Excerpt from An Alphabetical Dictionary of Coats of Arms Belonging to Families in Great Britain and Ireland, Vol. 2: Forming an Extensive Ordinary of British Armorials, Upon an Entirely New Plan Barry of (fourteen, Harl ms. 1392) eighteen arg. And se. On a chief gu. Three leopard's faces or. Henry burell, V, Cotton ms. Tibe rius D 10. But barruly. Burell, Burell, near Saltash, Cornwall. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from An Alphabetical Dictionary of Coats of Arms Belonging to Families in Great Britain and Ireland, Vol. 2: Forming an Extensive Ordinary of British Armorials, Upon an Entirely New Plan, in Which the Arms Are Systematically Subdivided Throughout, and So Arranged in Alphabetical Order That the Names of Families Whose Shields Are Found on Buildings, Monuments Arg. On a chief se. Two boar's heads couped of the first. Tasman, Parkhouse, Kent; granted 1588. The heads erased fesswise. Taylor, quartered by Hussey. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.