The Present Book Attempts To Bring Before The Reading Public An In-Depth Analysis Of The Literary Scenario Of 19Th Century America, Focusing Mainly On Diverse Literary Talents From Men Of Letters Like Emerson And Thoreau, To Novelists Like Hawthorne And Melville, To The Prophetic Vision Of Whitman.The Period Being One Of The Richest In American History, Saw The Flowering Of A Rare Breed Of Humanism Where An All Out Attempt Was Made To Understand The Egoistic And Altruistic Motives In Man. Transcendentalism Was The Crowning Glory Of Such An Attempt. While The Dark Shadow Of Puritanism Cast Over Hawthorne S Fiction An Uneasy Shadow, Melville Passionately Denounced In Fictional Terms The Duplicity Of What He Termed As Divine Depravity . Whitman Celebrated The Word En-Masse Or The Divine Average. Thoreau Likewise Walked Past The Walden Pond With A Naturalistic Zeal Attempting To Come To Terms With Nature Red In Tooth And Claw .The Book Attempts To Wade Through A Bewildering Literary Maze In An Attempt To Highlight Not Merely The Literary Figures Of The Age, Their Celebrated Works, But Also The Reasons Behind The Flowering Of Genius. Replete With In-Depth Critical Research, The Present Book Will Serve As An Ideal Reference Book On American Literature. Both Students And Teachers Of The Subject Will Find It Equally Useful And Indispensable.

The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen's American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing. Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it.

Studies the views of 5 prominent mid-19th century writers on the function and nature of literature and how they applied these views to their works.

Modern American Literature Is Too Vast And Varied To Be Studied Between The Covers Of A Single Book. Although Limited By Space, A Sincere Effort Has Been Made In This Anthology To Put Together Deeply Perceptive Articles On Some Of The Most Influential And Representative American Authors And Literary Works. Among The Writers Studied Here Are Henry David Thoreau, Walt Whitman, Earnest Hemingway, Thomas Wolfe, Toni Morrison, Harold Robbins, Eugene O Neill And Edward Albee Who Represent Most Of The Important Genres And Trends In American Literature Today. Thoreau And Whitman Have Been Included Not Because They Are Modern But Because Of Their Immense Contribution To The Evolution Of The American Thought And Literature.The Novels And Plays Specially Focussed Upon Are: The Old Man And The Sea, Look Homeward, Angel, The Bluest Eye, Sula, Where Love Has Gone, Desire Under The Elms, A Streetcar Named Desire, A Delicate Balance And Tiny Alice.It Is Earnestly Hoped That Teachers, Research Students And Scholars Interested In American Literature Will Find This Book Immensely Useful.

Tagore S English Writings Originals And Translations Have Not Received The Attention That They Deserve. The Purpose Of This Edition Is To Make The English Writings Of Tagore Available To The Widest Possible Range Of Readers Interested In The Writings Of Tagore All Over The World, With Just The Bare, Minimum Information Necessary For Appreciating The Writings, And Leave The Critical Assessment To The Readers Themselves.There May Be Two Possible Reasons For The Neglect Of Tagore S English Writings. Firstly, Tagore S Prolific Output, Shakespearean Felicity And Protean Plasticity As A Bengali Poet, Who, Though Well-Versed In English, Chose To Write In The Medium Of His Mother Tongue For Nearly The First Fifty Years Of His Life, And There Is Hardly Any Literary Form That He Did Not Touch Upon And Turn Into Gold. His Creative Genius Found Expression In Poems, Plays, Novels, Essays, Short Stories, Satirical Pieces, Textbooks For Children, And Songs Of All Kinds. The Only Literary Form That He Did Not Try Is Epic. But In His Long, Eventful And Creative Eighty Years Of Life He Virtually Lived An Epic. It Is Largely Due To His Mighty Stature As A Bengali Poet That Nobody Really Bothered About His English Writings And His Own Translations Of His Own Writings.Secondly, It Is Owing To The Supposedly Poor Quality Of His Translations Subsequent To The Translation Of Gitanjali. It Was Only After Tagore Received The Nobel Prize For Literature In 1913 That There Was A Growing Demand For His Writings In The West, And As Tagore Was Not Apparently Satisfied By The Translations That Others Mainly His Admirers Made, He Began To Translate His Writings Himself. But The Tremendous Haste With Which He Had To Translate, Possibly Affected The Quality Of Translations. Come What May, The Point Is Whether Tagore S English Translations Are Good Or Bad, Whether The Translation Furthered His Reputation Or Damaged It, Is Immaterial. The Fact Of The Matter Is That They Are His, And His Own Translation Of Whatever Quality It May Be Is More Valuable To A Tagore Lover Than The Best Translation Made By Somebody Else, As Van Gogh S One Original Single Scratch Is More Valuable Than The Best Possible Copy By Some Other Artist.The Value Of Tagore S English Writings Lies Here : They Constitute An Important Part Of His Total Oeuvre, Add A New Magnificent Dimension To It And Offer Us A Glimpse Into The Mystique Of The Creative Anxiety That Could Have Haunted Even The Greatest Writer Of The Twentieth Century, About His Possible Reception In An Alien Culture.

