In Ambiguous Antidotes, Hilaire Kallendorf explores the receptions of Virtues in the realm of moral philosophy and the artistic production it influenced during the Spanish Gold Age.

Chastity and lust, charity and greed, humility and pride, are but some of the virtues and vices that have been in tension since Prudentius’ Psychomachia, written in the fifth century. While there has been widespread agreement within a given culture about what exactly constitutes a virtue or a vice, are these categories so consistent after all? In Ambiguous Antidotes, Hilaire Kallendorf explores the receptions of Virtues in the realm of moral philosophy and the artistic production it influenced during the Spanish Golden Age. Using the Derridian notion of pharmakon, a powerful substance that can serve as poison and cure, Kallendorf’s original and pioneering insight into five key Virtues (justice, fortitude, chastity, charity, and prudence) reveals an intriguing but messy relationship. Rather than being seen as unambiguously good antidotes, the Virtues are instead contested spaces where competing sets of values jostled for primacy and hegemony. Employing an arsenal of tools drawn from literary theory and cultural studies, Ambiguous Antidotes confirms that you can in fact have too much of a good thing.

Antidotes provides up-to-date information on the development and clinical use of antidotes, their proposed mechanism of action, toxicity, availability and practical aspects of their clinical use. The antidotes discussed are primarily those either in current use, or under consideration or development. Some other compounds of mainly historical intere

The queenship of the first European Renaissance queen regnant never ceases to fascinate. As fascists to feminists fight over Isabel’s legacy, we ask which recyclings of her image are legitimate or appropriate. Or has this figure taken on a life of her own?

The Sword of Luchana is the first full-length biography of Baldomero Espartero, the most important figure in Spain's modern history.

"This collection of original essays examines the publication and reception history of sixteenth-century Iberian books of chivalry in English translation and explores the impact of that literary corpus on Elizabethan culture as well as its connections with other contemporary genres such as native English fiction, chronicle, and epistolary writing. The essays focus mainly on Anthony Munday's work as the leading translator as well as the two main Spanish sixteenth-century cycles-Le., Amadis and Palmerin-from a variety of critical approaches, including cultural studies, book history and reception, material history, translation, post-colonial criticism, and early modern Qender studies."--

"This is the first graphic novel adaptation of Lazarillo de Tormes, an anonymous sixteenth-century work that is credited with founding the literary genre of the picaresque novel. This genre includes not only works by Spanish authors like Miguel de Cervantes but also famous novels in English and American literature featuring the "anti-hero." This edition offers a new approach to old questions about a book that has puzzled readers and critics alike for centuries. Who was its mysterious author? Why did the Inquisition forbid this seemingly harmless book? Who read the book and how was it understood? These and other questions are recreated in the graphic novel, offering a broader vision of the fortunes and adversities that this book "lived" and how against all odds it became a literary classic. Translated and retold for the modern reader, Lazarillo de Tormes offers a complete visual experience of the adventures and misadventures of the ultimate picaresque anti-hero as well as insights into the history of the book that set a precedent in Spanish literature."--

For Miguel de Cervantes, to narrate a Mediterranean experience is to necessarily speak of an emotional experience. Affective Geographies takes as its point of departure the premise that literature is as influential in constructing the Mediterranean as are its geographic, climatic, or economic features. As the writer with the most vast and varied Mediterranean experience of his era, Cervantes is exceptionally well-suited for the critical task of recovering the literary Mediterranean. Engaging with the interdisciplinary fields of Mediterranean studies, affect theory, and the history of emotion, Paul Michael Johnson reads Cervantes’s texts alongside the affective structures that inscribe the Mediterranean as a space of conflict, commerce, expansion, and empire. In particular, he argues that Cervantes’s writing, with its uncommon focus on the Moorish, Islamic, and North African experience, can serve to realign misconceptions about the Mediterranean we have inherited today. Affective Geographies proposes that, with a more than four-hundred-year history of impacting the hearts and minds of readers, Cervantes’s works constitute a literary longue durée, ramifying beyond fiction to alter the popular imaginary and long-term cultural landscape.

Fashioning Spanish Cinema provides a critical examination of the intersections between fashion, costume design, and Spanish cinema.