Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in American culture, drawing from a wide range of primary and critical works from the early-twentieth century to today. Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction. Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.

A fresh, provocative history of urban ruins in popular culture. American Cities in Post-Apocalyptic Science Fiction traces the image of urban ruins across twentieth- and twenty-first-century American media. Surveying pulp magazines, radio dramas, films, video games, and the transmedia franchise, Robert Yeates explores how the synergy of technological innovation and artistic vision created an increasingly immersive space to reimagine the urban future. Through a series of medium-specific case studies, Yeates offers provocative new readings of familiar works such as Blade Runner and The Walking Dead situated against a fresh history of ruined cities in American literature.

The classic apocalyptic novel that stunned the world.

The astounding discoveries of Khan-li of Dimph-yoo-chur have thrown floods of light upon the domestic life of the Mehrikan people. He little realized when he landed upon that sleeping continent what a service he was about to render history, or what enthusiasm his discoveries would arouse among Persian archaeologists.

NOW A MAJOR MOTION PICTURE • “A moving experience . . . a powerful cautionary tale.”—Whitley Strieber He was a survivor—a wanderer who traded tales for food and shelter in the dark and savage aftermath of a devastating war. Fate touches him one chill winter’s day when he borrows the jacket of a long-dead postal worker to protect himself from the cold. The old, worn uniform still has power as a symbol of hope, and with it he begins to weave his greatest tale, of a nation on the road to recovery. This is the story of a lie that became the most powerful kind of truth. A timeless novel as urgently compelling as War Day or Alas, Babylon, David Brin’s The Postman is the dramatically moving saga of a man who rekindled the spirit of America through the power of a dream, from a modern master of science fiction. “The Postman will keep you engrossed until you’ve finished the last page.”—Chicago Tribune

There are no more red or blue states; just empty states. And empty cities. But a few Americans survived, and are fighting to stay alive. Ted, the pilot, still protects Vice President Emily Williams as he retains the hope of finding his niece. His skills are tested as enemy forces zero in on their location. Tabby, the tour guide, is stuck with three young teens as she looks for her parents. Entire cities are theirs to explore. Dwight, the homeless man, is known for talking to an invisible parrot. He might also be witness to the first wave of the invasion force. Journey along with these characters as they travel through the haunting remains of a once-thriving nation. Fires rage out of control. Unmanned power grids begin to shut down. As they cross state lines and drive through new cities, each of them begins to appreciate this was a terrorist attack beyond anything in history. And the terrorists make their next big move... If you enjoy a mixture of apocalyptic exploration, a little pew-pew, and long-odds rebellion against an unseen enemy, check out Empty Cities, the second book in the Minus America series. Book 3, Rebel Cause, will be available soon. Book 4, Two Wolves and a Sheep, will also release soon.

NPR Best Books of 2018 A teen girl and her robot embark on a cross-country mission in this illustrated science fiction story, perfect for fans of Ready Player One and Black Mirror. In late 1997, a runaway teenager and her small yellow toy robot travel west through a strange American landscape where the ruins of gigantic battle drones litter the countryside, along with the discarded trash of a high-tech consumerist society addicted to a virtual-reality system. As they approach the edge of the continent, the world outside the car window seems to unravel at an ever faster pace, as if somewhere beyond the horizon, the hollow core of civilization has finally caved in.

This collection examines the child’s role in contemporary post-apocalyptic films and television.. By exploring the function of child characters within a dystopian framework, this volume illustrates how traditional notions of childhood are tethered to sites of adult conflict and disaster, a connection that often works to reaffirm the “rightness” of past systems of social order.

Contributions by Carl Abbott, Jacob Babb, Marleen S. Barr, Michael Fuchs, John Glover, Stephen Joyce, Sarah Lahm, James McAdams, Cynthia J. Miller, Fernando Gabriel Pagnoni Berns, Chris Pak, María Isabel Pérez Ramos, Stefan Rabitsch, J. Jesse Ramírez, A. Bowdoin Van Riper, Andrew Wasserman, Jeffrey Andrew Weinstock, and Robert Yeates Metropolis, Gotham City, Mega-City One, Panem’s Capitol, the Sprawl, Caprica City—American (and Americanized) urban environments have always been a part of the fantastic imagination. Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror focuses on the American city as a fantastic geography constrained neither by media nor rigid genre boundaries. Fantastic Cities builds on a mix of theoretical and methodological tools that are drawn from criticism of the fantastic, media studies, cultural studies, American studies, and urban studies. Contributors explore cultural media across many platforms such as Christopher Nolan’s Dark Knight Trilogy, the Arkham Asylum video games, the 1935 movie serial The Phantom Empire, Kim Stanley Robinson’s fiction, Colson Whitehead’s novel Zone One, the vampire films Only Lovers Left Alive and A Girl Walks Home Alone at Night, Paolo Bacigalupi’s novel The Water Knife, some of Kenny Scharf’s videos, and Samuel Delany’s classic Dhalgren. Together, the contributions in Fantastic Cities demonstrate that the fantastic is able to “real-ize” that which is normally confined to the abstract, metaphorical, and/or subjective. Consequently, both utopian aspirations for and dystopian anxieties about the American city become literalized in the fantastic city.