When it was first published in 1891, this edition of Sir Philip Sidney's Apologie for Poetrie (or the Defense of Poetry) represented a clear departure from previous editions. The Cambridge Fellow and classical scholar Evelyn S. Shuckburgh set to the task of correcting the numerous errors and alterations which had accumulated over the course of many previous editions, beginning with the folio version of 1598. Shuckburgh's text draws from the collation of seven earlier editions, giving precedence to the first printing of 1595 for which he consulted the copy held in the British Museum. The result is a precise and thorough text, complete with notes, a glossarial index and an introductory description of Sidney's life and works.

Reprint of the original, first published in 1841.

Sidney's Poetics is essential reading not only for students and scholars of Renaissance literature and literary theory but also for all who want to understand how human beings write and read creatively.

This 1999 volume was the first to explore as part of an unbroken continuum the critical legacy both of the humanist rediscovery of ancient learning and of its neoclassical reformulation. Focused on what is arguably the most complex phase in the transmission of the Western literary-critical heritage, the book encompasses those issues that helped shape the way European writers thought about literature from the late Middle Ages to the late seventeenth century. These issues touched almost every facet of Western intellectual endeavour, as well as the historical, cultural, social, scientific, and technological contexts in which that activity evolved. From the interpretative reassessment of the major ancient poetic texts, this volume addresses the emergence of the literary critic in Europe by exploring poetics, prose fiction, contexts of criticism, neoclassicism, and national developments. Sixty-one chapters by internationally respected scholars are supported by an introduction, detailed bibliographies for further investigation and a full index.