Thirteen-year-old Amy McDougall is worried about Travis, the single gay guy who adopted her when she was a kid. He wants a boyfriend yet isn't having any luck finding one himself. Amy decides the solution is for someone else to do the finding. Someone like her! Amy's first attempts at matchmaking are embarrassing flops, despite advice from her hyper-smart best friend Grace. But then Amy hits the jackpot, getting Travis together with her middle school Spanish teacher, Enrique Diaz. ¡Muy bien! "I'm a master matchmaker," Amy boasts to Grace. Grace isn't impressed. "One measly match does not prove you're a master matchmaker," she insists. Determined to lay claim to the title, Amy makes a match between Edith, Grace's mom, and Brian, a handsome businessman. After that, she even finds Grace a boyfriend, nerdy-but-cute Denry. By now Amy is sure no one can deny that she's Amy McDougall, Master Matchmaker. Still, Amy soon finds there can be a price to pay for meddling in other people's lives. Amy McDougall, Master Matchmaker is a fun and engaging tale which takes a fresh look at important subjects like love and friendship

Thirteen-year-old Thomas Creeper hasn't been dealt the best hand in life: heir to a miserable family funeral business, in the miserable seaside town of Gloomsbury where the sun only shines a few times a year, Thomas dreams of being anything but a mortician's apprentice. A spy? A writer? Perhaps a combination of the two if the job exists? When a body arrives on the doorstep of Creeper & Sons Funeral Home with signs of foul play Thomas's meticulous father overlooks, Thomas is thrust into the middle of a terrifying mystery, one which will reveal the link between his family and the darkest secret of his hometown.

From its foundation in 1826, UCL embraced a progressive and pioneering spirit. It was the first university in England to admit students regardless of religion and made higher education affordable and accessible to a much broader section of society. It was also effectively the first university to welcome women on equal terms with men. From the outset UCL showed a commitment to innovative ideas and new methods of teaching and research. This book charts the history of UCL from 1826 through to the present day, highlighting its many contributions to society in Britain and around the world. It covers the expansion of the university through the growth in student numbers and institutional mergers. It documents shifts in governance throughout the years and the changing social and economic context in which UCL operated, including challenging periods of reconstruction after two World Wars. Today UCL is one of the powerhouses of research and teaching, and a truly global university. It is currently seventh in the QS World University Rankings. This completely revised and updated edition features a new chapter based on interviews with key individuals at UCL. It comes at a time of ambitious development for UCL with the establishment of an entirely new campus in East London, UCL East, and Provost Michael Arthur’s ‘UCL 2034’ strategy which aims to secure the university’s long-term future and commits UCL to delivering global impact.

Thea's overprotective parents are about to drive her nuts. They invade her privacy, ask too many questions, and restrict her online time so much that Thea feels she can't do any of the things her friends do. She barely has time to answer her emails! When she discovers a new role-playing game online, Thea breaks the rules by staying up late to play. Soon, she's living a double life: on one hand, the obedient daughter; on the other, a girl slipping deeper into darkness. In the world of the game, Thea falls under the spell of Kit, an older boy whose smarts and savvy can't defeat his near-suicidal despair. As Kit draws soft-hearted Thea into his drama, she creates a full plate of cover stories for her parents and then even her friends. Soon, Thea is all alone in the dark world with Kit, who worries her more and more, but also seems to be the only person who really "gets" her. Is he frightening or only terribly sad? Should Thea fear Kit, or pity him? And now, Kit wants to come out of the screen and bring Thea into his real-life world. As much as she suspects that this is wrong, Thea is powerless to resist Kit's allure, and hurtles toward the very fate her parents feared most. Ripped from a true-life story of Internet stalking, Who R U Really? will excite you and scare you, as Thea's life spins out of her control.