As A Poet Kamala Das Merits A Place Among The Best Women Poets Of The Twentieth Century. She Has Made Enormous Contribution To Indian Poetry In English By Adding A Feminist Dimension To It, Although She Is Not Inclined To Admit It. Perhaps Deriving Her Inspiration From Her Matrilineal Background She Celebrates Woman S Body And Pleads For Its Integrity In Her Poems. She Writes Poetry As Only As Woman Can Write And Takes Pride In The Fact Of Being A Woman And That Is Certainly The Starting Point Of All Kinds Of Feminism.The Present Volume Puts Together Deeply Perceptive Articles Which Study Various Facets Of Her Poetry From Feminist And Other Perspectives And Often With Reference To Her Life, A Confessional Poet That She Is.

This expansive Companion offers a set of fresh perspectives on the wealth of texts produced in and around what is now the United States. Highlights the diverse voices that constitute American literature, embracing oral traditions, slave narratives, regional writing, literature of the environment, and more Demonstrates that American literature was multicultural before Europeans arrived on the continent, and even more so thereafter Offers three distinct paradigms for thinking about American literature, focusing on: genealogies of American literary study; writers and issues; and contemporary theories and practices Enables students and researchers to generate richer, more varied and more comprehensive readings of American literature

Tagore S English Writings Originals And Translations Have Not Received The Attention That They Deserve. The Purpose Of This Edition Is To Make The English Writings Of Tagore Available To The Widest Possible Range Of Readers Interested In The Writings Of Tagore All Over The World, With Just The Bare, Minimum Information Necessary For Appreciating The Writings, And Leave The Critical Assessment To The Readers Themselves.There May Be Two Possible Reasons For The Neglect Of Tagore S English Writings. Firstly, Tagore S Prolific Output, Shakespearean Felicity And Protean Plasticity As A Bengali Poet, Who, Though Well-Versed In English, Chose To Write In The Medium Of His Mother Tongue For Nearly The First Fifty Years Of His Life, And There Is Hardly Any Literary Form That He Did Not Touch Upon And Turn Into Gold. His Creative Genius Found Expression In Poems, Plays, Novels, Essays, Short Stories, Satirical Pieces, Textbooks For Children, And Songs Of All Kinds. The Only Literary Form That He Did Not Try Is Epic. But In His Long, Eventful And Creative Eighty Years Of Life He Virtually Lived An Epic. It Is Largely Due To His Mighty Stature As A Bengali Poet That Nobody Really Bothered About His English Writings And His Own Translations Of His Own Writings.Secondly, It Is Owing To The Supposedly Poor Quality Of His Translations Subsequent To The Translation Of Gitanjali. It Was Only After Tagore Received The Nobel Prize For Literature In 1913 That There Was A Growing Demand For His Writings In The West, And As Tagore Was Not Apparently Satisfied By The Translations That Others Mainly His Admirers Made, He Began To Translate His Writings Himself. But The Tremendous Haste With Which He Had To Translate, Possibly Affected The Quality Of Translations. Come What May, The Point Is Whether Tagore S English Translations Are Good Or Bad, Whether The Translation Furthered His Reputation Or Damaged It, Is Immaterial. The Fact Of The Matter Is That They Are His, And His Own Translation Of Whatever Quality It May Be Is More Valuable To A Tagore Lover Than The Best Translation Made By Somebody Else, As Van Gogh S One Original Single Scratch Is More Valuable Than The Best Possible Copy By Some Other Artist.The Value Of Tagore S English Writings Lies Here : They Constitute An Important Part Of His Total Oeuvre, Add A New Magnificent Dimension To It And Offer Us A Glimpse Into The Mystique Of The Creative Anxiety That Could Have Haunted Even The Greatest Writer Of The Twentieth Century, About His Possible Reception In An Alien Culture.

