In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up the aesthetics of Asian inscrutability—such as invisibility, silence, unreliability, flatness, and withholding—to express Asian American life. Through analyses of diverse works by performance artists (Tehching Hsieh, Baseera Khan, Emma Sulkowicz, Tseng Kwong Chi), writers (Kim Fu, Kai Cheng Thom, Monique Truong), and video, multimedia, and conceptual artists (Laurel Nakadate, Yoko Ono, Mika Tajima), Huang challenges neoliberal narratives of assimilation that erase Asianness. By using sound, touch, and affect, these artists and writers create new frameworks for affirming Asianness as a source of political and social critique and innovative forms of life and creativity. Duke University Press Scholars of Color First Book Award recipient

Surfaces are among the most common and easily visualized mathematical objects, and their study brings into focus fundamental ideas, concepts, and methods from geometry, topology, complex analysis, Morse theory, and group theory. This book introduces many of the principal actors - the round sphere, flat torus, Mobius strip, and Klein bottle.

"Originally published in 1982, Stephen Shore's legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition over the past forty years. Uncommon Places: The Complete Works, published by Aperture in 2004, presents a definitive collection of the landmark series, and in the span of a decade, has become a contemporary classic. Now, for this lushly produced reissue, the artist has added twenty rediscovered images and a statement explaining what it means to expand a series now many decades old. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore in these images retains precise internal systems of gestures in composition and light, through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to his signature landscapes with which Uncommon Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits." -- Publisher's description.

Offers a focused point of view on the differential geometry of curves and surfaces. This monograph treats the Gauss - Bonnet theorem and discusses the Euler characteristic. It also covers Alexandrov's theorem on embedded compact surfaces in R3 with constant mean curvature.

'Transparencies: Small Camera Works 1971-1979' offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore's luminous new vision of the American landscape, 'Uncommon Places'. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are intimate, spontaneous and personal, while retaining Shore's studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master. With an afterword by Britt Salvesen, curator at LACMA, titled 'Ordinary Speech: The Vernacular in Stephen Shore's Early 35mm Photography'.

Minimal surfaces date back to Euler and Lagrange and the beginning of the calculus of variations. Many of the techniques developed have played key roles in geometry and partial differential equations. Examples include monotonicity and tangent cone analysis originating in the regularity theory for minimal surfaces, estimates for nonlinear equations based on the maximum principle arising in Bernstein's classical work, and even Lebesgue's definition of the integral that he developed in his thesis on the Plateau problem for minimal surfaces. This book starts with the classical theory of minimal surfaces and ends up with current research topics. Of the various ways of approaching minimal surfaces (from complex analysis, PDE, or geometric measure theory), the authors have chosen to focus on the PDE aspects of the theory. The book also contains some of the applications of minimal surfaces to other fields including low dimensional topology, general relativity, and materials science. The only prerequisites needed for this book are a basic knowledge of Riemannian geometry and some familiarity with the maximum principle.

The goal of the book is to present a tapestry of ideas from various areas of mathematics in a clear and rigorous yet informal and friendly way. Prerequisites include undergraduate courses in real analysis and in linear algebra, and some knowledge of complex analysis. --from publisher description.

The Nature of Photographs is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for students, teachers and everyone who wants to take better pictures or learn to look at them in a more informed way.

Complex analysis is a cornerstone of mathematics, making it an essential element of any area of study in graduate mathematics. Schlag's treatment of the subject emphasizes the intuitive geometric underpinnings of elementary complex analysis that naturally lead to the theory of Riemann surfaces. The book begins with an exposition of the basic theory of holomorphic functions of one complex variable. The first two chapters constitute a fairly rapid, but comprehensive course in complex analysis. The third chapter is devoted to the study of harmonic functions on the disk and the half-plane, with an emphasis on the Dirichlet problem. Starting with the fourth chapter, the theory of Riemann surfaces is developed in some detail and with complete rigor. From the beginning, the geometric aspects are emphasized and classical topics such as elliptic functions and elliptic integrals are presented as illustrations of the abstract theory. The special role of compact Riemann surfaces is explained, and their connection with algebraic equations is established. The book concludes with three chapters devoted to three major results: the Hodge decomposition theorem, the Riemann-Roch theorem, and the uniformization theorem. These chapters present the core technical apparatus of Riemann surface theory at this level. This text is intended as a detailed, yet fast-paced intermediate introduction to those parts of the theory of one complex variable that seem most useful in other areas of mathematics, including geometric group theory, dynamics, algebraic geometry, number theory, and functional analysis. More than seventy figures serve to illustrate concepts and ideas, and the many problems at the end of each chapter give the reader ample opportunity for practice and independent study.