A travers le regard attentif et curieux d'un infatigable voyageur, des rencontres, des anecdotes et des coïncidences fortuites dévoilent le monde folk européen dans toute sa beauté et son authenticité. Un monde fait de musique et de musiciens, de danses et de danseurs, d'instruments et de luthiers, de festivals et de joie. Mais il est également constitué d'un patrimoine culturel et de valeurs que la sagesse centenaire des traditions a confié à un Homme moderne, toujours plus éloigné de la communauté, de la nature et de lui-même. Au temps d'Internet, du progrès technologique et de la mondialisation, parler de traditions, de proverbes, de dialectes, d'instruments anciens et de danses populaires peut sembler anachronique. Le message renfermé dans ces pages vous fera réfléchir sur le caractère actuel de ces langages populaires et sur la façon dont ils peuvent guider l'Homme vers un chemin conscient.

The region of northern New Mexico and southern Colorado holds a unique place in the world of Spanish folk literature. Isolated from the rest of the Spanish-speaking world for most of its history since its first settlement in 1598, it has retained, even into our own time, much of its Hispanic folkloric heritage from the sixteenth and seventeenth centuries-ballads, songs, poems, folktales, sayings, anecdotes, proverbs, riddles, and folk drama. In this book, written in the late 1930s and never before published, Aurelio M. Espinosa, New Mexico’s pioneer folklorist, presents the first comprehensive, authoritative account of the relict folklore, bringing together the results of his collecting during the first third of this century, in the Southwest and in Spain, and his many ground-breaking scholarly studies.

Explores the emergence of African Methodism within the black Atlantic and how it struggled to sustain its liberationist identity.

Contents: 1. 1889-1893.--2. 1894-1898.--3. 1899-1903.

Specially selected from The New Palgrave Dictionary of Economics 2nd edition, each article within this compendium covers the fundamental themes within the discipline and is written by a leading practitioner in the field. A handy reference tool.

About the Book This is the 7th book of selected poetry by Paul Shapshak, PhD, titled: ‘NEUTRINO SPINOR TRANSCENDENTAL COUNTERPOINT 21ST CENTURY POETRY’. Art is included by the poet’s father, Sir Rene Shapshak. The ten sections in this book, like prior volumes, encompass Pastoral, Mythology, Cosmology, Theology, History, Social, Economics, Health, Cybernetic Allegories, and the Arts. Interrogations include neutrino communication, unitary matrix, mass, oscillation transition, elementary particles, jurisprudence, jurisdiction, labor, law, landscapes, language. It’s just a still summer’s day, work, providence, revery, and continuum.

Between the 1880s and the 1940s, opportunities for southern white women writers increased dramatically, bolstered by readers’ demands for southern stories in northern periodicals. Confined by magazine requirements and social expectations, writers often relied on regional settings and tropes to attract publishers and readers before publishing work in a collection. Selecting and ordering magazine stories for these collections was not arbitrary or dictated by editors, despite a male-dominated publishing industry. Instead, it allowed writers to privilege stories, or to contextualize a story by its proximity to other tales, as a form of social commentary. For Kate Chopin, Ellen Glasgow, Marjorie Kinnan Rawlings, and Katherine Anne Porter—the authors featured in this book—publishing a volume of stories enabled them to construct a narrative framework of their own. Arranging Stories: Framing Social Commentary in Short Story Collections by Southern Women Writers is as much about how stories are constructed as how they are told. The book examines correspondence, manuscripts, periodicals, and first editions of collections. Each collection’s textual history serves as a case study for changes in the periodical marketplace and demonstrates how writers negotiated this marketplace to publish stories and garner readership. The book also includes four tables, featuring collected stories’ arrangements and publication histories, and twenty-five illustrations, featuring periodical publications, unpublished letters, and manuscript fragments obtained from nine on-site and digital archives. Short story collections guide readers through a spatial experience, in which both individual stories and the ordering of those stories become a framework for interpreting meaning. Arranging Stories invites readings that complicate how we engage collected works.