Imprisoned for crimes she didn't commit, sixteen-year-old Orpha accepts an unusual invitation to live in a Victorian home for fallen women-- and finds new hope. Though haunted by nightmarish flashbacks and withering in the miserable conditions of Tothill prison, an infamous Victorian workhouse, Orpha perseveres, doing what she can to befriend and protect the other girls imprisoned alongside her. She doesn't speak about what happened-- no one would listen. No one would believe her. But then a mysterious letter arrives, offering her a place at Urania cottage. This experimental home aims to rehabilitate so-called fallen women-- many of them victims of sexual abuse, suffering not only the trauma of their experiences, but the blame and loss of reputation and livelihood. It sounds too good to be true-- but with nowhere else to go, Orpha decides to take her chance. Soon she discovers her unknown savior is none other than Charles Dickens, whose writing deals extensively with the plight of the lower class, and whose friendship and guidance offers Orpha a new way to express herself. With the support of the other women of Urania and the promise of a real future, Orpha will have to confront the darkest parts of her past-- and let go of her secrets. This atmospheric historical novel, full of heartbreakingly real characters whose lives are all too believable, celebrates the strength and resilience of young women throughout history. Virginia Frances' Schwartz's powerful prose, structured to echo Dickens' serialized style, illuminates an era of startling inequality and extreme poverty. Fans of Laurie Halse Anderson's Fever 1793, Margaret Atwood's Alias Grace, and Katherine Paterson's Lyddie will enjoy this riveting title. Named to the Amelia Bloomer book List A Notable Social Studies Trade Book for Young People Nominated for the Geoffrey Bilson Award for Historical Fiction

Imprisoned for crimes she didn't commit, sixteen-year-old Orpha accepts an unusual invitation to live in a Victorian home for fallen women-- and finds new hope. Though haunted by nightmarish flashbacks and withering in the miserable conditions of Tothill prison, an infamous Victorian workhouse, Orpha perseveres, doing what she can to befriend and protect the other girls imprisoned alongside her. She doesn't speak about what happened-- no one would listen. No one would believe her. But then a mysterious letter arrives, offering her a place at Urania cottage. This experimental home aims to rehabilitate so-called fallen women-- many of them victims of sexual abuse, suffering not only the trauma of their experiences, but the blame and loss of reputation and livelihood. It sounds too good to be true-- but with nowhere else to go, Orpha decides to take her chance. Soon she discovers her unknown savior is none other than Charles Dickens, whose writing deals extensively with the plight of the lower class, and whose friendship and guidance offers Orpha a new way to express herself. With the support of the other women of Urania and the promise of a real future, Orpha will have to confront the darkest parts of her past-- and let go of her secrets. This atmospheric historical novel, full of heartbreakingly real characters whose lives are all too believable, celebrates the strength and resilience of young women throughout history. Virginia Frances' Schwartz's powerful prose, structured to echo Dickens' serialized style, illuminates an era of startling inequality and extreme poverty. Fans of Laurie Halse Anderson's Fever 1793, Margaret Atwood's Alias Grace, and Katherine Paterson's Lyddie will enjoy this riveting title. Named to the Amelia Bloomer book List A Notable Social Studies Trade Book for Young People Nominated for the Geoffrey Bilson Award for Historical Fiction

Orpha doesn't speak about what got her into prison. No one would listen. No one would believe her. Haunted by nightmarish flashbacks and withering in the miserable conditions of Tothill prison, 16-year-old Orpha perseveres, doing what she can to befriend and protect the other girls imprisoned alongside her. But then a mysterious letter arrives, offering her a place at a women's home called Urania cottage. It sounds too good to be true--but with nowhere else to go, Orpha decides to take her chance. Soon she discovers the letter-writer is none other than Charles Dickens. With the support of the other women of Urania and the promise of a real future, Orpha will have to confront the darkest parts of her past-- and let go of her secrets. This atmospheric historical novel, full of heartbreakingly real characters, celebrates the strength and resilience of young women throughout history. Virginia Frances Schwartz's powerful prose, structured to echo Dickens' serialized style, illuminates an era of startling inequality and extreme poverty. Fans of Laurie Halse Anderson's Fever 1793, Margaret Atwood's Alias Grace, and Katherine Paterson's Lyddie will enjoy this riveting title.

Star FBI detective Amos Decker and his colleague Alex Jamison must solve four increasingly bizarre murders in a dying rust belt town--and the closer they come to the truth, the deadlier it gets in this rapid-fire #1 New York Times bestseller. Something sinister is going on in Baronville. The rust belt town has seen four bizarre murders in the space of two weeks. Cryptic clues left at the scenes--obscure bible verses, odd symbols--have the police stumped. Amos Decker and his FBI colleague Alex Jamison are in Baronville visiting Alex's sister and her family. It's a bleak place: a former mill and mining town with a crumbling economy and rampant opioid addiction. Decker has only been there a few hours when he stumbles on a horrific double murder scene. Then the next killing hits sickeningly close to home. And with the lives of people he cares about suddenly hanging in the balance, Decker begins to realize that the recent string of deaths may be only one small piece of a much larger scheme--with consequences that will reach far beyond Baronville. Decker, with his singular talents, may be the only one who can crack this bizarre case. Only this time--when one mistake could cost him everything--Decker finds that his previously infallible memory may not be so trustworthy after all...

