A catalogue and art-historical overview of pastel painting in America from 1880 to 1930.

The Metropolitan Museum of Art possesses a remarkable collection of about 175 pastels by important American artists such as Mary Cassatt, James McNeill Whistler, Arthur G. Dove, and Georgia O'Keeffe. Because of their extreme fragility, these works are rarely exhibited and are never loaned to other institutions. The collection ranges from charming eighteenth-century pastel portraits to abstract works by twentieth-century modernists. American Pastels, prepared under the supervision of Doreen Bolger, Curator in the Department of American Paintings and Sculpture, includes extensive entries for thirty-five pastels, all reproduced in full color. The catalogue opens with two in-depth essays: "Revival & Revitalization" by Doreen Bolger and six graduate students from the Institute of Fine Arts, New York University, provides an art-historical overview of pastel painting in America from 1880 to 1930; "Materials & Techniques" by Marjorie Shelley, a Museum conservator, covers the technical aspects of the delicate medium. A check list of the American pastels in the Museum's collection, illustrated with duotone reproductions of each work, concludes this volume, a valuable reference for all students of American art. (This title was originally published in 1989/90.)

Revel in the luminous and vibrant qualities of pastel with Ellen Eagle’s essential course in the history, techniques, and practices of the medium. In this comprehensive yet intimate guide, Eagle explores pastel’s rich but relatively unexamined past, reveals her own personal influences and approaches, and guides you toward the discovery and mastery of your own vision. In Pastel Painting Atelier, you will find: • Advice on basic materials: guidance on building, storing, and organizing a collection of pastels; choosing the right paper; and the importance of experimentation • Studio practice suggestions: ideas for creating your ideal working environment and recipes for making your own pastels and supports • Study of the working process: lessons on proportion, gesture, composition, color, application, identifying and correcting problems, and recognizing when a work is finished • Meditation on subject: cues for extrapolating the subtle details, presence, and temporal features of whatever you choose to paint • Step-by-step demonstrations: Eagle’s acute insights into her own works as they progress A magnificent selection of works by masters such as James Abbott McNeill Whistler, Rosalba Carriera, Mary Cassatt, and Eugene Delacroix augment this guide, as do works by contemporary artists including Harvey Dinnerstein, Elizabeth Mowry, and Daniel Massad. Aimed at serious artists, this guide enlightens, instructs, and inspires readers to create brilliant and sensitive works in the historic medium of pastel.

"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.

"Issued in conjunction with the exhibition ... held at the Metropolitan Museum of Art, New York, from April 10, 1991, through June 16, 1991"--T.p. verso.

One of three chronologically arranged catalogues that document the Metropolitan Museum's outstanding collection of American paintings.

The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes testify to the tremendous contributions made to knowledge by the curators and conservators of the Metropolitan and by the many other experts who have contributed to the Museum's exhibition catalogues. Various issues of the Bulletin emphasize the great sweep of the Museum's acquisitions during these years, and the exhibition catalogues--a number of them Alfred H. Barr Jr., Award or the George Wittenborn Award--testify to the continuity of the institution's dedicated program to enrich people's lives through knowledge of art. (This title was originally published in 2006.)