This is a study of the effect of their travels in Italy on thirteen American writers, among them Washington Irving, Nathaniel Hawthorne, Harriet Beecher Stowe, W. D. Howells, and Henry James. Nathalia Wright's thesis is that Italy was a major influence on the American writers of fiction who visited that country. Some of these writers went to Italy for reasons of health. others because they were dissatisfied with the status of artists in the United States and wished the pleasure and adventure of living in a country permeated with artistic sensibility. They all had in common a love for the Italian countryside, even if their opinions of the Italian personality varied. American Novelists in Italy is concerned with those writers who wrote between 1804 and 1870 or had begun to write by 1870. It deals with their travels in Italy and discusses in detail the treatment of Italian material in their subsequent writing. From their Italian experience issued such diverse novels as Cooper's The Water-Witch, the most lighthearted and imaginative of all Cooper's novels, Hawthorne's The Marble Faun, and James's The Golden Bowl. In addition, Dr. Wright views in detail numerous works by lesser-known authors. Illustrated with works of nineteenth-century artists who also travelled in Italy, this book should be of interest to all students of American literature, especially since it is the first book to deal in depth with the influence of Italy on the American novel.

Featuring essays by twelve prominent American literature scholars, Roman Holidaysexplores the tradition of American travel to Italy and makes a significant contribution to the understanding of nineteenth-century American encounters with Italian culture and, more specifically, with Rome. The increase in American travel to Italy during the nineteenth century was partly a product of improved conditions of travel. As suggested in the title, Italy served nineteenth-century writers and artists as a kind of laboratory site for encountering Others and “other” kinds of experience. No doubt Italy offered a place of holiday—a momentary escape from the familiar—but the journey to Rome, a place urging upon the visitor a new and more complex sense of history, also forced a reexamination of oneself and one's identity. Writers and artists found their religious, political, and sexual assumptions challenged. Nathaniel Hawthorne's The Marble Faun has a prominent place in this collection: as Henry James commented in his study of Hawthorne, the book was “part of the intellectual equipment of the Anglo-Saxon visitor to Rome.” The essayists also examine works by James, Fuller, Melville, Douglass, Howells, and other writers as well as such sculptors as Hiram Powers, William Wetmore Story, and Harriet Hosmer. Bringing contemporary concerns about gender, race, and class to bear upon nineteenth-century texts, Roman Holidays is an especially timely contribution to nineteenth-century American studies.

This anthology, hailed as a significant contribution to American ethnic studies, features the short stories, poems, and plays of more than thirty Italian American artists. Drawing on their individual and collective backgrounds and experience, these writers convey another vision of American fife. A section of critical essays by established scholars in the field, with topics ranging from specific works and authors to broad literary movements and film studies, analyzes the Italian American phenomenon and the role of ethnicity in literature. The extensive bibliography treats creative works, critical essays, and films dealing with the Italian American experience and promises to be an invaluable research tool.

'Rich. . . eclectic. . . a feast' Telegraph This landmark collection brings together forty writers that reflect over a hundred years of Italy's vibrant and diverse short story tradition, from the birth of the modern nation to the end of the twentieth century. Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that inhabit these pages represent a dynamic cross section of Italian society, their powerful voices resonating through regional landscapes, private passions and dramatic political events. This wide-ranging selection curated by Jhumpa Lahiri includes well known authors such as Italo Calvino, Elsa Morante and Luigi Pirandello alongside many captivating new discoveries. More than a third of the stories featured in this volume have been translated into English for the first time, several of them by Lahiri herself.

"For many years, the Italian-American Political Solidarity Club has held an annual poetry reading on the holiday known as Columbus Day. Our purpose? To encourage our paesans to break with the legacy of Christopher Columbus and embrace a future based in human solidarity, not conquest, domination and war. Instead of conquest, we celebrate those who have stood up for justice. As Italian Americans, we honor our immigrant experiences as teachers, laborers, union organizers, and free speech advocates. By sailing away from Columbus, we start to break down the logic of conquest, which invariably leads to wars abroad and repression at home"--Page 4 of cover.

