Anne Fairfax and Richard Sammons are at the forefront of a movement among architects today who draw inspiration from the wellspring of the classical traditions in architecture. They have developed a body of work that reflects and adheres to the long-held theories of proportion and order passed down through many past generations of scholarship and practice. The firm's office also served as the headquarters for Henry Hope Reid's Classical America, the only organization offering an alternative to modernist aesthetics until the establishment of the Institute of Classical Architecture in 1992. The twenty-four projects in this volume show the firm's consistent focus on classical architectural beauty, whether the chosen style be Palladian, Tuscan, Mediterranean, Georgian, Adamesque, Neo-classical, British or Dutch Colonial, Colonial Revival, or even East Coast Shingle Style, in all of which Fairfax & Sammons are eminently proficient. The projects selected out of the firm's large body of work include country houses located in Connecticut, New York, Virginia, and Florida, including the renovation of town houses and apartments in New York City—all presented in new color photography.

This beautifully illustrated volume presents Ferguson & Shamamian's finest work, including new houses, apartments, alterations and additions, and unbuilt design plans.

Sixty-two stunning houses in a range of architectural styles spanning seven centuries are brought to life through glorious imagery from the photography library of Country Life magazine.

Featuring breathtaking photographs of some of Scotland’s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands. Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornées and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain’s wildest and most stirring landscapes, inside many were equipped with the latest domestic technology and boasted opulent decoration and furnishings from the smartest London and Parisian firms. A good number survive little altered in their original state, and some are still owned by descendants of the families that built them. Images from the famous Country Life Picture Library and specially commissioned photographs evoke the dramatic settings and arresting detail of these houses, making the book as appealing to decorators and architectural historians as it is to travelers and sportsmen.

Residences featured here show New York living of the moment: homes that defy traditional definition but which are nevertheless rooted in the historic ground of the city. What does a home look like in twenty-first-century New York? While the city’s name alone brings to mind very specific ideas—the Fifth Avenue penthouse, with its elegant moldings and crystal chandeliers; the SoHo loft, with its bright spaces and air of bohemian ease; the Brooklyn brownstone, with its fireplaces, parquet floors, and lush backyards—the truth is, New York today is much more than this, and the potential for variety in ways of living is, now more than ever, virtually limitless. As a result, in the twenty-first century, the combined design professions enjoy an unprecedented menu of prospective solutions, whether based upon respect for a classically inflected New York past, an emphatic denial of such a tradition, or, most often, some hybrid response that often yields the best innovation possible. New York Living celebrates this vast potential while exploring contemporary apartments and town houses throughout the city, ranging beyond Manhattan into the outer boroughs of Brooklyn, Queens, Staten Island, and the Bronx, and back to the center, Manhattan, which continues to climb ever higher in its reach toward the sky.

Even as oversized McMansions continue to elbow their way into tiny lots nationwide, a much different trend has taken shape. This return to traditional architectural principles venerates qualities that once were taken for granted in home design: structural common sense, aesthetics of form, appropriateness to a neighborhood, and even sustainability. Marianne Cusato, creator of the award-winning Katrina Cottages, has authored and illustrated this definitive guide to what makes houses look and feel right--to the eye and to the soul. She teaches us the language and grammar of classical architecture, revealing how balance, harmony, and detail all contribute to creating a home that will be loved rather than tolerated. And she takes us through the do’s and don’ts of every element of home design, from dormers to doorways to columns. Integral to the book are its hundreds of elegant line drawings--clearly rendering the varieties of lintels and cornices, arches and eaves, and displaying "avoid” and "use” versions of the same elements side by side.

-A lavish and beautifully illustrated sourcebook of classically inspired architectural detail -A valuable resource for architects, interior designers, builders and home decorators -Featuring a foreword by renowned interior designer David Easton -Highlights projects by US architects including Marc Ferguson & Oscar Shamamian, Peter Pennoyer, Quinlan Terry and Gil Schafer. Features a foreword by David Easton, arguably America's most respected decorator. Contributors also include historians Jeremy Musson and David Watkin. In The Art of Classical Details, classically trained architect Phillip Dodd takes a close-up look at some of the finest examples of neo-classical architecture in the world today. Covering the fundamentals of classical architecture, such as Tuscan, Doric, Ionic, Corinthian, and Composite columns, and featuring the work of skilled contemporary classicists, including Julian Bicknell and Ken Tate, The Art of Classical Details is the definitive guide to today's world of neoclassical architectural detailing.

In English Decoration, architectural and interior designer Ben Pentreath presents a major new survey of the best of the English style. Eighteen homes, many of which have never been previously photographed, provide the source material for his wide-ranging investigation of this classic look. The houses include Ben’s own homes in London and West Dorset, alongside those of Earls and artists, writers and architects, book designers and gardeners. The book opens with an essay on the English style in decoration, and then entrance halls, living rooms, kitchens and dining rooms and bedrooms and bathrooms are considered in turn, together with simple Rooms of Utility and spectacular Rooms of Display. There is also a foreword by Nicky Haslam, suggestions for further reading, and a style directory that reveals Ben's own favorite sources—helping you to achieve the classic English look, wherever you live.