With private space companies launching rockets, satellites, and people at a record pace, and with the U.S. and other governments committing to a future in space, Glenn Harlan Reynolds looks at how we got here, where we’re going, and why it matters for all of humanity.

With private space companies launching rockets, satellites, and people at a record pace, and with the U.S. and other governments committing to a future in space, Glenn Harlan Reynolds looks at how we got here, where we're going, and why it matters for all of humanity.

Halfway to Anywhere tells the story of the development and future potential of the reusable Single-Stage-To-Orbit (SSTO) spaceship - a spaceship NASA bureaucrats once said was impossible. But an experimental rocket, the DC-X, was built in twenty-two months with a tiny government contract and parts scrounged from space junk yards and Wal-mart. The DC-X first flew in 1993 and was repeatedly flown and tested until 1995; it proved the concepts of reusability and quick turnaround like an airliner. SSTO means economical, reliable, on demand space transportation of people and cargos to and from low-Earth orbit within a decade. Commercial spaceships that operate like airliners are possible and profitable, and Halfway to Anywhere tells how and why.

In this innovatory book Daniel Sage analyses how and why American space exploration reproduced and transformed American cultural and political imaginations by appealing to, and to an extent organizing, the transcendence of spatial and temporal frontiers. In so doing, he traces the development of a seductive, and powerful, yet complex and unstable American geographical imagination: the ’transcendental state’. Historical and indeed contemporary space exploration is, despite some recent notable exceptions, worthy of more attention across the social sciences and humanities. While largely engaging with the historical development of space exploration, it shows how contemporary cultural and social, and indeed geographical, research themes, including national identity, critical geopolitics, gender, technocracy, trauma and memory, can be informed by the study of space exploration.

The Affective Agency of Public Space explores the pivotal role that public spaces play in fostering social inclusion and community cohesion within various settings, including Europe and the United States. This scholarly work underscores the critical importance of developing inclusive public zones that enhance urban life and promote integration and interaction among diverse community groups. It also confronts and debunks common myths about ‘different people,’ actively addressing misconceptions while promoting the recognition of diverse identities and voices. Through a comparative lens, the book presents insightful case studies that illustrate its core themes. Serving as a timely and important academic resource, this text is indispensable for urban planners, educators, architects, designers, and sociologists committed to progressive urban planning methodologies.

Writing in a time of heightened political anxiety–and when accusations of nationalism, authoritarianism, and proto-fascism have increasingly divided Americans into factions– the authors use their influential performance studies-based ‘tourist as actor’ framework to unpack the ways that Disney parks and their guests co-create performance of implicit Americanness in the 21st century. This book argues that the roles that guests choose to perform-- accepting, declining, negotiating, or overwriting scripts offered to them by the Disney theme park experience-- ultimately reveals much about the nature of the contemporary United States. Focusing primarily on Walt Disney World in Florida, and using case studies on music, geography and ecology, sports, families, and politics, these chapters illuminate the always complicated and often contradictory presentations and performances of America within Disney parks in the deeply contested twenty-first century.

"This is a delightful book, a small gem replete with insightful, provocative pieces about both American culture and Jewish life. I think that Stephen Whitfield is one of the most original essayists on these two topics. Few other scholars combine the density of his knowledge with the verve of his prose". -- Hasia R. Diner, New York University