A compelling, action-packed account of the only officially sanctioned I.R.A attack ever conducted on American soil. In 1922, three of the Irish Republican Army’s top gunmen arrived in New York City seeking vengeance. Their target: “Cruxy” O’Connor, a young Irishman who kept switching sides as revolution swept his country in the wake of World War I. Cruxy’s last betrayal dealt a stunning blow to Ireland’s struggle for independence: Six of his IRA comrades were killed when he told police the location of their safe house outside Cork. A year later, the IRA gunned him down in a hail of bullets before a crowd of horrified New Yorkers at the corner of 84th Street and Central Park West. Based primarily on first-hand accounts, most of them never before published, Ambush at Central Park is a cinematic exploration of the enigma of “Cruxy” O’Connor: Was he really a decorated war hero who became a spy for Britain? When he defected to the IRA, did his machine gun really jam in a crucial attack? When captured, did he give up his IRA comrades only under torture? Was he a British spy all along? Or was he pursuing a decades-old blood feud between his family and that of one of his comrades? A longtime editor at The New York Times, author Mark Bulik delved through Irish government archives, newspaper accounts, census data, and unpublished material from the families of the main actors. Together they add to the sensational story of a rebel ambush, a deadly police raid, a dinner laced with poison, a daring prison break, a boatload of tommy guns on the Hoboken waterfront, an unlikely pair of spies who fall in love, and an audacious assassination plot against the British cabinet. Gravely wounded and near death, Cruxy refused to cooperate with the detectives investigating the case. And so, the spy who stopped spying and the gunman who stopped shooting became the informer who wouldn’t inform, even at death’s door. Here is a forgotten chapter of Irish and New York history: the story of the only officially authorized IRA attack on American soil.

A gripping account of how the automobile has failed NYC and how mass transit and a revitalized streetscape are vital to its post-pandemic recovery In 1969, as all students of New York City history think they have learned, master builder Robert Moses lost his long battle to urbanist Jane Jacobs over his planned Lower Manhattan Expressway. The ten-lane elevated expressway would have sliced across SoHo and Little Italy, demolishing historic buildings, and displacing thousands of families and businesses. Jacobs and her neighbors defeated Moses, and as a result, New York became the only major American city with no interstate highway running through its core. Like many global cities, though, New York had spent fifty years during the first half of the twentieth century trying and failing to tame its heavily populated landscape to fit the private automobile. New York has now spent more than fifty years trying to undo those mistakes, wresting back city space for people, not cars. Movement: New York’s Long War to Take Back Its Streets from the Car chronicles the earlier, less-known battles that preceded the cancellation of the Lower Manhattan Expressway: Jacobs became an example for generations of urban planners, but whose example did Jacobs emulate in an earlier victory that saved Washington Square Park? Moses may serve handily as New York’s uber-villain now, but who, before him, was responsible for destroying a critical part of New York’s transit system? A well respected urban writer who has focused on New York’s transportation system for more than a decade, author Nicole Gelinas resumes the story where Robert Caro’s landmark The Power Broker ended. Movement explores how, in the half-century leading up to the COVID- 19 pandemic, New York’s re-embracement of its mass-transit system and a livable streetscape helped save the city. Gelinas tackles the 1970s environmental movement, the 1980s rebuilding of the subways, and more contemporary battles, from Mayor Bloomberg's push for more pedestrian plazas and bike lanes in the early 2000s, to transportation advocates' protests to prevent traffic deaths in the Mayor de Blasio era of the 2010s, to how New York’s stewardship of its streets and subways have played a critical role during the 2020 pandemic and subsequent recovery. Introducing a cast of transportation heroes to rival Jane Jacobs (Shirley Hayes, Hazel Henderson, Richard Ravitch, Nilka Martell) and puncturing the myth of Moses as New York’s anti-hero, Movement explores how New York City has helped redefine what it means to be a global city: not a place that is easy to drive through, but a place where people can take transit, walk, and bike to work, to school, or just for fun.

On 1 June 1921, at the height of Ireland’s War of Independence, a cycling patrol of members of the RIC was ambushed by members of the IRA at Ballymacandy, between Milltown and Castlemaine in County Kerry. After an hour of fighting, four police officers lay dead and another died a day later, among them a father of nine children. The group of IRA assailants included some of the most high-profile figures in Ireland’s ‘Tan War’, men like Dan Keating, Jack Flynn, Dan Mulvihill, Billy Myles and Johnny Connor, but also lesser-known figures, including members of the local Cumann na mBan. Their actions were condemned from the pulpit and an official enquiry tried to discredit the local doctor who tended to the dying men. This book comes on the centenary of an ambush that continues to resonate in its community and in a county in which the battle with Crown forces was more virulent and violent than most. Drawing on newly published witness statements and previously unpublished official records, Ballymacandy details what happened the five men who died and those who led the attack against them and sets the incident against the backdrop of the wider revolutionary struggle in the county.

