"Duncan and Szanto bring their A-game to this daring and complex novel."—Lou Allin, Crime Writers of Canada Sandro Vasiliadis, a nurse at the Whidbey Island General Hospital, has died of an apparent heroin overdose. When his grieving mother bends over to kiss her son’s corpse at the viewing, she shrieks, “That’s not Sandro!” Convinced that her son must still be alive, Maria Vasiliadis hires Kyra Rachel and Noel Franklin to solve the mystery. With questions of foul play continuing to swirl around the death, the detectives’ inquiries lead them deeper into Sandro’s life and eventually to a medical clinic that specializes in transgendering. The second in the Islands Investigations International Mystery series, Always Kiss the Corpse takes Kyra and Noel’s investigation from the rush of Seattle to the seeming peace of the San Juan Islands in this thrilling page-turner. It’s only once the detectives come to understand Sandro in life that they unlock the secret to his death.

The Islands Investigations International team is back! This time, Kyra Rachel and Noel Franklin are sleuthing around Quadra Island in the employ of Noel’s old high school buddy, Jason Cooper. In a quiet wooded area of the island, Jason, his wife, and two younger boys are worried for the oldest son in the family. Derek was discovered badly beaten in the woods by Campbell River and has remained in a deep coma for three weeks. Desperate to find out what happened to his son and why, Jason hires Noel and Kyra. As the two get to know the sleepy island community, they’re surprised to discover that Derek may have been in on a drug deal—but why? Others in the community describe him as a decent young man with a good head on his shoulders—what could have possibly pushed him to deal in drugs? Kyra and Noel aren’t even certain the drug deal is connected to the attack, so who would want to hurt this young man and why? Kyra and Noel are determined to find out what circumstances could have drawn this happy family into such dark territory.

A tribute to nature’s influence on the creative process, Bog Tender is a stunning memoir that explores nature and the act of writing, and where the two intersect. Accomplished fiction author George Szanto lives and writes on a bog that cuts his property in two. Rather than filling in the wetland, he has embraced it as a site of inspiration. Pieced together in 12 chapters—one for each month of the year—this enchanting narrative explores how Szanto’s writing process is affected by the bog’s transformations throughout the seasons. Through each chapter, the author searches for the moments of greatest consequence to him, from his parents’ escape from Hitler’s Vienna to his time spent studying in Germany, and from meeting his future wife and becoming a parent, to his adventures in Mexico. Set in a place where city is left behind for rural space, Bog Tender is about home and the intricate connections that evolve under and above the water.

Jack Tartarus, a photographer, has returned to his family’s house on Crab, an island off the east coast of Vancouver Island. After mulling it over for ten years, Jack has decided to tear his family’s house down, board-by-board, just as his father built it up. He purchases a wrecking bar. Struggling with the first piece of siding, his wrecking bar jammed between ancient planks, it seems the house is determined to remain. The people on Crab Island are also angrily opposed to his plan—including his responsible sister, his self-centered niece, a beautiful woman he knew intimately long ago, and Turtle, the hardware store clerk and the island’s self-proclaimed guardian. In a story about families and family history, Jack’s calculated plans for demolition are fired by the memory of his parents and the other losses he has felt. Like the others who have retreated to Crab Island, Jack has come to a place where he must make peace with the house, in order to construct his future.

In the fourth mystery in the Islands Investigations International series, Noel Franklin and Kyra Rachel are called to Moresby University on San Juan Island to investigate a case of possible plagiarism. As they look into the theft, the two get to know the small island’s university. They soon discover another, more menacing crime: the daughter of a professor engaged in highly sensitive research has been kidnapped. And her ransom is a piece of intellectual property far greater than any manuscript. While Noel and Kyra navigate the murky waters of university politics and come closer to discovering the origins of the crimes and their perpetrators, their lives are first threatened and then terrorized. Kyra, an insurance investigator, and Noel, a former journalist, pair up their sleuthing skills once again in Always Love a Villain on San Juan Island, as they investigate crimes and mysteries in the Pacific Northwest.

