This study examines the role of anti-Catholic rhetoric in late seventeenth- and early eighteenth-century England. This role was long neglected, being at once obvious and distasteful, a reproach to the heirs of the Enlightenment who prided themselves on their tolerance and did not want to confront its origins in intolerance. Raymond Tumbleson discusses how the fear of Popery, a potentially destabilising force under the Stuarts, ultimately became a principal guarantor of the Hanoverian oligarchy. The range of authors discussed runs from Middleton, Milton and Marvell to Swift, Defoe and Fielding, as well as numerous pamphleteers. Crossing traditional generic, disciplinary and chronological boundaries, this book examines hitherto neglected relationships between poetry and prose, literature and polemic, the Reformation and the Augustan age.

In this path-breaking study, first published in 2000, Jonathan Scott argues that seventeenth-century English history was shaped by three processes. The first was destructive: that experience of political instability which contemporaries called 'our troubles'. The second was creative: its spectacular intellectual consequence in the English revolution. The third was reconstructive: the long restoration voyage toward safe haven from these terrifying storms. Driving the troubles were fears and passions animated by European religious and political developments. The result registered the impact upon fragile institutions of powerful beliefs. One feature of this analysis is its relationship of the history of events to that of ideas. Another is its consideration of these processes across the century as a whole. The most important is its restoration of this extraordinary English experience to its European context.

Anthony Ashley Cooper, First Earl of Shaftesbury, was a giant on the English political scene of the later seventeenth century. Despite taking up arms against the king in the Civil War, and his active participation in the republican governments of the 1650s, Shaftesbury managed to retain a leading role in public affairs following the Restoration of Charles II, being raised to the peerage and holding several major offices. Following his dismissal from government in 1673 he then became de facto leader of the opposition faction and champion of the Protestant cause, before finally fleeing the country in 1681 following charges of high treason. In order to understand fully such a complex and controversial figure, this volume draws upon the specialised knowledge of nine leading scholars to investigate Shaftesbury's life and reputation. As well as re-evaluating the well-known episodes in which he was involved - his early republican sympathies, the Cabal, the Popish Plot and the politics of party faction - other less familiar themes are also explored. These include his involvement with the expansion of England's overseas colonies, his relationship with John Locke, his connections with Scotland and Ireland and his high profile public reputation. Each chapter has been especially commissioned to give an insight into a different facet of his career, whilst simultaneously adding to an overall evaluation of the man, his actions and beliefs. As such, this book presents a unique and coherent picture of Shaftesbury that draws upon the very latest interdisciplinary research, and will no doubt stimulate further work on the most intriguing politician of his generation.

Andrew Marvell (1621-78) is best known today as the author of a handful of exquisite lyrics and provocative political poems. In his own time, however, Marvell was famous for his brilliant prose interventions in the major issues of the Restoration, religious toleration, and what he called "arbitrary" as distinct from parliamentary government. This is the first modern edition of all Marvell's prose pamphlets, complete with introductions and annotation explaining the historical context. Four major scholars of the Restoration era have collaborated to produce this truly Anglo-American edition. From the Rehearsal Transpros'd, a serio-comic best-seller which appeared with tacit permission from Charles II himself, through the documentary Account of the Growth of Popery and Arbitrary Government, Marvell established himself not only as a model of liberal thought for the eighteenth century but also as an irresistible new voice in political polemic, wittier, more literary, and hence more readable than his contemporaries.