Cam, a teenager in New York discovers a magic book. He discovers secrets about this book, and the more he decodes of it's secret message, the more real the supernatural things described inside become.

Devil’s Mile tells the rip-roaring story of New York’s oldest and most unique street The Bowery was a synonym for despair throughout most of the 20th century. The very name evoked visuals of drunken bums passed out on the sidewalk, and New Yorkers nicknamed it “Satan’s Highway,” “The Mile of Hell,” and “The Street of Forgotten Men.” For years the little businesses along the Bowery—stationers, dry goods sellers, jewelers, hatters—periodically asked the city to change the street’s name. To have a Bowery address, they claimed, was hurting them; people did not want to venture there. But when New York exploded into real estate frenzy in the 1990s, developers discovered the Bowery. They rushed in and began tearing down. Today, Whole Foods, hipster night spots, and expensive lofts have replaced the old flophouses and dive bars, and the bad old Bowery no longer exists. In Devil’s Mile, Alice Sparberg Alexiou tells the story of the Bowery, starting with its origins, when forests covered the surrounding area, and through the pre–Civil War years, when country estates of wealthy New Yorkers lined this thoroughfare. She then describes the Bowery’s deterioration in stunning detail, starting in the post-bellum years. She ends her historical exploration of this famed street in the present, bearing witness as the old Bowery buildings, and the memories associated with them, are disappearing.

Photographer Barbara Mensch's rediscovered photo archives and interview tapes capture symbolic transformations of Lower Manhattan. Many of the images are published here for the first time. The photographs evoke the passage of time by dividing the images into three parts: the 1980s, 1990s, and the new millennium (2000 and beyond). The photographer shares with the viewer: "I would shoot ruins of buildings, the demolition of famous waterfront saloons, ancient alleyways, and in some cases, 19th-century buildings destroyed by mysterious fires. There were images of floods and other calamities/ catastrophes in lower Manhattan, culminating with 9/11. These photos captured what had been, what no longer exists. They served as my visual timeline. What did the passage of the many decades reveal to me? What dynamics were in my images of the same streets I repeatedly walked for years?" Her images from the Fulton Fish Market in the 1980s document the generations of immigrants and their children pursuing a gritty American Dream next to the Brooklyn Bridge. Photos from the 1990s present images of floods and fires that paralyzed the area juxtaposed with continued bulldozing to clear the way for luxury housing. Politics reshaped Manhattan's skyline by encouraging new commercial shopping, food, and restaurant destinations. This restructuring marked the beginning of the end of Downtown's blue-collar origins and white-collar replacement, challenging us to ask, "What was lost?" In the 2000s, the seminal event: September 11th, reinforced Downtown's rebirth as the global economic engine with no room for the past. Also included in this section is an interview with an insider privy to the mafia leadership of the Fulton Fish Market during Giuliani's opportunistic crusade against them in the 1980s. Dan Barry, Pulitzer Prize-winning journalist, offers a poetic and insightful tribute to the artist and photographer. *Definitions: falling off suggests a decline in quality or quantity, falling off suggests the passage of time or changes over time, falling off suggests a detachment, an alternative path to a questionable destination, falling off suggests a separation, falling off suggests something that comes to pass.

In the aftermath of a Fourth of July terrorist bombing that has destroyed all of the bridges and tunnels leading out of Manhattan, an elite cadre of Middle Eastern soldiers searches for a man who holds a powerful secret of key importance.