The five companions of Silent Hall must determine where they stand in the battle of the gods—a thrilling continuation of the epic fantasy trilogy inspired by Jewish theology In wake of the battle of Silent Hall, the city of Ardis is reeling, its leaders frightened and disorganized. The remaining oracle of the god Ravennis has resurfaced there and is spreading a new gospel—one in which Ravennis is the new Lord of the Underworld. Narky is swept up in the promotion of his religion, even while the prevailing church of Magor tries to put down its upstart rivals. In the meantime, Criton and Bandu discover a community of Dragon Touched that has survived in hiding, and with Criton’s leadership, they begin a campaign to retake their former territories with the power of God Most High at their backs. Left to their own devices, Phaedra and Hunter go on a quest to rediscover the secrets of academic wizardry. But they soon discover that all five islanders are needed to prevent a true worldwide catastrophe. If only Criton and Narky weren't already on opposing sides of a regional war . . .

"This edgy fantasy doesn't just blur boundaries of genre, of gender, of past and present, life and death--it explodes them." --Cinda Williams Chima, New York Times bestselling author of the Seven Realms series and the Shattered Realms series. Without the dead, she'd be no one. Odessa is one of Karthia's master necromancers, catering to the kingdom's ruling Dead. Whenever a noble dies, it's Odessa's job to raise them by retrieving their soul from a dreamy and dangerous shadow world called the Deadlands. But there is a cost to being raised: the Dead must remain shrouded. If even a hint of flesh is exposed, a grotesque transformation begins, turning the Dead into terrifying, bloodthirsty Shades. A dramatic uptick in Shade attacks raises suspicions and fears around the kingdom. Soon, a crushing loss of one of her closest companions leaves Odessa shattered, and reveals a disturbing conspiracy in Karthia: Someone is intentionally creating Shades by tearing shrouds from the Dead--and training them to attack. Odessa is forced to contemplate a terrifying question: What if her magic is the weapon that brings the kingdom to its knees? Fighting alongside her fellow mages--and a powerful girl as enthralling as she is infuriating--Odessa must untangle the gruesome plot to destroy Karthia before the Shades take everything she loves. Perfect for fans of Three Dark Crowns and Red Queen, Reign of the Fallen is a gutsy, unpredictable read with a surprising and breathtaking LGBT romance at its core.

A collection of four love stories featuring Shelby, Miles, and other characters from the Fallen series.

A vibrant and meticulously constructed debut novel about familial and cultural breakdown A powerful, unsettling portrait of family life in Cuba, Carlos Manuel Álvarez’s first novel is a masterful portrayal of a society in free fall. Diego, the son, is disillusioned and bitter about the limited freedoms his country offers him as he endures compulsory military service. Mariana, the mother, is unwell, prone to mysterious seizures, and forced to relinquish control over the household to her daughter, Maria, who has left school and is working as a chambermaid in a state-owned tourist hotel. The father, Armando, is a committed revolutionary, a die-hard Fidelista who is sickened by the corruption he perceives all around him. As each member of the family narrates seemingly quotidian and overlapping events, they grow increasingly at odds for reasons that remain elusive to them—each of them holding and concealing their own secrets. In meticulously charting the disintegration of a single family, The Fallen offers a poignant reflection on contemporary Cuba and the clash of the ardent idealism of the old guard with the jaded pragmatism of the young. This is a startling and incisive debut by a radiant new voice in Latin American literature.

Kristina Douglas’s sexy new series introduces a realm of fallen angels and ruthless demons, where an eternal rebellion is brewing . . . and one unsuspecting woman can change the fate of the Fallen forever. She was just an ordinary mortal . . . “You’re dead” is so not what Allie Watson wants to hear. Unfortunately, it explains a lot. Like the dark, angelically handsome man who ferried her to this strange, hidden land. The last thing she remembers is stepping off a curb in front of a crosstown bus. Now she’s surrounded by gorgeous fallen angels with an unsettling taste for blood—and they really don’t want her around. Not exactly how she pictured heaven. . . . until death catapulted her into a seductive world she never imagined. Raziel is unsure why he rescued Allie from hellfire against Uriel’s orders, but she stirs in him a longing he hasn't felt in centuries. Now the Fallen are bracing for the divine wrath brought by his disobedience, and they blame Allie for the ferocious Nephilim clawing at the kingdom’s shrouded gates. Facing impossible odds at every turn, the two must work together to survive. Raziel will do anything to defend his spirited lover against the forces of darkness—because Allie may be the Fallen’s only salvation.

The Enemy is among us . . . First the sickness rotted the adults' minds. Then their bodies. Now they stalk the streets of London, hunting human flesh. The Holloway crew are survivors. They've fought their way across the city and made it to the Natural History Museum alive--just barely. But their fight will never end while the Enemy lives, unless there's another way. . . . The kids at the museum are looking for a cure. All they need are medical supplies.To get them they must venture down unfamiliar streets, where it isn't only crazed, hungry sickos who lurk in the shadows. In this fifth terrifying entry in Charlie Higson's Enemy series, suddenly it's not so clear who--or what--the enemy is.