A dynamic critical and philosophical study of modern North American and Latin American cultures via art, architecture, philosophy and mathematics. With an unprecedented ease of movement between literature, music, art, architecture, mathematics, and philosophy, this richly illustrated study enters into the "electromagnetic field" between Latin America and North America with two complementary essays examining some of the principal features of their intellectual and creative landscapes throughout the nineteenth and twentieth centuries. "Under the Sign of Jonah" explores how nineteenth-century North American culture adopted and transformed the legacy of romanticism, with sensitive readings of the work of Herman Melville, Albert Pinkham Ryder, and Charles Sanders Peirce among others, before turning to the continued presence of romantic problematics in Edgar Varèse’s music, Frank Gehry’s architecture, and the conceptual mathematics of William Lawvere. "The Borders and the Pendulum" addresses Latin America as a margin in continual dialogue with 'major' culture, detailing the movement from a universalist panoscopy which imagined an integrated American culture to a mid-century microscopy focused on the regional, to late twentieth-century responses to postmodernism in the form of a telescopy that operates both a differentiation into the local and a transversal integration into universal modernity. Continually shuttling across disciplinary borders, Zalamea approaches his subjects with a philosophical depth and conceptual agility that is a mark of the true polymath; his thought-diagrams of a dynamic continent are an indispensable guide to the transits and syntheses not only between the Americas, but between the romantic, the modern, and the contemporary, supplying the attentive reader with all the equipment they need to venture off the beaten paths of (post)modernity.

“An elegant, meticulously researched, and eminently readable history of the books that define us as Americans. For history buffs and book-lovers alike, McHugh offers us a precious gift.”—Jake Halpern, Pulitzer Prize winner and New York Times bestselling author “With her usual eye for detail and knack for smart storytelling, Jess McHugh takes a savvy and sensitive look at the 'secret origins' of the books that made and defined us. . . . You won't want to miss a one moment of it.”—Brian Jay Jones, author of Becoming Dr. Seuss and the New York Times bestselling Jim Henson The true, fascinating, and remarkable history of thirteen books that defined a nation Surprising and delightfully engrossing, Americanon explores the true history of thirteen of the nation’s most popular books. Overlooked for centuries, our simple dictionaries, spellers, almanacs, and how-to manuals are the unexamined touchstones for American cultures and customs. These books sold tens of millions of copies and set out specific archetypes for the ideal American, from the self-made entrepreneur to the humble farmer. Benjamin Franklin’s Autobiography, How to Win Friends and Influence People, Webster's Dictionary, Emily Post’s Etiquette: Americanon looks at how these ubiquitous books have updated and reemphasized potent American ideals—about meritocracy, patriotism, or individualism—at crucial moments in history. Old favorites like the Old Farmer’s Almanac and Betty Crocker’s Picture Cook Book are seen in this new way—not just as popular books but as foundational texts that shaped our understanding of the American story. Taken together, these books help us understand how their authors, most of them part of a powerful minority, attempted to construct meaning for the majority. Their beliefs and quirks—as well as personal interests, prejudices, and often strange personalities—informed the values and habits of millions of Americans, woven into our cultural DNA over generations of reading and dog-earing. Yet their influence remains uninvestigated--until now. What better way to understand a people than to look at the books they consumed most, the ones they returned to repeatedly, with questions about everything from spelling to social mobility to sex. This fresh and engaging book is American history as you’ve never encountered it before.

The brilliant, controversial, bestselling critique of American culture that “hits with the approximate force and effect of electroshock therapy” (The New York Times)—now featuring a new afterword by Andrew Ferguson in a twenty-fifth anniversary edition. In 1987, eminent political philosopher Allan Bloom published The Closing of the American Mind, an appraisal of contemporary America that “hits with the approximate force and effect of electroshock therapy” (The New York Times) and has not only been vindicated, but has also become more urgent today. In clear, spirited prose, Bloom argues that the social and political crises of contemporary America are part of a larger intellectual crisis: the result of a dangerous narrowing of curiosity and exploration by the university elites. Now, in this twenty-fifth anniversary edition, acclaimed author and journalist Andrew Ferguson contributes a new essay that describes why Bloom’s argument caused such a furor at publication and why our culture so deeply resists its truths today.

Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.

"An acclaimed historian explodes the myth about the 'special relationship' between Americans and their guns, revealing that savvy 19th century businessmen--not gun lovers--created American gun culture"--

"The best one-volume history of the United States ever written" (Joseph J. Ellis) It was Thomas Jefferson who envisioned the United States as a great "empire of liberty." This paradoxical phrase may be the key to the American saga: How could the anti-empire of 1776 became the world's greatest superpower? And how did the country that offered unmatched liberty nevertheless found its prosperity on slavery and the dispossession of Native Americans? In this new single-volume history spanning the entire course of US history—from 1776 through the election of Barack Obama—prize-winning historian David Reynolds explains how tensions between empire and liberty have often been resolved by faith—both the evangelical Protestantism that has energized American politics for centuries and the larger faith in American righteousness that has driven the country's expansion. Written with verve and insight, Empire of Liberty brilliantly depicts America in all of its many contradictions.

This fascinating narrative history of math in America introduces readers to the diverse and vibrant people behind pivotal moments in the nation's mathematical maturation. Once upon a time in America, few knew or cared about math. In Republic of Numbers, David Lindsay Roberts tells the story of how all that changed, as America transformed into a powerhouse of mathematical thinkers. Covering more than 200 years of American history, Roberts recounts the life stories of twenty-three Americans integral to the evolution of mathematics in this country. Beginning with self-taught Salem mathematician Nathaniel Bowditch's unexpected breakthroughs in ocean navigation and closing with the astounding work Nobel laureate John Nash did on game theory, this book is meant to be read cover to cover. Revealing the marvelous ways in which America became mathematically sophisticated, the book introduces readers to Kelly Miller, the first black man to attend Johns Hopkins, who brilliantly melded mathematics and civil rights activism; Izaak Wirszup, a Polish immigrant who survived the Holocaust and proceeded to change the face of American mathematical education; Grace Hopper, the "Machine Whisperer," who pioneered computer programming; and many other relatively unknown but vital figures. As he brings American history and culture to life, Roberts also explains key mathematical concepts, from the method of least squares, propositional logic, quaternions, and the mean-value theorem to differential equations, non-Euclidean geometry, group theory, statistical mechanics, and Fourier analysis. Republic of Numbers will appeal to anyone who is interested in learning how mathematics has intertwined with American history.