The three volumes of Always Now contain all of Margaret Avison's published books of poetry. The author has removed a very few poems: `Public Address' (from Winter Sun), `The Two Selves' and `In Eporphyrial Harness' (from The Dumbfounding), `Highway in April', `The Evader's Meditation', and `Until Christmas' (from sunblue), `Living the Shadow', `Insomnia' and `Beginning Praise' (from No Time), `Having Stopped Smoking' and `Point of Entry' (from Selected Poems). The opening section of volume one, `From Elsewhere', is arranged according to date of publication, from 1932 to 1991, the date of Selected Poems. `From Elsewhere' includes the `Uncollected' and `New Poems' of that book, except for the two noted above and `The Butterfly', which is here in its original form. All of the poems in Always Now having been considered and reconsidered, and small corrections having been made, the book contains definitively all of the published poems up to 2002 that Margaret Avison wishes to preserve.

The three volumes of Always Now contain all of Margaret Avison's published books of poetry. The author has removed a very few poems: `Public Address' (from Winter Sun), `The Two Selves' and `In Eporphyrial Harness' (from The Dumbfounding), `Highway in April', `The Evader's Meditation', and `Until Christmas' (from sunblue), `Living the Shadow', `Insomnia' and `Beginning Praise' (from No Time), `Having Stopped Smoking' and `Point of Entry' (from Selected Poems). The opening section of volume one, `From Elsewhere', is arranged according to date of publication, from 1932 to 1991, the date of Selected Poems. `From Elsewhere' includes the `Uncollected' and `New Poems' of that book, except for the two noted above and `The Butterfly', which is here in its original form. All of the poems in Always Now having been considered and reconsidered, and small corrections having been made, the book contains definitively all of the published poems up to 2002 that Margaret Avison wishes to preserve.

The three volumes of Always Now contain all of Margaret Avison's published books of poetry. The author has removed a very few poems: `Public Address' (from Winter Sun), `The Two Selves' and `In Eporphyrial Harness' (from The Dumbfounding), `Highway in April', `The Evader's Meditation', and `Until Christmas' (from sunblue), `Living the Shadow', `Insomnia' and `Beginning Praise' (from No Time), `Having Stopped Smoking' and `Point of Entry' (from Selected Poems). The opening section of volume one, `From Elsewhere', is arranged according to date of publication, from 1932 to 1991, the date of Selected Poems. `From Elsewhere' includes the `Uncollected' and `New Poems' of that book, except for the two noted above and `The Butterfly', which is here in its original form. All of the poems in Always Now having been considered and reconsidered, and small corrections having been made, the book contains definitively all of the published poems up to 2002 that Margaret Avison wishes to preserve.

Wider Boundaries of Daring: The Modernist Impulse in Canadian Women’s Poetry announces a bold revision of the genealogy of Canadian literary modernism by foregrounding the originary and exemplary contribution of women poets, critics, cultural activists, and experimental prose writers Dorothy Livesay, P.K. Page, Miriam Waddington, Phyllis Webb, Elizabeth Brewster, Jay Macpherson, Anne Wilkinson, Anne Marriott, and Elizabeth Smart. In the introduction, editor Di Brandt champions particularly the achievements of Livesay, Page, and Webb in setting the visionary parameters of Canadian and international literary modernism. The writers profiled in Wider Boundaries of Daring are the real founders of Canadian modernism, the contributors of this volume argue, both for their innovative aesthetic and literary experiments and for their extensive cultural activism. They founded literary magazines and writers’ groups, wrote newspaper columns, and created a new forum for intellectual debate on public radio. At the same time, they led busy lives as wives and mothers, social workers and teachers, editors and critics, and competed successfully with their male contemporaries in the public arena in an era when women were not generally encouraged to hold professional positions or pursue public careers. The acknowledgement of these writers’ formidable contribution to the development of modernism in Canada, and along with it “wider boundaries of daring” for women and other people previously disadvantaged by racial, ethnic, or religious identifications, has profound implications for the way we read and understand Canadian literary and cultural history and for the shape of both national and international modernisms.

A Globe and Mail Best Book of the Year Margaret Avison was widely acknowledged as one of Canada’s foremost poets. Taut, sublime, subtle, and crystalline, the poems in her brilliant new collection, published posthumously, showcase Avison at her best, and constitute the final chapter in an extraordinary artistic legacy that spanned more than forty years.

Going Top Shelf brings together for the first time in one collection some of Canada's best hockey poems and song lyrics. Included are works by such outstanding Canadian poets as Michael Ondaatje, Al Purdy, Margaret Avison, Don Gutteridge and Lorna Crozier. And for music lovers with a taste for contemporary Canadian music, this entertaining collection includes lyrics by The Tragically Hip, The Rheostatics, Kathleen Edwards, Stompin' Tom Connors, and others. Going Top Shelf represents a cross-section of Canada 's poets and composers, ranging from 19th-century romantic poet Sir Charles G.C. Roberts to contemporary pop songstress Jane Siberry. Altogether, more than 30 authors and songwriters from across Canada reflect an intriguing diversity of forms and literary expression. Yet in all the poems, ice--or the sport played to extensively in Canada upon it--is used to express the ideas, beliefs and attitudes of this diverse group of Canadian authors. For the poetry scholar, for the lover of good music, for the hockey fan, this is a collection to be enjoyed. Indeed, Going Top Shelf represents a literary "top shelf" of hockey poetry without equal.

Margaret Avison, one of Canada's premier poets, is a highly sophisticated and self-conscious writer, both charming and intimidating at the same time. She calls to mind her more famous predecessors--the religious poets George Herbert, Gerard Manley Hopkins, and T. S. Eliot--as she vigorously engages both heart and intellect. "She has forged a way to write against the grain, some of the most humane, sweet and profound poetry of our time," write the judges of the 2003 Griffin Poetry Prize. Becoming a Christian in her mid-forties, her life and her vocation were transformed and her lyrics record that shift. In "Muse of Danger," she writes to Christian college students, "But in His strange and marvelous mercy, God nonetheless lets the believer take a necessary place as a living witness in behavior with family and classmate and stranger, in conversation, or in a poem." How she blends her twin passions of poetry and Christian faith becomes a story of a kind of perseverance. Readers who respond with understanding and empathy recognize both the distinctive mystery of poetic witness and the mystery inherent in Christ's saving work to which it points. Her enduring witness becomes an implicit call for us to persevere in what Avison identifies as the "mix of resurrection life and marred everyday living."

Post-Colonial Literatures in English, together with English Literature and American Literature, form one of the three major groupings of literature in English, and, as such, are widely studied around the world. Their significance derives from the richness and variety of experience which they reflect. In three volumes, this Encyclopedia documents the history and development of this body of work and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

Technically speaking the novel uses the first person and begins with one traditional narrator changing to two to finally sublime into pure dialogs. It is the story of two eternal lovers both on their way from the time before time into the time beyond life, beyond time, beyond the beyond, into their eternal time of two souls in one being. The protagonists are the Haitian Eve Renée Marguerite Dorleac, born Hirsch, and the Colombian Nicolás Rubén Jaramillo Sarmiento during their common and intensive moments in Europe. Both belong to a land of magic where they exist above and apart from reality. Both are possessed of each other and are protected by a set of wise and benevolent loas called Rada. The key years of the pilgrimage are 1968, 1988 and 2008.