Introduction : American quilts in the industrial age, 1760-1870 / Carolyn Ducey, Christine Humphrey, and Patricia Cox Crews -- Early spreads / Lynne Z. Bassett and Linda Baumgarten -- Whole cloth quilts -- Lynne Z. Bassett, Linda Baumgarten, and Christine Humphrey -- Chintz appliqué quilts / Carolyn Ducey -- Pieced quilts / Janice E. Frisch and Xenia Cord, Patricia Cox Crews, Carolyn Ducey, Jonathan Gregory, Virginia Gunn, and Christine Humphrey -- Appliqué quilts / Virginia Gunn, Carolyn Ducey, and Jonathan Gregory

Quilting has a rich history in Maine and America and its popularity has surged in recent years as people return to traditional handcrafts. The history of quilting in Maine is a story of community and Maine State Museum curator Laurie LaBar coaxes stories out of objects and uses those stories to enlighten, entertain, and bring new voices to Maine history. The first book of its kind, Maine Quilts 250 Years ofComfort and Community is the accompanying volume to a major two-year exhibit at the Maine State Museum. Stories abound, and lesser known aspects of the state’s history are brought to light, but the star attractions are the quilts themselves. Ranging from surviving Colonial era quilts to present day creations, more than 150 are presented in full color.

One hundred spectacular antique quilts from one of the largest, privately held quilt and textile collections in the world. Turn back time with color photos and insightful essays about America’s quilting past! Admire one hundred antique quilts and textiles you’ve never seen before, curated from the remarkable Poos Collection. Flip through the pages to find a wide range of styles in pre-Civil War quilting—elaborate hand piecing and appliqué, signature quilts, wholecloth beauties, cutout chintz, and intarsia, plus the only known example of an American pictorial war quilt. An invaluable resource to America’s quilt history, the Poos Collection shares its classic, one-of-a-kind quilts. Admire one hundred colorful artifacts from the priceless Poos Collection Read insights and information on the history behind the quilts Relax and feast your eyes on these pre-1860 quilts, including album, wool, paper-pieced, white-on-white wholecloth, red and green, indigo, and chintz quilts

Pulitzer Prize–winning historian Laurel Thatcher Ulrich has remarked, “Much of the social history of early America has been lost to us precisely because women were expected to use needles rather than pens.” This book, part of the multivolume series of the International Quilt Study Center collections, recovers a swath of that lost history and shows us some of America’s treasured material culture as it was pieced and stitched into place. American Quilts in the Modern Age, 1870–1940 examines the period’s quilts from both an artistic and a historical perspective. From pieced block to Crazy style to Colonial Revival examples, as well as one-of-a-kind creations, the full array of style and design appears in this book covering seven decades of quiltmaking. The contributing authors provide critical information regarding the modern and anti-modern tensions that persisted throughout this era of America’s coming of age, from the Civil War to World War II. They also address the textile technology and cultural context of the times in which the quilts were created, with an eye to the role that industrialization and modernization played in the evolution of techniques, materials, and designs. With full-color photographs of over 587 quilts, American Quilts in the Modern Age, 1870-1940 offers a new visual and tactile understanding of American culture and society, bridging the transition from traditional folk culture to the age of mass production and consumption.

When Catharine Parr Traill came to Upper Canada in 1832 as a settler from England, she brought along with her ties to British botanical culture. Nonetheless, when she arrived she encountered a new natural landscape and, like other women chronicled in this book, set out to advance the botanical knowledge of the time from the Canadian field. Flora’s Fieldworkers employs biography, botanical data, herbaria specimens, archival sources, letters, institutional records, book history, and abundant artwork to reconstruct the ways in which women studied and understood plants in the nineteenth century. It features figures ranging from elite women involved in imperial botanical projects in British North America to settler-colonial women in Ontario and Australia – most of whom were scarcely visible in the historical record – who were active in “plant work” as collectors, writers, artists, craft workers, teachers, and organizers. Understood as an appropriate pastime for genteel ladies, botany offered women pathways to scientific education, financial autonomy, and self-expression. The call for more diverse voices in the present must look to the past as well. Bringing botany to historians and historians to botany, Flora’s Fieldworkers gathers compelling material about women in colonial and imperial Canada and Australia to take a new look at how we came to know what we know about plants.

This photographed book covers the historical panorama of quiltmaking in the United States, from the quintessential patterns to their cultural significance.--[Book jacket.].

Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft

A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.