New York Fashion Week has served many purposes throughout its long history, but it has always remained at the center of the American fashion world. During World War II, Fashion Week challenged the dominance of French couture; in the 1970s and 1980s, it was a showcase for American sportswear stars who became household names; in the 2000s, it was the stage for celebrity designers using the runway as a vehicle for entertainment; and now, it is the place to see and be seen by contemporary reality TV and social media stars. Now, this illustrious history is told as it’s never been told before, in a book packed with designer interviews, backstage ephemera, and exclusive photographs culled from all 75 years of New York Fashion Week. Part historical overview, part scrapbook, and part fashion-industry field guide, American Runway will bring to life the people, places, and over-the-top runway productions of New York Fashion Week—and will sate the appetites of die-hard fashion fans and casual fashionistas alike.

From February 1967 to April 1968, David Vaughan flew the Lockheed C-130 Hercules in Southeast Asia. Initially a co-pilot, he moved up to aircraft commander and then instructor pilot as he mastered the challenges of landing on very short, unimproved airstrips in difficult terrain and bad weather. He describes his progression from inexperienced novice to veteran flyer as he learned his trade under combat conditions. Vaughan's airlift missions took him to more than 50 fields in South Vietnam, from the Delta in the south to the DMZ in the north, carrying supplies, mail, food, ammunition, and soldiers alive, wounded, and dead. Among his most harrowing flights were resupply missions into the U.S. Marine base at Khe Sanh during the most intensive days of the 1968 Tet offensive. This expanded and revised edition of his memoir details several additional episodes and features more than twice as many photographs as appeared in the original edition.

A behind-the-scenes look at the only fashion show held at the White House and the intersections of fashion and politics On February 29, 1968, the White House hosted its first--and only--fashion show. At the time, the patriotic event was lauded by the press, and many predicted it would become an annual occasion, especially since fashion had grown to become the fourth largest industry in the United States, employing 1.4 million Americans, more than 80 percent of them women. But the social and political turmoil of that particular year--from the Vietnam War, the civil rights movement, and the assassinations of Dr. Martin Luther King Jr. and Senator Robert F. Kennedy--cast a shadow over the festivities. Using eyewitness accounts as well as carefully preserved records, artifacts, and previously unpublished images, Red, White, and Blue on the Runway re-creates the once-in-a-lifetime event and explores the reasons why the first White House fashion show was destined to be the last. The politics of fashion touched everyone involved in this landmark occasion in American fashion history, from hostess Lady Bird Johnson and the Johnson daughters to the designers, including Bill Blass, Geoffrey Beene, Mollie Parnis, and Oscar de la Renta, as well as the models and guests. Those guests included the wives of governors and of President Johnson's Cabinet, in addition to dozens of fashion designers and prominent journalists who reported on the event. In our own turbulent political climate, Red, White, and Blue on the Runway takes us back to an equally tense time, providing a unique historical perspective on themes of fashion, politics, protest, and image-making that are immediately relevant today.

From Elizabeth Keckly's designs as a freewoman for Abraham Lincoln's wife to flamboyant clothing showcased by Patrick Kelly in Paris, Black designers have made major contributions to American fashion. However, many of their achievements have gone unrecognized. This book, inspired by the award-winning exhibition at the Museum at FIT, uncovers hidden histories of Black designers at a time when conversations about representation and racialized experiences in the fashion industry have reached all-time highs. In chapters from leading and up-and-coming authors and curators, Black Designers in American Fashion uses previously unexplored sources to show how Black designers helped build America's global fashion reputation. From enslaved 18th-century dressmakers to 20th-century “star” designers, via independent modistes and Seventh Avenue workers, the book traces the changing experiences of Black designers under conditions such as slavery, segregation, and the Civil Rights Movement. Black Designers in American Fashion shows that within these contexts Black designers maintained multifaceted practices which continue to influence American and global style today. Interweaving fashion design and American cultural history, this book fills critical gaps in the history of fashion and offers insights and context to students of fashion, design, and American and African American history and culture.

Paige Forrester shocks the fashion world with her engagement to designer Dylan Marceau, resulting in more responsibility for Erin and possible changes to the direction of their popular TV show.