In Recent Years, The Indian English Literature Has Made Conspicuous Progress In All Its Forms, Mainly In Fiction And Poetry. The Present Anthology Aims At Presenting An In-Depth Study Of Twenty-One Authors Who Are Both Established As Well As Upcoming Writers: Nissim Ezekiel, Nirad C. Chaudhuri, Girish Karnad, R.K. Narayan, Raja Rao, Manohar Malgonkar, Bhabani Bhattacharya, Taslima Nasrin, Salman Rushdie, Anita Desai, Shashi Deshpande, Amitav Ghosh, Vikram Seth, Githa Hariharan, Kavita Daswani, Manju Kapoor, M.N. Roy, Sri. Aurobindo, Mahatma Gandhi, Lohia And Ambedkar. The Articles On Poets Contained In This Anthology Acquaint The Readers With The Fluctuating Scene Of Thematic Concerns And Technical Experimentations In Indian English Poetry. All Other Articles Are Also Unique Of Its Kind, Reflecting The Above-Mentioned Authors Treatment Of Their Chosen Literary Genre.Since Most Of The Authors Included In The Present Volume For Discussion Are Prescribed In The English Syllabus In The Various Indian Universities, It Is Hoped That Both The Teachers And Students Will Find Them Extremely Useful. Even The General Readers Who Are Interested In Literature In English Will Find Them Intellectually Stimulating.

The 1980 S And After Has Created A Typical Post-Modern Anxiety With The Advent Of Salman Rushdie As An Influential Diaspora Writer. This Book Is Conceptualized Around A Series Of Topics Like Post-Modern Anxiety, Identity, Politics, National And Self-Definition, The Problem Of Exile And Diaspora, And An Interest To Examine The Way Indian English Literature Has Established Itself And Set Up As A Separate Discipline. While The Bright And Brilliant Promises About Indian English Literature Rejuvenate Us, Some Pertinent Questions Hang Above Us Related To Our Identity, Historiography And The Political And National Affiliation Of A Writer. Does The Absence Of A National Identity Affect The Tone Of A Creative Writer And The Mindset Of His Readers As Well? Does The Post-Colonial Space Invite And Initiate The Indian English Writers And The Diaspora Writers To Take Their Self And National Identity As The Metaphor Of Their Creativity? How Do They Define And Justify Themselves? What Do They Mean By Indianness, Nation And Narration, Women Issues, Subaltern Conditions, Nativism, Post-Colonialism, Post-Modernism, And Essentialism? What Are Their Literary And Extra-Literary Concerns? Do They Succeed In Giving A Clear Image To The Indigenous Culture And The Narrative Traditions Of India? What Linguistic And Stylistic Innovations Are Being Introduced By The Post-Colonial Writers? This Book Is A Humble Attempt To Point Out Some Of These Issues By The Editor And The Contributors.The Present Analytical Study Will Prove An Ideal Reference Book To Students, Researchers And Teachers Of Indian English Literature.