A micro-biography of horror fiction’s most influential author and his love–hate relationship with New York City. By the end of his life and near financial ruin, pulp horror writer Howard Phillips Lovecraft resigned himself to the likelihood that his writing would be forgotten. Today, Lovecraft stands alongside J. R. R. Tolkien as the most influential genre writer of the twentieth century. His reputation as an unreformed racist and bigot, however, leaves readers to grapple with his legacy. Midnight Rambles explores Lovecraft’s time in New York City, a crucial yet often overlooked chapter in his life that shaped his literary career and the inextricable racism in his work. Initially, New York stood as a place of liberation for Lovecraft. During the brief period between 1924 and 1926 when he lived there, Lovecraft joined a creative community and experimented with bohemian living in the publishing and cultural capital of the United States. He also married fellow writer Sonia H. Greene, a Ukrainian-Jewish émigré in the fashion industry. However, cascading personal setbacks and his own professional ineptitude soured him on New York. As Lovecraft became more frustrated, his xenophobia and racism became more pronounced. New York’s large immigrant population and minority communities disgusted him, and this mindset soon became evident in his writing. Many of his stories from this era are infused with racial and ethnic stereotypes and nativist themes, most notably his overtly racist short story, “The Horror at Red Hook,” set in Red Hook, Brooklyn. His personal letters reveal an even darker bigotry. Author David J. Goodwin presents a chronological micro-biography of Lovecraft’s New York years, emphasizing Lovecraft’s exploration of the city environment, the greater metropolitan region, and other locales and how they molded him as a writer and as an individual. Drawing from primary sources (letters, memoirs, and published personal reflections) and secondary sources (biographies and scholarship), Midnight Rambles develops a portrait of a talented and troubled author and offers insights into his unsettling beliefs on race, ethnicity, and immigration.

Explores four centuries of colonization, land divisions, and urban development around this historic landmark neighborhood in West Harlem It was the neighborhood where Alexander Hamilton built his country home, George Gershwin wrote his first hit, a young Norman Rockwell discovered he liked to draw, and Ralph Ellison wrote Invisible Man. Through words and pictures, Hamilton Heights and Sugar Hill traces the transition of this picturesque section of Harlem from lush farmland in the early 1600s to its modern-day growth as a unique Manhattan neighborhood highlighted by stunning architecture, Harlem Renaissance gatherings, and the famous residents who called it home. Stretching from approximately 135th Street and Edgecombe Avenue to around 165th, all the way to the Hudson River, this small section in the Heights of West Harlem is home to so many significant events, so many extraordinary people, and so much of New York’s most stunning architecture, it’s hard to believe one place could contain all that majesty. Author Davida Siwisa James brings to compelling literary life the unique residents and dwelling places of this Harlem neighborhood that stands at the heart of the country’s founding. Here she uncovers the long-lost history of the transitions to Hamilton Grange in the aftermath of Alexander Hamilton’s death and the building boom from about 1885 to 1930 that made it one of Manhattan’s most historic and architecturally desirable neighborhoods, now and a century ago. The book also shares the story of the La Guardia High School of Music & Art, one of the first in the nation to focus on arts and music. The author chronicles the history of the Morris-Jumel Mansion, Manhattan’s oldest surviving residence and famously known as George Washington’s headquarters at the start of the American Revolution. By telling the history of its vibrant people and the beautiful architecture of this lovely, well-maintained historic landmark neighborhood, James also dispels the misconception that Harlem was primarily a ghetto wasteland. The book also touches upon The Great Migration of Blacks leaving the South who landed in Harlem, helping it become the mecca for African Americans, including such Harlem Renaissance artists and luminaries as Thurgood Marshall, Count Basie, Duke Ellington, Mary Lou Williams, Paul Robeson, and W. E. B. Du Bois.

An honest and gripping memoir of one man’s life-altering experience teaching at Rikers Island. When Brandon Dean Lamson first accepted the teaching position at Horizon Academy, a court-mandated academic program for eighteen- to twenty-year-old prisoners at Rikers Island, even he had to question his own motivation. Why was he risking his life every day at a prison notorious for being one of the most dangerous places to work? Was it his small way of making amends for the blatant and pervasive racism he witnessed every day growing up in his small Southern town? Or was it to prove he wasn’t afraid to go where his own father, a prominent District Court judge, had sent both the innocent and guilty alike? In Caged, Lamson provides an intimate view of his transformative experience teaching inmate students on Rikers Island. Rikers Island resonates as a place of horrific violence and inescapable punishment, one of the last places in America that truly invoke overwhelming, universal fear. Set in the late 1990s—a time when the city was rapidly changing into an increasingly corporatized and policed space—Caged exposes a criminal justice system designed to thwart efforts to rehabilitate and educate the incarcerated. Lamson’s first-hand account illustrates how penitentiaries too often use prison education as another means of control. Written in a gripping, confessional narrative, Caged explores the consequential impact of Lamson’s move to New York City, his childhood experiences with racial justice, and his journey working in four prisons over the course of three years. Lamson provides glimpses into his own self-destructive behavior as parallels emerge between his life on Rikers and his personal life, his white privilege, and how his behavior progressively entraps him in ways that resonate with the challenges faced by his students. The book intimately captures how incarceration changes both prisoner and educator alike as Lamson struggles to integrate into life outside prison after his departure from Horizon Academy.