Alvar Aalto was concerned about the social aspect in all building. This book contains not only a pictorial record of Aalto's collective housing but also an extensive discussion of his ideals about dwellings.

Designed for anyone with an interest in touring major architectural works, the Guidebooks contain historical and descriptive information on key buildings, and practical information including maps, directions, addresses, and references for further reading.

Here are 32 notable examples of multi-family housing from many countries, selected for their importance as prototypes. Designed by such masters as Frank Lloyd Wright, Le Corbusier, Mies van der Rohe, and Alvar Aalto, the buildings are illustrated with photographs, site plans, floor plans, elevations, and striking axonometric drawings.

Alvar Aalto was remarkably inventive in architecture and industrial design. Moreover, his command of technology was integrated with a humanistic style of building, and like Saarinen and Frank Lloyd Wright he sought an organic synthesis of his structures with their surroundings. Aalto's success in approaching these ideals may account for the extraordinary spread of his influence on an international scale. In this broad study of Aalto's work, Malcolm Quantrill assesses its development in terms of two powerful sources-the Finnish National Romantic movement and the Modern movement in architecture. His critique of Aalto's most significant buildings and furniture designs is complemented by photographs of many stages of their creation, from the spontaneity of initial sketches to the completed detail. Professor Quantrill first met Alvar and Elissa Aalto at Muuratsalo in June 1953, and he has been studying and photographing Aalto's buildings ever since. His book provides striking insights into the work of one of the greatest architects of the century.

During the course of a career spanning over 50 years, Alvar Aalto designed nearly 100 single-family houses. Many of them are architectural gems, where his thoughts about dwelling and architecture come together. Aalto considered experimental building to be very important: in his opinion, there should always be an opportunity for experimentation in every project, for it is only in that way that architecture can be promoted and quality improved for the good of the 'little man'. It was specifically in the designing of single-family houses that Aalto could realize new ideas. Aalto's single-family houses can be divided into three groups: houses for individuals, the client of which was nearly always a relative or friend; houses designed for industrial institutions or other communities; and type- or standard houses. All the houses presented in Alvar Aalto Houses were originally designed for private clients. The book presents eight single-family houses by Aalto from 1920s to the end of the 1960s, built in Finland, Estonia and France. Book jacket.

Published to accompany exhibition held at the Museum of Modern Art, New York, 19/2 19/5 1998.

Aalto built three major works in America that counted among the most important in his career - the Finland Pavilion at the New York World's Fair, Baker House at MIT and the Library at Mount Angel Abbey, Oregon. This text deals with the complex nature of Aalto's experience with America.

By assessing the historical, personal and intellectual influences of two of the greatest figures in modern architecture - Le Corbusier and Alvar Aalto, this study offers an understanding about the diversity at the heart of modernism.

With the full cooperation of the Alvar Aalto Foundation, Goran Schildt has explored its archives, and some 20,000 letters, memoranda and contemporary newspaper cuttings as well as many building models, to ensure that every work is included in this volume.

A collection of housing designs built over the last hundred years, illustrating innovative approaches. Fourth in the Key series, with newly drawn plans suitable for study in architecture schools, this volume will appeal to students of urban design and planning as well as architecture. Key developments covered include early apartment blocks, the projects of European modernism, high-rise and large-scale schemes, and postmodernism. Exterior and interior photographs show materials, massing, and context. 150 color photographs, 500 line drawings.