Bachelor Thesis from the year 2006 in the subject African Studies - Literature, Sidi Mohamed Ben Abdellah University (Faculty of Letters and Human Sciences Dhar El Mahraz Fès), language: English, abstract: Ama Ata Aidoo’s "No Sweetness Here and Other Short Stories" is a collection of eleven short stories. In it, Aidoo portrays the influence and effect of the post-colonial impact on Africa, culturally, economically and politically. These stories are created independently of each other. However there are several thematic features that create a connection between them. Among others, the most important are their focus on female characters, although male characters are also present and play an important role. Aidoo also demonstrates the disillusionment that came out of the failure of the national struggle after independence. In her short stories, Aidoo’s primary concern is to focus on the condition of women in the historical period covering the Ghanaian post-independence. Aidoo portrays these women, living in very poor conditions in the rural and urban sections of the country. They are trying to improve their lives through various precarious jobs. Aidoo also demonstrates the corruption and greed of the national bourgeoisie, in variably showing through her female characters, the strength, honesty and fight for an honest living. An additional common feature between these stories is related to the theme of alienation; the alienation between men and women, the sense of alienation experienced in the city by those who leave their village to visit it, but mostly the alienation created by the African characters’ obsession with coming up to western standards of modernity.

Bachelor Thesis from the year 2006 in the subject African Studies - Literature, Sidi Mohamed Ben Abdellah University (Faculty of Letters and Human Sciences Dhar El Mahraz Fès), language: English, abstract: Ama Ata Aidoo’s "No Sweetness Here and Other Short Stories" is a collection of eleven short stories. In it, Aidoo portrays the influence and effect of the post-colonial impact on Africa, culturally, economically and politically. These stories are created independently of each other. However there are several thematic features that create a connection between them. Among others, the most important are their focus on female characters, although male characters are also present and play an important role. Aidoo also demonstrates the disillusionment that came out of the failure of the national struggle after independence. In her short stories, Aidoo’s primary concern is to focus on the condition of women in the historical period covering the Ghanaian post-independence. Aidoo portrays these women, living in very poor conditions in the rural and urban sections of the country. They are trying to improve their lives through various precarious jobs. Aidoo also demonstrates the corruption and greed of the national bourgeoisie, in variably showing through her female characters, the strength, honesty and fight for an honest living. An additional common feature between these stories is related to the theme of alienation; the alienation between men and women, the sense of alienation experienced in the city by those who leave their village to visit it, but mostly the alienation created by the African characters’ obsession with coming up to western standards of modernity.

A collection of 11 stories which range from the politics of wigs to the joys of motherhood. In them, the author writes about life in post-colonial Africa, inviting the reader to confront life as it is and rise to the challenge of injustice and ignorance.

From the author of Changes: these stories “of post-independence Ghana in the late 1960s are written beautifully and wisely and with great subtlety” (Chimamanda Ngozi Adichi). In this short story collection, the award-winning poet and author of Changes and Our Sister Killjoy explores postcolonial life in Ghana with her characteristic honesty, humor, and insight. A house servant wonders what independence means in a country where indoor plumbing is still reserved for bosses. A brother tracks down his runaway sister only to find she has become a prostitute. In the title story, a bitter divorce turns tragic when the couple’s only child dies of a snake bite. In these and other stories, tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture, and “even at her gravest, Miss Aidoo writes with a sunny charm” (The New York Times).

From the author of Changes: these stories “of post-independence Ghana in the late 1960s are written beautifully and wisely and with great subtlety” (Chimamanda Ngozi Adichi). In this short story collection, the award-winning poet and author of Changes and Our Sister Killjoy explores postcolonial life in Ghana with her characteristic honesty, humor, and insight. A house servant wonders what independence means in a country where indoor plumbing is still reserved for bosses. A brother tracks down his runaway sister only to find she has become a prostitute. In the title story, a bitter divorce turns tragic when the couple’s only child dies of a snake bite. In these and other stories, tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture, and “even at her gravest, Miss Aidoo writes with a sunny charm” (The New York Times).

In this novel, the author explores the thoughts and experiences of a Ghanaian girl on her travels through Europe. It offers a running commentary on Sissie's feelings of alienation, her reflections on European culture and civilization and her return to the warmth of home in Africa. Ghost/Anowa and short stories No Sweetness Here. suitable for schools and universities.

The Encyclopedia of Women in World History captures the experiences of women throughout world history in a comprehensive, 4-volume work. Although there has been extensive research on women in history by region, no text or reference work has comprehensively covered the role women have played throughout world history. The past thirty years have seen an explosion of research and effort to present the experiences and contributions of women not only in the Western world but across the globe. Historians have investigated womens daily lives in virtually every region and have researched the leadership roles women have filled across time and region. They have found and demonstrated that there is virtually no historical, social, or demographic change in which women have not been involved and by which their lives have not been affected. The Oxford Encyclopedia of Women in World History benefits greatly from these efforts and experiences, and illuminates how women worldwide have influenced and been influenced by these historical, social, and demographic changes. The Encyclopedia contains over 1,250 signed articles arranged in an A-Z format for ease of use. The entries cover six main areas: biographies; geography and history; comparative culture and society, including adoption, abortion, performing arts; organizations and movements, such as the Egyptian Uprising, and the Paris Commune; womens and gender studies; and topics in world history that include slave trade, globalization, and disease. With its rich and insightful entries by leading scholars and experts, this reference work is sure to be a valued, go-to resource for scholars, college and high school students, and general readers alike.

Why Africa? an abstract first painted in 1993 and reproduced in collage in 2004, is variously described by his admirers as an emotional revelation. The work depicts the African question problems and prospects including political instability, corruption, and poverty in the midst of rich natural and human resources. Thus, Why Africa? inspired him to write a book on the subject, applying his creativity with a unique perspective on the African case. Bona has written one book (unpublished) titled: The Ancient and Modern (1992) a story on Urualla, his ancestral origin in Nigeria.