"English joiner John Head (1688–1754) immigrated to Philadelphia in 1717 and became one of its most successful artisans and merchants. However, his prominence was lost to history until the author’s discovery of his account book at the Library of the American Philosophical Society. A find of great historical importance, Head’s account book is the earliest and most complete to have survived from any cabinetmaker working in British North America or in Great Britain. It chronicles the commerce, crafts, and lifestyles of early Philadelphia’s entire community: its shopkeeping, cabinetmaking, chairmaking, clockmaking, glazing, metalworking, needleworking, property development, agriculture, botany, livestock, transport, foodstuffs, drink, hardware, fabrics, furnishings, household wares, clothing, building materials, and export trade. Jay Robert Stiefel, historian of Colonial Philadelphia society and its material culture, presents the definitive interpretation of the John Head account book and introduces many other discoveries. The culmination of nearly 20 years of research, this new volume serves as an essential reference work on 18th-century Philadelphia, its furniture and material culture, as well as an intimate and detailed social history of the interactions among that era’s most talented artisans and successful merchants. Profusely illustrated and in large format, the book includes a foreword from furniture historian Adam Bowett and an introduction by historian Patrick Spero, Librarian and Director of the American Philosophical Society Library" -- Provided by publisher.

The first book to catalog and illustrate American furniture that bears the signature, label, brand, impression, or ink stamp of its maker. An essential reference for all serious collectors, antiques dealers, auctioneers, and researchers. Iillustrations.

Presents over 300 examples of American case furniture along with information on the maker, materials, age, hints for collectors, and a price guide.

Magnificent reproduction of 1788 folio of Hepplewhite furnishings. Classic, highly valued work depicts chairs, stools, sofas, sideboards, beds, pedestals, desks, bookcases, tables, chests of drawers, wardrobes, fire screens, and many other items. 128 plates.

Over 340detailed drawings, complete text for 38 American masterpieces: Hepplewhite sideboard, Duncan Phyfe drop-leaf table, more. 38 plates, 54 photographs."

Back by popular demand at a new, lower price Complete materials lists and scaled drawings for 14 heirloom pieces Fascinating background on the Dunlap family and its furniture The Dunlaps of New Hampshire began making fine furniture in the mid-1700s. Their distinctive tables, chests, chairs, and clockcases have their origins in the traditions that the Scots-Irish brought to the New World. Most Dunlap works are now in museums where they are studied by scholars, but thanks to the book's detailed scaled drawings and Donald Dunlap's construction notes, woodworkers can undertake the challenging proportions and ornament practiced by the Dunlaps. The 14 projects range from a simple knife box to an intricate tall clock and include a one-drawer stand, tea table, and desk. knife box one-drawer stand card table candle stand folding stand side chair chest-on-frame chest of drawers dressing table tea table flat-top high chest of drawers high chest of drawers with gallery desk tall clock

For centuries Boston has been one of the most important furniture-making centers in America. Soon after the town’s founding in 1630, Boston’s joiners and turners were the first craftsmen to make furniture in British North America, and the city’s cabinetmakers contributed to the art and craft of furniture making throughout the elegant colonial and federal periods. Its factories and designers have also been a source of fine furniture, creating major pieces in the various revival styles of the nineteenth and twentieth centuries. Published on the occasion of an exhibition at the Massachusetts Historical Society, The Cabinetmaker and the Carver showcases rare and exemplary pieces from private collections, illustrating three centuries of Boston history through carefully selected examples of furniture that represent the trajectory of this great tradition.

Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity. With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.