On November 28, 1973, the world's social elite gathered at the Palace of Versailles for an international fashion show. By the time the curtain came down on the evening's spectacle, history had been made and the industry had been forever transformed. This is that story. Conceived as a fund-raiser for the restoration of King Louis XIV's palace, in the late fall of 1973, five top American designers faced off against five top French designers in an over-the-top runway extravaganza. An audience filled with celebrities and international jet-setters, including Princess Grace of Monaco, the Duchess of Windsor, Paloma Picasso, and Andy Warhol, were treated to an opulent performance featuring Liza Minnelli, Josephine Baker, and Rudolph Nureyev. What they saw would forever alter the history of fashion. The Americans at the Battle of Versailles– Oscar de la Renta, Bill Blass, Anne Klein, Halston, and Stephen Burrows – showed their work against the five French designers considered the best in the world – Yves Saint Laurent, Hubert de Givenchy, Pierre Cardin, Emanuel Ungaro, and Marc Bohan of Christian Dior. Plagued by in-fighting, outsized egos, shoestring budgets, and innumerable technical difficulties, the American contingent had little chance of meeting the European's exquisite and refined standards. But against all odds, the American energy and the domination by the fearless models (ten of whom, in a groundbreaking move, were African American) sent the audience reeling. By the end of the evening, the Americans had officially taken their place on the world's stage, prompting a major shift in the way race, gender, sexuality, and economics would be treated in fashion for decades to come. As the curtain came down on The Battle of Versailles, American fashion was born; no longer would the world look to Europe to determine the stylistic trends of the day, from here forward, American sensibility and taste would command the world's attention. Pulitzer-Prize winning fashion journalist Robin Givhan offers a lively and meticulously well-researched account of this unique event. The Battle of Versailles is a sharp, engaging cultural history; this intimate examination of a single moment shows us how the world of fashion as we know it came to be.

On June 1, 1999, at 2350:44 central daylight time, American Airlines flight 1420, a McDonnell Douglas DC-9-82, crashed after it overran the end of runway 4R during landing at Little Rock National Airport in Little Rock, Arkansas. The flight originated from Dallas/Fort Worth International Airport, Texas. There were 145 persons on board. The airplane was destroyed by impact forces and a postcrash fire. The captain and 10 passengers were killed; 120 crewmembers and passengers received serious or minor injuries; and 24 passengers were not injured. The National Transportation Safety Board determines that the probable causes were the flight crew's failure to discontinue the approach when severe thunderstorms.

In this limited edition, Ultimate Collection format linen clamshell and handmade oversized book, Valerie Steele flexes her curatorial muscle by showcasing the most iconic dresses of the twentieth century. From Poiret to Pucci, Doucet to Dior, Vionnet to Valentino, Steele selects one hundred dresses that caused a stir either on the runway or entering a room and ultimately inspired new directions in fashion. Steele’s selections include Paul Poiret's figure-liberating 1907 gown, Madame Grès’s sublimely draped goddess creation from 1938, Jean Paul Gaultier's shockingly exaggerated cone-bust corset dress circa 1984, and Hussein Chalayan’s awe-inspiring remote-control fiberglass Airplane dress from 2000. The compilation, while certainly subjective, is sure to receive nods of recognition along with a gasp or two of surprise.

Emergency is a collection of true stories about events where disaster seems imminent. Yet each situation is concluded without loss of life thanks to the skill of the pilots and their crews, whose bravery and resourcefulness have earned them well-deserved commendations. Written by a British Airways First Officer, Stanley Stewart, who has spoken at first hand with the pilots and crews involved in all the incidents recorded here, the book offers a unique insight into what really happened: not the passengers eye-view, which in many cases is already documented, but the view from the flight deck of the aircraft itself.

Caleb Marcus is a Peacemaker, a roving lawman tasked with maintaining the peace and bringing control to magic users on the frontier. A Peacemaker isn’t supposed to take a life—but sometimes, it’s kill or be killed... After a war injury left him half-scoured of his power, Caleb and his jackalope familiar have been shipped out West, keeping them out of sight and out of the way of more useful agents. And while life in the wild isn’t exactly Caleb’s cup of tea, he can’t deny that being amongst folk who aren’t as powerful as he is, even in his poor shape, is a bit of a relief. But Hope isn’t like the other small towns he’s visited. The children are being mysteriously robbed of their magical capabilities. There’s something strange and dark about the local land baron who runs the school. Cheyenne tribes are raiding the outlying homesteads with increasing frequency and strange earthquakes keep shaking the very ground Hope stands on. Something’s gone very wrong in the Wild West, and it’s up to Caleb to figure out what’s awry before he ends up at the end of the noose—or something far worse...