From New York Times bestselling author Bob McKinnon comes a story about seeking inspiration from our past to become our best selves in the future. Have you ever felt alone? Have you ever desperately wanted to fit in? America understands how you feel. America dreams of adventures, making new friends, and being strong. But America’s first day at a new school turns out to be a nightmare. Fortunately, America’s new teacher introduces the Welcome Wagon—a cart filled with books about real-life historical figures who also had trouble feeling accepted. When America falls asleep that night, Amelia Earhart, Sojourner Truth, Martin Luther King Jr., and Emma Lazarus jump off the pages to share their stories—inspiring America to return to school the next day and make their dreams come true. While we never see America, Bob McKinnon’s lyrical writing and Thai My Phuong’s unique, sweeping art helps readers see the world through America’s eyes and encourages us all to be as kind as we are brave, because everyone always deserves to feel welcome.

American Dreaming chronicles in rich detail the struggles of immigrants who have fled troubled homelands in search of a better life in the United States, only to be marginalized by the society that they hoped would embrace them. Sarah Mahler draws from her experiences living among undocumented Salvadoran and South American immigrants in a Long Island suburb of Manhattan. In moving interviews they describe their disillusionment with life in the United States but blame themselves individually or as a whole for their lack of economic success and not the greater society. As she explores the reasons behind this outlook, the author argues that marginalization fosters antagonism within ethnic groups while undermining the ethnic solidarity emphasized by many scholars of immigration. Mahler's investigation leads to conditions that often bar immigrants from success and that they cannot control, such as residential segregation, job exploitation, language and legal barriers, prejudice and outright hostility from their suburban neighbors. Some immigrants earn surplus income by using private cars as taxis, subletting space in apartments to lower rent burdens, and filling out legal forms and applications--in essence generating institutions largely parallel to those of the mainstream society whereby only a small group of entrepreneurs can profit. By exacting a price for what used to be acts of reciprocal good will in the homeland, these entrepreneurs leave people who had expected to be exploited by "Americans" feeling victimized by their own.

Laban Hill, author of the acclaimed Harlem Stomp, is back with an in-depth exploration of America in the 1960's and the young people who built a new world around them and changed our society significantly. Like Harlem Stomp, America Dreaming is an educational and visual look into a time of energy and influence. Covering subjects such as the civil rights movement, hippie culture, black nationalism, and the feminist movement, Hill paints a sprawling picture of life in the '60's and shows how teenagers were on the forefront of the societal changes that occurred during this grand decade.

With America ever under global scrutiny, Russell Banks contemplates the questions of our origins, values, heroes, conflicts, and contradictions. He writes with conversational ease and emotional insight, drawing on contemporary politics, literature, film, and his knowledge of American history.

" ... about the transformation of Asian Americans ... into a self-identified racial group that is influencing every aspect of American society."--Jacket.

Presents a collection of twenty-two essays that explore how immigrant lives are affected in economic, regional, familial, and cultural ways. Discusses the creation of new cultural forms blending old and new and immigrant resistance to discard their old traditions in order to become Americanized.

When it was released in 2004, Harlem Stomp! was the first trade book to bring the Harlem Renaissance alive for young adults! Meticulously researched and lavishly illustrated, the book is a veritable time capsule packed with poetry, prose, photographs, full-color paintings, and reproductions of historical documents. Now, after more than three years in hardcover, three starred reviews and a National Book Award nomination, Harlem Stomp! is being released in paperback.

California Dreaming is a multi-genre collection featuring works by Asian American artists based in California. Exploring the places of “Asian America” through the migration and circulation of the arts, this volume highlights creative processes and the flow of objects to understand the rendering of California’s imaginary. Here, “California” is interpreted as both a specific locale and an identity marker that moves, linking the state’s cultural imaginary, labor, and economy with Asia Pacific, the Americas, and the world. Together, the works in this collection shift previous models and studies of the “Golden State” as the embodiment of “frontier mentality” and the discourse of exceptionality to a translocal, regional, and archipelagic understanding of place and cultural production. The poems, visual essays, short stories, critical essays, interviews, artist statements, and performance text excerpts featured in this collection expand notions of where knowledge is produced, directing our attention to the particularity of California’s landscape and labor in the production of arts and culture. An interdisciplinary collection, California Dreaming foregrounds “sensing” and “imagining” place, vividly, as it hopes to inspire further creative responses to the notion of emplacement. In doing so, California Dreaming explores the possibilities imagined by and through Asian American arts and culture today, paving the way for what is yet to be.

THE STORY: Made up of eighteen monologues and divided into six segments (fantasies, nightmares, hallucinations, sweet dreams, broken reveries and visions), the play uses the voices of real people to convey, with striking effectiveness, a sense of w

From the late nineteenth century through World War II, popular culture portrayed the American South as a region ensconced in its antebellum past, draped in moonlight and magnolias, and represented by such southern icons as the mammy, the belle, the chival