Untangling the world's love-hate relationship with America

The New York Times best-selling account of how coyotes--long the target of an extermination policy--spread to every corner of the United States Finalist for the PEN/E.O. Wilson Literary Science Writing Award "A masterly synthesis of scientific research and personal observation." -Wall Street Journal Legends don't come close to capturing the incredible story of the coyote. In the face of centuries of campaigns of annihilation employing gases, helicopters, and engineered epidemics, coyotes didn't just survive, they thrived, expanding across the continent from Alaska to New York. In the war between humans and coyotes, coyotes have won, hands-down. Coyote America is the illuminating five-million-year biography of this extraordinary animal, from its origins to its apotheosis. It is one of the great epics of our time.

Clan rivalries erupt amid turmoil in an untold story set immediately after the events of James Cameron’s 2009 blockbuster film Avatar! Jake Sully maintains his position as leader of the Omatikaya Na'vi tribe, but with their Hometree destroyed, he begins to doubt his place among them. As the Na'vi and human feud persists, tensions between the tribes begin to escalate as longstanding family animosities ignite--spawning treachery and betrayal! Writer Jeremy Barlow (AVP: Thicker than Blood, Star Wars: Darth Maul--Son of Dathomir) and artist Josh Hood (The Green Goblin, Star Trek: Mirror Broken, Ghost Rider) bridge the gap between Avatar and the highly anticipated sequel, Avatar 2, in this story of family, sacrifice, and survival! Collects Avatar: The Next Shadow #1-#4.

The decade from 2000 to 2009 is framed, at one end, by the traumatic catastrophe of the 9/11 attacks on the World Trade Center and, at the other, by the election of the first African American president of the United States. In between, the United States and the world witnessed the rapid expansion of new media and the Internet, such natural disasters as Hurricane Katrina, political uprisings around the world, and a massive meltdown of world economies. Amid these crises and revolutions, American films responded in multiple ways, sometimes directly reflecting these turbulent times, and sometimes indirectly couching history in traditional genres and stories. In American Cinema of the 2000s, essays from ten top film scholars examine such popular series as the groundbreaking Matrix films and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat films like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11. Each essay demonstrates the complex ways in which American culture and American cinema are bound together in subtle and challenging ways.

Several years ago, an anonymous donor gave a generous gift to the Department of Psychiatry and Behavioral Sciences at George Washington University School of Medicine. The donor suggested that the gift be used to support a conference on the current dilem mas of the American family and to publish its proceedings. The current chairman of the department, Jerry Wiener, formulated the initial plans for the conference with Leon Yochelson, who had been chairman at the time the gift was made. Dr. Yochelson is now Chairman of the Board of the Psychiatric Institute of the District of Columbia. These initial discussions led to a significant and sus tained collaboration between the Department of Psychiatry and Behavioral Sciences at George Washington and the Psychiatric In stitute in planning the conference and the present volume. A committee was established to plan the conference. It con sisted of Peter Steinglass, Associate Professor of Psychiatry, and George Cohn, Professor of Child Health and Development, both of George Washington, and Margaret Garrett, a member of the psychiatric staff at the Psychiatric Institute. The committee was jointly chaired by the editors of this volume. The committee re ceived indispensable assistance from members of the administra tive staff of the Psychiatric Institute: Al Bruce, Carol Klein, and Miriam Mathura. Margaret Schnellinger of the Center for Family Research, George Washington University, was also very helpful in all phases of planning the conference.

Is there a divine reason the word "Avatar" emerged at the forefront of popular culture? Discover the original Avatars and learn how their ancient wisdom can change the way you view the world. Spiritual Teachings of the Avatar speaks to anyone concerned with the sustainability of Mother Earth, the role of elders in our society, the seemingly unconsciousness of science and corporations, and the subtleties of unseen realities, resulting in spiritual growth, a deeper relationship with nature, and a better world for all. An avatar is a manifestation of the Supreme Being—usually in human form—that descends from the transcendental realm to Earth to heal the planet and restore peace and harmony by eliminating the harmful souls that prey on Mother Earth. In Spiritual Teachings of the Avatar, Vedic expert and teacher Jeffrey Armstrong explains the ancient Indian wisdoms embodied in the word “avatar,” and that behind the notion of avatar is a view that sees the sacredness of all life and the soul of all beings as eternal—meant for freedom and made of divine essence.

"Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.

One of the most powerful forces in world culture, American cinema has a long and complex history that stretches through more than a century. This history not only includes a legacy of hundreds of important films but also the evolution of the film industry itself, which is in many ways a microcosm of the history of American society. Historical Dictionary of American Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries covering people, films, companies, techniques, themes, and subgenres that have made American cinema such a vital part of world culture.