Excerpt from American Journal of Archaeology, 1907, Vol. 11: The Journal of the Archaeological Institute of America Early Christian, Byzantine, Mediaeval, and Renaissance Art: Gen eral and Miscellaneous, 119, 372; Asia Minor and Greece, 120 Italy, 121, 373; Spain, 125; France, 126, 379; Belgium, 127; Germany, 128, 381; austria-hungary, 382; Great Britain, 128, 382; Africa, 131, 384; United States, 133, 384. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from American Journal of Archaeology, 1906, Vol. 10: The Journal of the Archaeological Institute of America Associate Editors J. R. S. Sterrett (for the American School at Athens), Professor in Cornell University. Allan marquand (for the American School in Rome), Professor in Princeton University. John P. Peters (for the American School in Palestine), Rector of St. Michael's Church, New York. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Excerpt from American Journal of Archaeology, Vol. 11: And of the History of the Fine Arts Of all the vase-painters who were at work in Athens in and about the year 525 B. C., Andokides is one of the most interest ing. Part of this interest is due to the fact that he seems never to have been careless in his work; SO that although his figures are Often out Of drawing, and always Show a' power of Observation stronger than his power of correct delineation, still his work as a whole is thoroughly good. Another source of interest lies in the fact that he lived at the period when the black-figured ware was going out of fashion and a new style with red figures was taking its place. Andokides did not, however, at once give up the old manner for the new, and we find several vases signed by him, on one side of which is a black-figured picture, while on the other is a red-figured one. He evidently thought both the black and the red forms of decoration were good, and SO tried to give his vases an added charm by combining the two styles. The same idea is shown on much later vases, though in these the black decoration has a secondary importance.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.