New York Times Bestseller “Delightful, energetic. . . . Trigiani is a seemingly effortless storyteller.” — Boston Globe Award-winning playwright, television writer, and documentary filmmaker Adriana Trigiani returns with Brava, Valentine, continuing the heartwarming and hilarious story of Valentine Roncalli, her family, her love life, and the Angelini Shoe Company. Following on the heels of the New York Times bestseller Very Valentine (hailed by People magazine as “Sex and the City meets Moonstruck”), Brava, Valentine is another tour-de-force from the beloved author of bestselling novels Lucia, Lucia, The Queen of the Big Time, and the Big Stone Gap series.

A TELEGRAPH BOOK OF THE YEAR A NEW STATESMAN BOOK OF THE YEAR A story at once extremely strange and entirely familiar – about families, innocence, art and love. This hugely enjoyable, totally unforgettable memoir is a classic in the making.

In the wry but affectionate tradition of Bill Bryson, Ciao, America! is a delightful look at America through the eyes of a fiercely funny guest—one of Italy’s favorite authors who spent a year in Washington, D.C. When Beppe Severgnini and his wife rented a creaky house in Georgetown they were determined to see if they could adapt to a full four seasons in a country obsessed with ice cubes, air-conditioning, recliner chairs, and, of all things, after-dinner cappuccinos. From their first encounters with cryptic rental listings to their back-to-Europe yard sale twelve months later, Beppe explores this foreign land with the self-described patience of a mildly inappropriate beachcomber, holding up a mirror to America’s signature manners and mores. Succumbing to his surroundings day by day, he and his wife find themselves developing a taste for Klondike bars and Samuel Adams beer, and even that most peculiar of American institutions—the pancake house. The realtor who waves a perfect bye-bye, the overzealous mattress salesman who bounces from bed to bed, and the plumber named Marx who deals in illegally powerful showerheads are just a few of the better-than-fiction characters the Severgninis encounter while foraging for clues to the real America. A trip to the computer store proves just as revealing as D.C.’s Fourth of July celebration, as do boisterous waiters angling for tips and no-parking signs crammed with a dozen lines of fine print. By the end of his visit, Severgnini has come to grips with life in these United States—and written a charming, laugh-out-loud tribute.

"This lush guide, featuring more than 350 glorious photographs from National Geographic, showcases the best Italy has to offer from the perspective of two women who have spent their lives reveling in its unique joys."--Publisher's description.

In the United States, African American and Italian cultures have been intertwined for more than a hundred years. From as early as nineteenth-century African American opera star Thomas Bowers—“The Colored Mario”—all the way to hip-hop entrepreneur Puff Daddy dubbing himself “the Black Sinatra,” the affinity between black and Italian cultures runs deep and wide. Once you start looking, you’ll find these connections everywhere. Sinatra croons bel canto over the limousine swing of the Count Basie band. Snoop Dogg deftly tosses off the line “I’m Lucky Luciano ’bout to sing soprano.” Like the Brooklyn pizzeria and candy store in Spike Lee’s Do the Right Thing and Jungle Fever, or the basketball sidelines where Italian American coaches Rick Pitino and John Calipari mix it up with their African American players, black/Italian connections are a thing to behold—and to investigate. In Flavor and Soul, John Gennari spotlights this affinity, calling it “the edge”—now smooth, sometimes serrated—between Italian American and African American culture. He argues that the edge is a space of mutual emulation and suspicion, a joyous cultural meeting sometimes darkened by violent collision. Through studies of music and sound, film and media, sports and foodways, Gennari shows how an Afro-Italian sensibility has nourished and vitalized American culture writ large, even as Italian Americans and African Americans have fought each other for urban space, recognition of overlapping histories of suffering and exclusion, and political and personal rispetto. Thus, Flavor and Soul is a cultural contact zone—a piazza where people express deep feelings of joy and pleasure, wariness and distrust, amity and enmity. And it is only at such cultural edges, Gennari argues, that America can come to truly understand its racial and ethnic dynamics.