Amira has a magpie. He is the most beautiful, strangest of creatures ...Amira imagines her magpie flying across the world, to visit the family she left behind when she escaped her homeland. And as she flies, she flies with him and she is free.Amira's Magpie is a story of friendship, family and escape; of bravery and resilience in the face of hardship. It is the story of hope we find in small happinesses, even when it seems like all hope is lost.

How do you make something feel finished? On New Year’s Eve seventeen-year-old Amira texts the Irish ex-boyfriend she’s been missing desperately since they broke up at the end of summer, when she returned to Canada. They agreed they wouldn’t be friends, that it would never be enough. But that was then—back when Amira’s separated parents had shipped her off to relatives in Dublin for the summer so they could test-drive the idea of getting back together on a long haul cruise. Back when Amira was torn away from a friend in need in Toronto only to fall in love with a Dublin screenwriting class and take a step closer to her dream career. And only to fall for cousin Zoey’s bandmate, Darragh, the guy who is first her friend, then her enemy and later something much more complicated—the guy she can say anything to, the guy who makes every inch of her feel wide awake in a way she hadn’t known was possible. The guy she confides in about the dead sister she has no living memories of but who has remained with Amira nonetheless. The guy she might never see again. Or is there, despite the distance, somehow still a chance for them? Chock-full of movie references and giddy love for Dublin, Ireland, Just Like You Said It Would Be is a frank exploration of the extraordinary highs and shattering lows of first love that will appeal to fans of Jennifer Echols, Tara Kelly, Sarra Manning, Trish Doller, and Kirsty Eagar.

On a sunny afternoon in June, four of Mrs. Johnson’s students—Blogger, Petal, Amira, and Billy—attend Forest School. Each child is asked to explore Forest School, discovering the fantastic creatures living in this outside environment. When they return to the willow circle to compare notes, Petal realizes her precious locket has gone missing. Together, they undertake a frantic search, but because of the time, Mrs. Johnson has to call off the hunt. Petal’s grandmother gave her that locket right before she died, so Petal refuses to give up and so do her faithful classmates. They have no idea the magic that’s about to occur. Secretly, their teacher Mrs. Johnson is Kayla, the Good Witch of all Forest Schools. Kayla transports the four children to a different dimension where they enlist the help of a mystical grasshopper named Dylan. The kids have two days to find the locket and return home. If they’re late, they’ll be trapped in a different dimension forever!

When Art Spiegelman's Maus—a two-part graphic novel about the Holocaust—won a Pulitzer Prize in 1992, comics scholarship grew increasingly popular and notable. The rise of “serious” comics has generated growing levels of interest as scholars, journalists, and public intellectuals continue to explore the history, aesthetics, and semiotics of the comics medium. Yet those who write about the comics often assume analysis of the medium didn't begin until the cultural studies movement was underway. Arguing Comics: Literary Masters on a Popular Medium brings together nearly two dozen essays by major writers and intellectuals who analyzed, embraced, and even attacked comic strips and comic books in the period between the turn of the century and the 1960s. From e. e. cummings, who championed George Herriman's Krazy Kat, to Irving Howe, who fretted about Harold Gray's Little Orphan Annie, this volume shows that comics have provided a key battleground in the culture wars for over a century. With substantive essays by Umberto Eco, Marshall McLuhan, Leslie Fiedler, Gilbert Seldes, Dorothy Parker, Irving Howe, Delmore Schwartz, and others, this anthology shows how all of these writers took up comics-related topics as a point of entry into wider debates over modern art, cultural standards, daily life, and mass communication. Arguing Comics shows how prominent writers from the Jazz Age and the Depression era to the heyday of the New York Intellectuals in the 1950s thought about comics and, by extension, popular culture as a whole.

According to the Qur’an, God created two parallel species, man and the jinn, the former from clay and the latter from fire. Beliefs regarding the jinn are deeply integrated into Muslim culture and religion, and have a constant presence in legends, myths, poetry, and literature. In Islam, Arabs, and the Intelligent World of the Jinn, Amira El-Zein explores the integral role these mythological figures play, revealing that the concept of jinn is fundamental to understanding Muslim culture and tradition.

This book constitutes revised and selected papers from the scientific satellite events held in conjunction with the18th International Conference on Service-Oriented Computing, ICSOC 2020. The conference was held virtually during December 14-17, 2020. A total of 125 submissions were received for the satellite events. The volume includes 9 papers from the PhD Symposium Track, 4 papers from the Demonstration Track, and 45 papers from the following workshops: International Workshop on Artificial Intelligence for IT Operations (AIOps) International Workshop on Cyber Forensics and Threat Investigations Challenges in Emerging Infrastructures (CFTIC 2020) 2nd Workshop on Smart Data Integration and Processing (STRAPS 2020) International Workshop on AI-enabled Process Automation (AI-PA 2020) International Workshop on Artificial Intelligence in the IoT Security Services (AI-IOTS 2020)

A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Yuri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber—mysteriously tied to the businessman plagued by the mark of his crime—will either restore or annihilate her. After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency—the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.

Eleven-year-old Aster attends a school for gifted kids, but she doesn't think she's special at all. If she was, her mother wouldn't have left. Each day Aster must do a good, right thing-a challenge she sets herself, to make someone else's life better. Nobody can know about her things, because then they won't count. And if she doesn't do them, she's sure everything will go wrong.Then she meets Xavier. He has his own kind of special missions to make life better. When they do these missions together, Aster feels free, but if she stops doing her good, right things will everything fall apart?

"First published in Great Britain by Penguin Random House UK in 2015"--Copyright page.