"Sandler covers the art, artists and movements of the sixties--Painterly and Post Painterly Painting, Pop Art, New Perceptual Realism, Op Art and Kinetic Sculpture, Minimal Sculpture, Construction Sculpture, Eccentric and Process Art, Earthworks, Conceptual and Performance Art and so on. He discusses the aesthetics of art as well as the social and political context of art, the art market, the art world and the culture heroes of the sixties." -- Provided by publisher

Essays discuss Ad Reinhardt, Jasper Johns, J.M.W. Turner, Jim Dine, minimalism, Robert Venturi, and Elia Kazan's "Wild River."

Faith Ringgold (born 1930) is famed today as the progenitor of the African-American story-quilt revival of the late 1970s, but her story begins much earlier, with her American People Series of 1963. These once influential paintings, and the many political posters and murals she created throughout the 1960s, have largely disappeared from view, being routinely omitted from art historical discourse over the past 40 years. American People, Black Light is the first examination of Ringgold's earliest radical and pioneering explorations of race, gender and class. Undertaken to address the social upheavals of the 1960s, these are the works through which Ringgold found her political voice. American People, Black Light offers not only clear insight into a critical moment in American history, but also a clear account of what it meant to be an African American woman making her way as an artist at that time.

Published to accompany an exhibition at the Columbus Museum of Art, Ohio, this book examines the development of the Op Art movement, its cultural context, and its widespread impact on advertising, fashion and film-making. It includes works by Josef Albers, Bridget Riley and Victor Vasarely.

Made in U.S.A. takes a new look at American art of the 1950s and 1960s and shows us how American it was. This is a provocative study of those artists who appropriated everyday images form the world of mass media and suburban living and forced their viewers into a sometimes witty, sometimes bittersweet, confrontation with the realities of living in late twentieth-century America.

This book explores the intense, internationally significant developments in Argentine art of the 1960s through English translations of the original documents of the time.

The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.

An authoritative examination of a critical decade in art history--now back in print with a new afterword by the author

"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."