In this new mystery series set on the islands off the coast of British Columbia and Washington State, Noel Franklin and Kyra Rachel team up to form Islands Investigations International. Quickly they come to realize that some crimes respect no boundaries. Their first job takes Noel and Kyra to Gabriola Island and the unsolved murder of an art gallery groundskeeper. The vicious rumours surrounding the case take several sinister turns, leading them into grave personal danger. As each investigator falls prey to those they need to trust, Kyra and Noel discover that even charming island communities can keep deadly secrets.

'Island Genres, Genre Islands' moves the debate about literature and place onto new ground by exploring the island settings of bestsellers. Through a focus on four key genres—crime fiction, thrillers, popular romance fiction, and fantasy fiction—Crane and Fletcher show that genre is fundamental to both the textual representation of real and imagined islands and to actual knowledges and experiences of islands. The book offers broad, comparative readings of the significance of islandness in each of the four genres as well as detailed case studies of major authors and texts. These include chapters on Agatha’s Christie’s islands, the role of the island in ‘Bondspace,’ the romantic islophilia of Nora Roberts’s Three Sisters Island series, and the archipelagic geography of Ursula Le Guin’s Earthsea. Crane and Fletcher’s book will appeal to specialists in literary studies and cultural geography, as well as in island studies.

In The Gay Male Sleuth in Print and Film (2005), scholar Drewey Wayne Gunn examined the history of gay detectives beginning with the first recognized gay novel, The Heart in Exile, which appeared in 1953. In the years since the original edition's publication, hundreds of novels and short stories in this sub-genre have been produced, and Gunn has unearthed many additional representations previously unrecorded. In this new edition, Gunn provides an overview of milestones in the development of gay detectives over the last several decades. Also included in this volume is an annotated list of novels, short stories, plays, graphic novels, comic strips, films, and television series with gay detectives, gay sleuths of secondary importance, and non-sleuthing gay policemen. The most complete listing available--including the only listing of early gay pulp novels, present-day male-to-male romances, and erotic films--this new edition brings the work up to date with publications missed in the first edition, particularly cross-genre mysteries, early pulps, and some hard-to-find volumes. The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography lists all printed works in English (including translations) presently known to include gay detectives (such as amateur sleuths, police detectives, private investigators, and investigative reporters), from the 1929 play Rope until the present day. It includes all films in English, subtitled or dubbed, from the screen version of Rope in 1948 and the launch of the independent film Spy on the Fly in 1966 through the end of 2011. Complete with two appendices--a bibliography of sources and a list of Lambda Literary Awards--and indexes of titles, detectives, and actors, this extensively revised and updated reference will prove invaluable to mystery collectors, researchers, aficionados of the subgenre, and those devoted to GLBTQ studies.

TouchWood Editions is proud to introduce the first female sleuth in our selection of mystery novels. Author Gwendolyn Southin uniquely blends the charm of gumshoe techniques with the fresh perspective of a developing female detective. The Margaret Spencer Mysteries offer action and suspense, with a human subtext. At age fifty, Margaret Spencer's empty nest and empty marriage prompt her to answer an ad for part-time office work at the office of private investigator Nat Southby. Suddenly, she is deep in the most unlikely of adventures for a woman in 1950s Vancouver, helping him with a case of missing young women involved in a shady business ring. Maggie finds unexpected freedom as a developing detective and along the way she uncovers evil in the quaintly urban setting.

�â�€�œStories of desire, chance, promise, brought from the down below. Against the rules of heaven, what hope is there?�â�€� Ted tells stories. High on a cloud above Mount Washington, he peers down at the earth, listening to the memories of the mortal folk he watches. Lola, once a famous Hollywood bombshell, now a god, listens to his stories. Ted�â�€�™s words capture her heart, just as she captured the hearts of her fans. Down on Earth, three families experience joy, tragedy, hope, and loss. Milton and Theresa are activists, conservationists, parents, lovers, fighters. Johnnie Cochan is a self-styled ecological leader, haunted by sadness and fear. And Carney is a disaster recovery specialist who can quench an oil-platform fire but finds love hard to hold onto. Through their attractions and battles, their futures become bound, as Cochan�â�€�™s vision for a new utopia, a massive construction project, threatens to rupture everything. Whatever Lola Wants is story about stories�â�€�”those we tell others, and those that fill us up. It is also about the stories we tell ourselves and the ways they make us who we are�â�€�”admired artists, despised monsters, adored immortals.