Coinciding with a traveling exhibition opening at the National Museum of Women in the Arts in June, this volume presents a comprehensive and definitive analysis of the life and art of Romaine Brooks, reproducing for the first time in color 34 of the 40 nudes and portraits she painted. Includes an essay by Joe Lucchesi.

Between the two world wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public, artistic and intellectual life. Many of these women--including Colette, Tamara de Lempicka, Sonia Delaunay, Djuna Barnes, Augusta Savage, and Lee Miller--made lasting contributions to art and literature.

Coinciding with a traveling exhibition opening at the National Museum of Women in the Arts in June, this volume presents a comprehensive and definitive analysis of the life and art of Romaine Brooks, reproducing for the first time in color 34 of the 40 nudes and portraits she painted. Includes an essay by Joe Lucchesi.

Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public's appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public's understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume's overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.

Arthur Ransome's 'Swallows & Amazons' series is a collection of 12 adventure novels that follow the exciting escapades of the Walker and Blackett children during their summer holidays in the English Lake District. Ransome's vivid and descriptive writing style brings to life the beauty of the setting and the imaginative adventures of the young characters. The books are filled with sailing expeditions, treasure hunts, and daring missions, making them a delightful read for both children and adults alike. Set in the early 20th century, the series provides a nostalgic glimpse into a bygone era of childhood adventure and camaraderie. Arthur Ransome, a former journalist and foreign correspondent, drew inspiration from his own experiences sailing and exploring the Lake District when writing the 'Swallows & Amazons' series. His love for the outdoors and his deep understanding of children's perspectives shine through in his storytelling, capturing the essence of childhood wonder and exploration. I highly recommend 'Swallows & Amazons' to readers of all ages who enjoy timeless adventure stories with a nostalgic charm. Ransome's classic series is sure to captivate and inspire the imagination of anyone who embarks on this literary journey.

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

The Swallows and Amazons series includes twelve adventure novels by English author Arthur Ransome. Set in the interwar period, it involves group adventures by children, mainly in the school holidays and mainly in England. They revolve around outdoor activities, especially sailing. The series begins with the Walker children from London, who stay at a lakeside farm in the school holidays, sail a dinghy named Swallow, while the local Blackett girls, living on the opposite shore, have one named Amazon. The Walkers see themselves as explorers, while the Blacketts declare themselves pirates. Contents: Swallows and Amazons Swallowdale Peter Duck Winter Holiday Coot Club Pigeon Post We Didn't Mean To Go To Sea Secret Water The Big Six Missee Lee The Picts and the Martyrs: Or Not Welcome At All Great Northern?

A New York Times Book Review Editors' Choice "Pagan Light is mesmerizing. Every detail is compelling. I felt I was reading a family history of a family far more interesting than mine." --Edmund White, author of Our Young Man A rich, intimate embrace of Capri, which was a magnet for artistic renegades and a place of erotic refuge Isolated and arrestingly beautiful, the island of Capri has been a refuge for renegade artists and writers fleeing the strictures of conventional society from the time of Augustus, who bought the island in 29 BC after defeating Antony and Cleopatra, to the early twentieth century, when the poet and novelist Jacques d’Adelswärd-Fersen was in exile there after being charged with corrupting minors, to the 1960s, when Truman Capote spent time on the island. We also meet the Marquis de Sade, Goethe, Mark Twain, Oscar Wilde, Compton Mackenzie, Rilke, Lenin, and Gorky, among other astonishingly vivid characters. Grounded in a deep intimacy with Capri and full of captivating anecdotes, Jamie James’s Pagan Light tells how a tiny island served as a wildly permissive haven for people—queer, criminal, sick, marginalized, and simply crazy—who had nowhere else to go.