Plato's Symposium is an exceptionally multi-layered dialogue. At once a historical document, a philosophical drama that enacts abstract ideas in an often light-hearted way, and a literary masterpiece, it has exerted an influence that goes well beyond the confines of philosophy. The essays in this volume, by leading scholars, offer detailed analyses of all parts of the work, focusing on the central and much-debated theme of erōs or 'human desire' - which can refer both to physical desire or desire for happiness. They reveal thematic continuities between the prologue and the various speeches as well as between the speeches themselves, and present a rich collection of contrasting yet complementary readings of Diotima's speech. The volume will be invaluable for classicists and philosophers alike, and for all who are interested in one of Plato's most fascinating and challenging dialogues.

Frisbee Sheffield argues that the Symposium has been unduly marginalized by philosophers. Although the topic - eros - and the setting at a symposium have seemed anomalous, she demonstrates that both are intimately related to Plato's preoccupation with the nature of the good life, with virtue, and how it is acquired and transmitted. For Plato, analysing our desires is a way of reflecting on the kind of people we will turn out to be and on our chances of leading a worthwhile and happy life. In its focus on the question why he considered desires to be amenable to this type of reflection, this book explores Plato's ethics of desire.

In his Symposium, Plato crafted speeches in praise of love that has influenced writers and artists from antiquity to the present. But questions remain concerning the meaning of specific features, the significance of the dialogue as a whole, and the character of its influence. Here, an international team of scholars addresses such questions.

This collection features Plato's writings on sex and love in the preeminent translations of Stanley Lombardo, Paul Woodruff and Alexander Nehamas, D. S. Hutchinson, and C. D. C. Reeve. Reeve's Introduction provides a wealth of historical information about Plato and Socrates, and the sexual norms of classical Athens. His introductory essay looks closely at the dialogues themselves and includes the following sections: Socrates and the Art of Love; Socrates and Athenian Paiderastia; Loving Socrates; Love and the Ascent to the Beautiful; The Art and Psychology of Love Explained; and Writing about Love.

Plato's Symposium, composed in the early fourth century BC, demonstrates how powerful the skills of reasoning and evaluation can be. Known to philosophers for its seminal discussion of the relationship of love to knowledge, it is also a classic text for demonstrating the two critical thinking skills that define Plato's whole body of work. Plato's philosophical technique of dialogue is the perfect frame for producing arguments and presenting a persuasive case for a given point of view, and at the same time judging the strength of arguments, their relevance and their acceptability. Staging a fictional debate between characters (wealthy Athenians at a dinner party) who must respond in turn to each others' arguments and points of view means that, at every stage, Plato evaluates the previous argument, assesses its strength and relevance, and then proceeds (through the next character) to reason out a new argument in response. Exerting unparalleled influence on the techniques of philosophical thought, Plato's use of dialogue is a supreme example of these two crucial critical thinking skills.

Plato’s Symposium, composed in the early fourth century BC, demonstrates how powerful the skills of reasoning and evaluation can be. Known to philosophers for its seminal discussion of the relationship of love to knowledge, it is also a classic text for demonstrating the two critical thinking skills that define Plato’s whole body of work. Plato’s philosophical technique of dialogue is the perfect frame for producing arguments and presenting a persuasive case for a given point of view, and at the same time judging the strength of arguments, their relevance and their acceptability. Staging a fictional debate between characters (wealthy Athenians at a dinner party) who must respond in turn to each others’ arguments and points of view means that, at every stage, Plato evaluates the previous argument, assesses its strength and relevance, and then proceeds (through the next character) to reason out a new argument in response. Exerting unparalleled influence on the techniques of philosophical thought, Plato’s use of dialogue is a supreme example of these two crucial critical thinking skills.

In Socrates on Friendship and Community, Mary P. Nichols addresses Kierkegaard's and Nietzsche's criticism of Socrates and recovers the place of friendship and community in Socratic philosophizing. This approach stands in contrast to the modern philosophical tradition, in which Plato's Socrates has been viewed as an alienating influence on Western thought and life. Nichols' rich analysis of both dramatic details and philosophic themes in Plato's Symposium, Phaedras, and Lysis shows how love finds its fulfilment in the reciprocal relation of friends. Nichols also shows how friends experience another as their own and themselves as belonging to another. Their experience, she argues, both sheds light on the nature of philosophy and serves as a standard for a political life that does justice to human freedom and community.

Plato's dialogue the Symposium with introduction and commentary.

The 'Symposium' is one of Plato's most sophisticated meditations on the practice of philosophy. This book introduces the context of Plato's work, surveys and explains the arguments, and considers why Plato has cast this work in a highly unusual narrative form.