The book accompanies a major traveling exhibition of masterworks from the Hallmark Photographic Collection, one of the most renowned holdings of its kind in the world.

This beautiful and informative photographic history includes images from 1900 to 1999. Many are often seen (bullet piercing the apple, splashing crown of milk, Sophia Loren looking askance at Jayne Mansfield's plunging decollete, and Dorothea Lange's Migrant Mother); but most are probably unknown, because the photos were selected not only for their visual and cognitive qualities but also for their importance to the history and development of photographic technique and usage. The century is divided into thirds for explanation's sake, and there is at least one photograph for every year. While this is a picture book, the accompanying text provides informative introductions to the uses and abuses of perhaps the century's most important medium. The book is companion to the PBS series. Oversize: 12.5x9.5". Annotation copyrighted by Book News Inc., Portland, OR

"Examines the relationship between photography and medicine in American culture. Focuses on the American Civil War and postbellum Philadelphia to explore how medical models and metaphors helped establish the professional legitimacy of commercial photography while promoting belief in the rehabilitative powers of studio portraiture"--Provided by publisher.

"American Exposures sheds light on photographs, from Arthur Mole's propagandistic 'living photographs' of American icons and symbols to the exploration of contemporary subcultural communities by the Korean-born photographer and performance artist Nikki Lee, and asserts that the depiction of community is a central component to photography. Louis Kaplan deploys a number of critical concepts and theories developed by Jean-Luc Nancy in The Inoperative Community, as well as other philosophers, and applies them to the field of photography studies. With an original approach to photography from Edward Steichen's Family of Man exhibition to Pedro Meyer and the rise of the digital image, Kaplan points to a new way to think about the intimate relationship among photography, American life, and the artistic imagination." -- Back cover.

This is America's story as it has never been told before, with award-winning editor and journalist Harold Evans documenting and celebrating the last hundred years with more than 900 original photographs, cartoons and illustrations.

In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.

Analyse: Contributions de Barbara MacAndless, Keith F. Davis, Peter Bacon Hales, Sarah Greenhough.

These photographs were taken by some 22 amateur and professional photographers between the years 1842 and 1906. Most are of the West -Yosemite and Yellowstone, the Colorado and Columbia rivers, Utah, Idaho, New Mexico, Arizona, and California, but included are photographs of Brooklyn and Rochester, New York and New Hampshire. The majority of the prints are albumen; but this collections includes daguerrotypes, platinum prints, platinogypes, and bromide prints. Among the artists are Timothy O'Sullivan, William Henry Jackson, Carleton Watkins, H. H. Bennet and Eadweard Muybridge."