"At various times, homosexuality has been considered the noblest of loves, a horrible sin, a psychological condition or grounds for torture and execution. David F. Greenberg's careful, encyclopedic and important new book argues that homosexuality is only deviant because society has constructed, or defined, it as deviant. The book takes us over vast terrains of example and detail in the history of homosexuality."—Nicholas B. Dirks, New York Times Book Review

In private life, we try to induce or suppress love, envy, and anger through deep acting or "emotion work," just as we manage our outer expressions of feeling through surface acting. In trying to bridge a gap between what we feel and what we "ought" to feel, we take guidance from "feeling rules" about what is owing to others in a given situation. Based on our private mutual understandings of feeling rules, we make a "gift exchange" of acts of emotion management. We bow to each other not simply from the waist, but from the heart. But what occurs when emotion work, feeling rules, and the gift of exchange are introduced into the public world of work? In search of the answer, Arlie Russell Hochschild closely examines two groups of public-contact workers: flight attendants and bill collectors. The flight attendant’s job is to deliver a service and create further demand for it, to enhance the status of the customer and be "nicer than natural." The bill collector’s job is to collect on the service, and if necessary, to deflate the status of the customer by being "nastier than natural." Between these extremes, roughly one-third of American men and one-half of American women hold jobs that call for substantial emotional labor. In many of these jobs, they are trained to accept feeling rules and techniques of emotion management that serve the company’s commercial purpose. Just as we have seldom recognized or understood emotional labor, we have not appreciated its cost to those who do it for a living. Like a physical laborer who becomes estranged from what he or she makes, an emotional laborer, such as a flight attendant, can become estranged not only from her own expressions of feeling (her smile is not "her" smile), but also from what she actually feels (her managed friendliness). This estrangement, though a valuable defense against stress, is also an important occupational hazard, because it is through our feelings that we are connected with those around us. On the basis of this book, Hochschild was featured in Key Sociological Thinkers, edited by Rob Stones. This book was also the winner of the Charles Cooley Award in 1983, awarded by the American Sociological Association and received an honorable mention for the C. Wright Mills Award.

Peter Singer says we are all equally valuable and I believe him. This means I should do more, that the care of one small bundle (never mind that it is my bundle) is insufficient--even if this is what I am fitted to do. Across the road two magnolias, one pink, one white. In the days since we came home I've watched their stark flower-spiked branches soften and go pastoral--the green leaves of ordinary time climbing out of the wood. The thing is, there isn't any indefinite 'later': childhood, adolescence, adulthood. Then, God willing, I'll be wearing out. Already as I lay this down I see you as the reader. I think: A decorative mind isn't much of an inheritance; and One day there'll be no book of mine left on the earth. Having started as a poet I suppose any contribution is a positive mark on the ledger. --"Ordinary Time"

Twelve-year-old Georgia Johnson is sure she can win the "Spirit of Detroit Poetry Contest," judged by her idol, Gwendolyn Brooks. After moving from her beloved Detroit neighborhood to an unfamiliar suburb on the outskirts of the city, Georgia lies to prevent becoming disqualified from the contest (which is for Detroit residents only) by using her aunt Birdie's address. With her older brother deployed to Vietnam, and her family worried about when--or if--he'll make it home, Georgia tries to settle into her new life. But she misses the old--her friend Ceci, the cracks in the sidewalk that used to catch her skates, the hide-and-seek tree, and the deli on the corner. She wonders if she'll ever make new friends or feel like she belongs. To make matters worse, she must also find a way to intercept the contest finalist announcement that will be mailed to Aunt Birdie's mailbox before her family uncovers her deception. During that summer, Georgia discovers her own resiliency in the face of upheaval and the power of truth when lies ring hollow.

Fifth grade is proving to be a challenge for ten-year-old Cassidy. There's a new girl at school who's stealing her best friend's heart, an abandoned bird who might not survive the winter, and an older sister whose emotional needs leave Cassidy scrambling to keep the peace. Cassidy will do anything to help prevent her sister's "Super Sophie Tantrums," even if that means pretending life is fine when it one-hundred-percent is not. But pretending has its limits and its costs, even for a sunshiny girl like Cassidy. Will she find a way to embrace the stormy side of her personality before everything falls apart?

Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.