A history of Washington National Cathedral and the theory of an American civil religion. In 1792, Pierre Charles L'Enfant, the first city planner of Washington, DC, introduced the idea of a "great church for national purposes." Unlike L'Enfant's plans for the White House, the US Capitol, and the National Mall, this grand temple to the republic never materialized. But in 1890, the Episcopal Church began planning what is known today as Washington National Cathedral. In American Kairos, Richard Benjamin Crosby chronicles the history of not only the building but also the idea that animates it, arguing that the cathedral is a touchstone site for the American civil religion—the idea that the United States functions much like a religion, with its own rituals, sacred texts, holy days, and so on. He shows that the National Cathedral can never be the church L'Enfant envisioned, but it can be a starting point for studying the conflicts over belonging, ideology, and America's place in the world that define the American civil religion. By examining correspondence between L'Enfant, George Washington, Thomas Jefferson, and others, and by diving into Washington National Cathedral's archives, Crosby uncovers a crucial gap in the formation of the nation's soul. While L'Enfant's original vision was never realized, Washington National Cathedral reminds us that perhaps it can be. The cathedral is one of the great rhetorical and architectural triumphs in the history of American religion. Without government mandate or public vote, it has claimed its role as America's de facto house of worship, a civil religious temple wherein Americans conduct some of their highest, holiest rituals, including state funerals and National Day of Prayer services.

This collection offers the first comprehensive discussion of the history, theory, and pedagogical applications of kairos, a seminal and recently revised concept of classical rhetoric. Augusto Rostagni, James L. Kinneavy, Richard Leo Enos, John Poulakos, and John E. Smith are among the international list of scholars who explore the Homeric and literary origins of kairos, the technologies of time-keeping in antiquity, the role of "right-timing" in Hippocratic medicine, the improvisations of Gorgias, as well as the uses of kairos in Isocrates, Plato, Aristotle, Cicero, and the New Testament. Broad in its scope, the book also examines the distinctive philosophies of time reflected in Renaissance Humanism, Nineteenth-Century American Transcendentalism, Oriental art and ritual, and the application of kairos to contemporary philosophy, ethics, literary criticism, rhetorical theory, and composition pedagogy.

In Kairos, French graphic novelist Ulysse Malassagne turns the typical damsel-in-distress narrative on its head. With stunning art, epic battle scenes, and unexpected plot twists, Kairos forces you to question where to draw the line between hero and antihero. Nills and Anaelle are looking forward to their first night in their rustic cabin in the woods. But the couple’s idyllic vacation is suddenly thrown into turmoil when a strange flash of light bursts from the fireplace. A portal appears, and out of it spill dragon-like creatures that are armed to the teeth. They grab Anaelle and flee back through the portal, leaving a distraught Nills with a sudden decision: stay behind, or leap through after her? He leaps. And that’s when things get really weird.

In Rhetoric of the Protestant Sermon in America: Pulpit Discourse at the Turn of the Millennium, ten scholars analyze notable sermons from the fifty-year span between 1965 and 2015, during which the Protestant sermon has undergone significant change in the United States. Contributors examine how this turbulent time period witnessed a variety of important shifts in the arguments, evidences, and rhetorical strategies employed by contemporary preachers. Because religious practice is inextricably tangled in the culture, politics, and economy of its historical situation, the public expression of a faith is certain to move with the times. In their treatment of race, sex, gender, class, and citizenship, sermons apply ancient texts to current events and controversies, often to revealing effect. This collection, thoughtfully edited by Eric C. Miller and Jonathan J. Edwards, demonstrates how the genre of the Protestant sermon has evolved—or resisted evolution—across the years. Scholars of religion, rhetoric, communication, sociology, and cultural studies will find this book particularly useful.

The discovery of America and its further development into a modern state and a nation are the clear instance of how ideology and rhetoric are entwined and how they can encompass widely disparate viewpoints. The essays collected in this book address the topical issues of modern American Studies: cultural difference and otherness; gender, race and ethnicity; class and power. They represent new texts and contexts, approached through the revision, reevaluation, and reconfiguration of cannons, thus accommodating the expectations of the heterodox audience. Femininity reconsidered; an ideology of passing away in contemporary world of technical development; race captured within the framework of identity and gender; the rhetoric of blackness approached through racial exploitation; American conquest ideology revealed in a mission of Manifest Destiny; the 20th century assimilation rhetoric in the relations between Native Americans and the US federal government; the conservative ideology and apologetic rhetoric of the Antebellum South; the critique of the 21st century American legal system; the evolution of the presidential rhetoric which today addresses a large heterogeneous audience – all these topics impose a transnational interpretation of American culture which developed as a result of the cross-cultural transformation of European culture/cultures, moulded on American soil to finally become a unique reformulation of the very idea of America itself.

