A classic of modern travel writing, An Area of Darkness is V. S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India.

In 1975, at the height of Indira Gandhi’s Emergency, V. S. Naipaul returned to India, the country his ancestors had left one hundred years before. Out of that journey he produced this concise masterpiece of journalism and cultural analysis, a vibrant, defiantly unsentimental portrait of a society traumatized by repeated foreign invasions and immured in a mythic vision of its past. Drawing on novels, news reports, and political memoirs -- but most of all on his conversations with ordinary Indians, from princes to engineers and feudal village autocrats -- Naipaul captures India’s manifold complexities.

AN AREA OF DARKNESS 'Brilliant ... tender, lyrical, explosive' Observer V.S. Naipaul was twenty-nine when he first visited India. This is his semi-autobiographical account-at once painful and hilarious, but always thoughtful and considered-a revelation both of the country and of himself. INDIA: A WOUNDED CIVILIZATION 'A devastating work, but proof that a novelist of Naipaul's stature can often define problems quicker and more effectively than a team of economists and other experts' The Times Prompted by the Emergency of 1975, Naipaul casts a more analytical eye, convinced that India, wounded by a thousand years of foreign rule, has not yet found an ideology of regeneration. INDIA: A MILLION MUTINIES NOW 'Indispensable for anyone who wants seriously to come to grips with the experience of India' New York Times Book Review It is twenty-six years since Naipaul's first trip to India. Taking an anti-clockwise journey around the metropolises-including Bombay, Madras, Calcutta and Delhi-he focuses on the country's development since Independence. The author recedes, allowing Indians to tell the stories, and a dynamic oral history of the country emerges.

Eight stories from the author of A Book of American Martyrs that display her “mastery of imagery and stream of consciousness” (Kirkus Reviews). Joyce Carol Oates is an unparalleled investigator of human personality. In these eight stories, she deftly tests the bonds between damaged individuals—brother and sister. teacher and student, two lonesome strangers on a subway—in the beautiful, bracing prose that has become her signature. In the title story, a white, aspiring professor in Detroit tries to shake a black, male shadow during the summer of the city’s 1967 race riots. In “The Rescuer,” a promising graduate student detours to inner-city Trenton, New Jersey, to save her brother from a downward spiral, only to find herself entranced by his dangerous new world. Meanwhile, a young woman prowls the New York City subways in search of her perfect man in “Lorelei.” In each of these short stories, Oates portrays a desperate confrontation with the demons inside us. Sometimes it’s the human who wins, and sometimes it’s the demon. “Oates offers unexpected glimmers of redemption amid the grotesquerie, degradation, and exploitation that fill this collection’s eight tales.” —Publishers Weekly

The Nobel Prize-winning author gives us – on the basis of his own intensive seventeen month journey across the Asian continent – an unprecedented revelation of the Islamic world. • “A brilliant report…. A book of scathing inquiry and judgment, whose tragic power is being continually reinforced by current events” (Newsweek). With all the narrative power and intellectual authority that have distinguished his earlier books and won him international acclaim (“There can hardly be a writer alive who surpasses him” – Irving Howe, The New York Times Book Review), Naipaul explores the life, the culture, the ferment inside the nations of Islam – in a book that combines the fascinations of the great works of travel literature with the insights of a uniquely sharp, original, and idiosyncratic political mind. He takes us into four countries in the throes of “Islamization” – countries that, in their ardor to build new societies based entirely on the fundamental laws of Islam, have violently rejected the “materialism” of the technologically advanced nations that have long supported them. He brings us close to the people of Islam – how they live and work, the role of faith in their lives, how they see their place in the modern world.

Understanding Africa is critical for all concerned with the world today: in what promises to be his final great work of reportage, one of the keenest observers of the continent surveys the effects of belief and religion on the disparate peoples of Africa. The Masque of Africa is Nobel Prize-winning V. S. Naipaul's first major work of non-fiction to be published since his internationally bestselling Beyond Belief. Like all of Naipaul's great works of non-fiction, The Masque of Africa is superficially a book of travels — full of people, stories and landscapes he visits — but it also encompasses a larger narrative and purpose: to judge the effects of belief (whether in indigenous animisms, faiths imposed by other cultures, or even the cults of leaders and mythical history) upon the progress of civilization.

An area of darkness: Semi-autobiographical account of the author's first visit to India, the land of his forebears. From the moment of his inauspicious arrival he experienced a cultural estrangement from the subcontinent

The blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes—a "witty, wise, and heartfelt novel" (Washington Post) about art and love, fame and heartbreak from the acclaimed actor/writer/director. A bracing meditation on fame and celebrity, and the redemptive, healing power of art; a portrait of the ravages of disappointment and divorce; a poignant consideration of the rites of fatherhood and manhood; a novel soaked in rage and sex, longing and despair; and a passionate love letter to the world of theater, A Bright Ray of Darkness showcases Ethan Hawke's gifts as a novelist as never before. Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying—and narcissistic—Falstaff's of all time. Searing, raw, and utterly transfixing, A Bright Ray of Darkness is a novel about shame and beauty and faith, and the moral power of art.

This book investigates what happens to the English language when it seeks to accommodate India and what happens to India when it is accommodated within the language of a far-off European country. It explores the work of writers from Kipling to Salman Rushdie, Ghandhi to Ruth Prawer Jhabvala.

From the Nobel Prize-winning author comes a novel of exile, displacement, and the agonizing cruelty and pain of colonialism, both for those who rule and those who are their victims. “A brilliant novel in every way.… [It] shimmers with artistic certainty.” —The New York Times Book Review Set on a troubled Carribbean island, where “everybody wants to fight his own little war,” where “everyone is a guerrilla,” the novel centers on an Englishman named Roche, once a hero of the South African resistance, who has come to the island – subdued now, almost withdrawn – to work and to help. Soon his English mistress arrives: casually nihilistic, bored, quickly enticed – excited – by fantasies of native power and sexuality, and blindly unaware of any possible consequences of her acts. At once Roche and Jane are drawn into fatal connection with a young guerrilla leader named Jimmy Ahmed, a man driven by his own raging fantasies of power, of perverse sensuality, and of the England he half remembers, half sentimentalizes. Against the larger anguish of the world they inhabit, these three act out a drama of death, hideous sexual violence, and political and spiritual impotence that profoundly reflects the ravages history can make on human lives.