An introduction to the work of the controversial visual and performance artist William Pope.L.

Foreword and acknowledgments / Kevin Sharp -- Black artists in America : From the Great Depression to Civil Rights -- Augusta Savage in Paris : African themes and the Black female body -- Walter Augustus Simon : abstract expressionist, art educator, and art historian -- Catalogue of the exhibition.

"Thomas Hart Benton's autobiography first appeared in 1937 and met immediately with success. Thus presented, the opinions, judgments, and critical evaluations of this artist, whose works held the center of lively controversy, interested the general reader as well as the world of art. The book reappeared in 1951, bringing up to date the perspectives on life and art of a forthright participant and maker. Now, in his seventy-ninth year, Mr. Benton has added another chapter to his continuing comment on the world of art and the role of the artist in that world. His rare gift of cogent expression in letters as well as in color and line provides the reader with as vigorous and vital an experience as his paintings provide their viewers."--Dust jacket.

At the apex of World War II, SU graduate Tracy Sugarman documented naval life before, during and after D-Day. He did not write for periodicals nor was he one of the daring photojournalists of the time. In an age of photography and motion picture, this artist used brush, ink, and pencil to forge his own distinctive brand of artistic journalism. Much as Winslow Homer had been sent by Harper’s Weekly to the front to capture images of the Civil War on canvas, so Sugarman’s drawings and paintings recorded one of the most momentous turns in the fortunes of World War II. After the war, Sugarman continued to visually record the passing scene. The result is a pictorial trove of powerful historic and societal events of the day: from civil rights uproar and transformation in the south to labor demonstration and space exploration, from commanding an invading craft on D-Day to revisiting Normandy in the wake of 9/11. Punctuated by the artist’s own words, Sugarman’s work offers a meaningful and thoughtful reflection upon turning points in the last critical century, and what it means to be an American. Rife with wisdom and humor yet brimming with rage over injustice, Sugarman’s singular artistry provides insights into our American psyche as well as into the artist’s life. Drawing Conclusions also shows that ink and pencil can record event with as much graphic potency as camera and film.

Presents a collection of black-and-white and full-coclor photographs, drawings, and paintings by a number of deaf artists in America and includes illustrations and descriptions of each selection.

Large-format and illustrated with original photography: a fresh look at the current scene for art lovers and a unique introduction to the art world for the novice For centuries, America's permutations of climate and landscape and its tantalizing suggestion of unlimited possibilities have inspired some of history's greatest minds to embark on both literal and imaginary journeys of exploration, none more so than its visual artists. Contrasting intimate visits to artists' studios with explorations of the country's sweeping landscapes of light and form that have inspired artists since the Luminists and the Hudson River School, here is a privileged look at the dreams, ideas, and thoughts of more than one hundred American artists who are active today. From established figures such as Marina Abramovic, John Baldessari, Chris Burden, Francesco Clemente Chuck Close, John Currin, Rachel Feinstein, Richard Prince, Robert Irwin, Kiki Smith, Bill Viola, and Lawrence Weiner to members of the new guard, including Diana Al-Hadid, Tauba Auerbach, Mark Bradford, Theaster Gates, Rashid Johnson, and Sterling Ruby, this profusely and beautifully illustrated journey through artists' studios provides an unprecedented look into the workings of one of the world's largest artistic communities. From New York's skyline to Southern California's sunny boardwalks, Art Studio America will embolden readers the chance to embark on transformative journeys of their own. The book includes essays by Robert Storr, Mark Godfrey, and Ben Genocchio.

After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.

The riveting story of how three years spent in the United States transformed Frida Kahlo into the artist we know today "[An] insightful debut....Featuring meticulous research and elegant turns of phrase, Stahr’s engrossing account provides scholarly though accessible analysis for both feminists and art lovers." —Publisher's Weekly Mexican artist Frida Kahlo adored adventure. In November, 1930, she was thrilled to realize her dream of traveling to the United States to live in San Francisco, Detroit, and New York. Still, leaving her family and her country for the first time was monumental. Only twenty-three and newly married to the already world-famous forty-three-year-old Diego Rivera, she was at a crossroads in her life and this new place, one filled with magnificent beauty, horrific poverty, racial tension, anti-Semitism, ethnic diversity, bland Midwestern food, and a thriving music scene, pushed Frida in unexpected directions. Shifts in her style of painting began to appear, cracks in her marriage widened, and tragedy struck, twice while she was living in Detroit. Frida in America is the first in-depth biography of these formative years spent in Gringolandia, a place Frida couldn’t always understand. But it’s precisely her feelings of being a stranger in a strange land that fueled her creative passions and an even stronger sense of Mexican identity. With vivid detail, Frida in America recreates the pivotal journey that made Senora Rivera the world famous Frida Kahlo.

One of America's best-loved artists describes his travels throughout the United States, illustrating them with his own paintings.