Sports and film are media that create time. They are temporal not only in the sense that they are defined and regulated by certain temporalities as a result of processes of social negotiation, but also in the sense of modulating and intervening in these processes in the first place. They are determined by multiple temporalities referring to and aligning along perceptual corporeality; but at the same time, they also produce time through and along temporalities of bodily expression and perception. Thus, as much as we perceive and understand sports and film by means of our culturally coded conceptions of time, this comprehension is itself already the product of these media’s fabrication and modulation of certain audiovisual imaginations of time. This book examines these imaginations with regard to US team sports feature films, understanding the former as the latter’s constitutive conflict which makes these films graspable as a genre in the first place. By addressing temporality as an ever-new crystallization of a heroic past and an unattainable future in a saturated yet volatile present, this conflict connects substantially to the American Dream as an idea of community-building historicity. Departing from a non-taxonomic approach in genre theory and such philosophical recognition of the American Dream as less an ideological narrative but more a social and socially effective imaginary embedded in an audiovisual discourse of time, this book demonstrates the interrelation of sports, cinema and “American” subjectivization along close readings of the poetics of affect of five exemplary sports films (FIELD OF DREAMS, WE ARE MARSHALL, KNUTE ROCKNE ALL AMERICAN, JIM THORPE – ALL-AMERICAN, MIRACLE).

In the nineteenth century the United States was ablaze with activism and reform: people of all races, creeds, classes, and genders engaged with diverse intellectual, social, and civic issues. This cutting-edge, revelatory book focuses on rhetoric that is overtly political and oriented to social reform. It not only contributes to our historical understanding of the period by covering a wide array of contexts--from letters, preaching, and speeches to labor organizing, protests, journalism, and theater by white and Black women, Indigenous people, and Chinese immigrants--but also relates conflicts over imperialism, colonialism, women's rights, temperance, and slavery to today's struggles over racial justice, sexual freedom, access to multimodal knowledge, and the unjust effects of sociopolitical hierarchies. The editors' introduction traces recent scholarship on activist rhetorics and the turn in rhetorical theory toward the work of marginalized voices calling for radical social change.

Recent developments have made many social scientists and commentators wonder whether the United States is still a relatively modern, secular, and democratic society. Instead, America shows signs of the cultural despair that preceded the rise of fascism in Nazi Germany. Taking a careful look at such critical moments as the assassination of John F. Kennedy, the Depression, the assassination of President Lincoln, and the eves both of the Civil War and of the American Revolution, this book shows that Americans have long shown authoritarian and even fascist tendencies: signs of despair that the nation is running out of time. In these critical moments, it finds evidence of a regressive cycle consisting of crisis, followed by the sanctification of central authority, and further crisis. With its deep roots in Anglo-American culture, the current crisis awaits decisive resolution.

Lincoln's letters have been cited in countless biographical and critical works yet have received little scholarly attention as a whole. This comprehensive study reveals his letters to be fundamental to understanding his development as a writer. Early on, he employed Hugh Blair's popular idea of developing "taste" in written documents, and carefully studied the letters of his contemporaries. He wrote more than 5000 of his own. As he became more proficient, he employed more sophisticated rhetorical strategies to deal with political opponents, imperious generals and critics of his policies.

Seasons of Faith and Conscience challenges religious activists and the wider church with an answer to the question: What is the connection between faith and politics? "Every act of worship," Kellermann says, "every occasion where the sovereignty of the word of God is acknowledged, is always and everywhere expressly political." In a profound biblical and theological reflection, Kellermann begins by investigating the political implications of worship and liturgy, both in the Hebrew Bible and in the New Testament. He goes on to review the history of "confessional politics," those situations in which Christians have felt their historical situation to be so grave as to call into question the very identity of the church. Recent examples include the Confessing Church in Nazi Germany and the Kairos document from South Africa. Kellermann explores analogies in our own situation--the continuing arms buildup, the international debt system, and the "war against the poor" in the Third World. Seasons of Faith and Conscience concludes with a series of moving meditations on the key seasons and events of the liturgical calendar: Advent, Christmas, Epiphany, Lent, Easter, and Pentecost.