in Australian popular culture, feminism, and the gendered politics of representation.

Whether you’re running a farm or interested in keeping a few backyard birds, Storey’s Guide to Raising Poultry covers everything you need to know to successfully raise your own chickens, turkeys, waterfowl, and more. Stressing humane practices throughout, Glenn Drowns provides expert advice on breed selection, housing, feeding, behavior, breeding, health care, and processing your own meat and eggs. With tips on raising specialty species like doves, ostriches, and peafowl, you’ll be inspired to experiment with new breeds and add diversity to your poultry operation.

Childfree across the Disciplines: Academic and Activist Perspectives on Not Choosing Children focuses on the relationship between childfreedom, social ideologies, and community activism. The authors ask (and frequently answer) the question: how do childfree people negotiate their subjectivity in a changing demographic, economic, media-saturated cultural landscape?