"A deeply personal memoir about workaholism, the addictive nature of ambition, and the humbling process of picking yourself up when the world lets you down: an anti-girlboss tale for our times"--

Short Description An allegory written by B Mathew. Written in flowery classical English of prose and verse. It has abundant allusions, bringing to life and excitement the beauty of classical mythology, western legends, Biblical stories, literature and poetry. Extended Description This book is a fiction story. But this book is also poetry. And this book is also a philosophy on principles of success. You can read it like a novel or fairytale story. You can also read it like poetry or philosophy. This allegory is written in classical English language with verses in poetry and allusions. The plot of this fairytale allegory is about a vagabond called Mr. Ambition, who lives in the City of Penury. This city of Penury is ruled by a horrible monster called Lord Poverty. In this city of Penury, this vagabond suffers great disgrace & reproach. One day, a good man by the name of Mr. Think Rich meets Mr. Ambition and encourages him to run away from the city of Penury and escape to another city called the City of Prosperity. But however, the long journey to that City of Prosperity is filled with great and terrible dangers and deadly snares, where there are many giants, monsters and demons and unimaginable deadly traps. As such, advises Mr. Think Rich, that Mr. Ambition must first make a detour to a mystical labyrinth called the Garden of Sorrow to seek out a mysterious giant called Mr. Other-Self. Because only Mr. Other-Self could safely guide Mr. Ambition to the city of Prosperity. At the entrance of the mystical Garden of Sorrow, Mr. Ambition meets Mr. Destiny. Mr. Destiny thereafter knights him as Sir Ambition the gallant Argonaut. But however, Sir Ambition finds himself overwhelmed by great misfortunes inside the garden of Sorrow. Where following a terrible battle with the horrible giant called Suicide, Sir Ambition is captured by the monster, Unemployment and imprisoned in a labour camp called, Hard-Manual-Labour Estate. Here the monster Unemployment maims Sir Ambition by digging out one of his eyes. But with the aid of an alter-ego, Sir Auto-Suggestion, Sir Ambition escapes Hard-Manual-Labour estate, but with Unemployment on hot pursued. In Sir Ambition's search for the mysterious man, Other-Self, he accidently stumbles upon a mysterious kingdom called, the Kingdom of Within. Here he is welcomed and nursed. After his wounds are healed, the king of this Kingdom of Within and his valiant gladiators escort Ambition out in his search for the elusive Mr. Other-Self. Then once again, the grisly monster, Unemployment confronts Ambition, the valiant king and knights from the kingdom of Within. But the monster, Unemployment easily overpowers and destroys these valiant men and fatally wounds Ambition, leaving him to die a painful and slow death. But with the help of his alter-ego and others, Ambition gathers his feeble strength and continue searching for the mysterious man, Mr. Other-Self. Finally Ambition stumbles upon a strange glittering Kingdom of GreatWithin and makes a last and final attempt to awaken the mysterious man, Other-Self. Sir Ambition succeeds in setting into motion the awakening process but soon dies from his fatal wounds. But even though Ambition dies, he dies with anticipated hope of a resurrection from death, knowing that Mr. Other-Self shall raise him up. Part 1 ends with the awakening process of the invincible man Other-Self.

This book attempts to explore the emergence of science fiction as a genre and its development into steampunk as a subgenre of science fiction in selected science fiction novels: Mary Shelley's Frankenstein (1823), Stanislaw Lem's Solaris (1970) and K. W. Jeter's Infernal Devices (1987). This research shows that the scientists in these novels drag themselves into darkness. Victor, the protagonists of Frankenstein, is an ambition scientist who wants to conquer death but tragically loses his family during this endeavor. Kelvin, the hero of Solaris, is psychologically devastated when he struggles to understand how Solaris ocean creates a simulation of people. The hero of the third novel, George Dewar's father, a mad scientist and inventor, creates a double of his own son as a robot tries to destroy the earth. The main argument of this research is that all these novels set in different eras draw on science fiction to criticize and question man's greedy and unrestricted desire for scientific discovery to the extent that they want to conquer the universe and play the role of God. The study will ask the following questions: How do the ambitious scientists in the novels drag themselves into madness? And how does the scientific desire turn into a crave for transcendence bringing about their damnation? What do these scientific explorations and inventions reveal about human nature? Does steampunk bring evolution to the future as a sub-genre of science fiction?

“Entertaining and highly relatable.” —The New York Times “As hilarious as it is heart-wrenching…[A] gift of storytelling, and an act of reclamation.” —Ashley C. Ford, New York Times bestselling author A deeply personal memoir about workaholism, the addictive nature of ambition, and the humbling process of picking yourself up when the world lets you down—an anti-girlboss tale for our times for readers of Drinking: A Love Story and Uncanny Valley. After years of relentlessly racing up the professional ladder, Jennifer Romolini reached the kind of success many crave: a high-profile, C-suite dream job, a book well-received enough that reporters wanted to know the secrets to her success, and a gig traveling around the country giving speeches on “making it.” She had a handsome and clever husband, a precocious child. But beneath this polished surface was a powder keg of unresolved trauma and chronic overwork. It was all about to blow. Written with self-deprecation and wit, Ambition Monster is a gutsy and powerful look at workaholism and the addictive nature of achievement, the lingering effect of childhood trauma, and the failures of our modern rat race. This is a Cinderella story of success and a brutal appraisal of the cost of capitalism—perfect for people pleasers, overachievers, and those whose traumas have driven them to strike for “goodness,” no matter the cost. With its timely and resonant deconstructing of the American Dream, Ambition Monster is a singular excavation of selfhood, an essential interrogation about the way we work, and an inspiring and affirming call to always bet on yourself.