Whether defined by comic excesses, cult horrors, or surreal vampire experimentations, trash and exploitation cinema represents the alternative face of European film. Although extremely popular with post-war audiences, these historically significant traditions of 'Eurotrash' have often been ridiculed or ignored by an established film criticism eager to define 'legitimate' European cinema as either avant-garde or socially realist. Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 investigates these previously under-explored national traditions of film culture, with essays and festival reports uncovering the social and cultural trends and tensions within a wide range of European exploitation movies. The volume considers such engaging and challenging topics as Russian, Belgian and Italian horror cinema, Gothic musclemen movies, Nazi 'sexploitation' cycles, German erotic cinema and 1970s European 'rogue cop' thrillers. Alternative Europe also includes interviews with trash directors and icons such as Brian Yuzna, J'rg Buttgereit and Giovanni Lombardo Radice.

Globalization has become synonymous with the seemingly unfettered spread of capitalist multinationals, but this focus on the West and western economies ignores the wide variety of globalizing projects that sprang up in the socialist world as a consequence of the end of the European empires. This collection is the first to explore alternative forms of globalization across the socialist world during the Cold War. Gathering the work of established and upcoming scholars of the Soviet Union, Eastern Europe, and China, Alternative Globalizations addresses the new relationships and interconnections which emerged between a decolonizing world in the postwar period and an increasingly internationalist eastern bloc after the death of Stalin. In many cases, the legacies of these former globalizing impulses from the socialist world still exist today. Divided into four sections, the works gathered examine the economic, political, developmental, and cultural aspects of this exchange. In doing so, the authors break new ground in exploring this understudied history of globalization and provide a multifaceted study of an increasing postwar interconnectedness across a socialist world.

The contemporary Marxist writer provides analyses of socialist theory, modern political struggle, and socialist societies in Eastern Europe.

A bracing corrective to predictions of the European Union’s decline, by a leading historian of modern Europe Is the European Union in decline? Recent history, from the debt and migration crises to Brexit, has led many observers to argue that the EU’s best days are behind it. Over the past decade, right-wing populists have come to power in Poland, Hungary, and beyond—many of them winning elections using strident anti-EU rhetoric. At the same time, Russia poses a continuing military threat, and the rise of Asia has challenged the EU's economic power. But in Embattled Europe, renowned European historian Konrad Jarausch counters the prevailing pessimistic narrative of European obsolescence with a rousing yet realistic defense of the continent—one grounded in a fresh account of its post–1989 history and an intimate understanding of its twentieth-century horrors. An engaging narrative and probing analysis, Embattled Europe tells the story of how the EU emerged as a model of democratic governance and balanced economic growth, adapting to changing times while retaining its value system. The book describes the EU’s admirable approach to the environment, social welfare, immigration, and global competitiveness. And it presents underappreciated European success stories—including Denmark’s transition to a green economy, Sweden’s restructuring of its welfare state, and Poland’s economic miracle. Embattled Europe makes a powerful case that Europe—with its peaceful foreign policy, social welfare solidarity, and environmental protection—offers the best progressive alternative to the military adventurism and rampant inequality of plutocratic capitalism and right-wing authoritarianism.

The Global Environment Outlook (GEO-2000) explores alternative policy options for Europe and Central Asia focuses on energy use as an important driver for environmental problems across the region. It considers the question of what can be achieved by moderate measures, and whether this will be enough. The report includes an outline of the methodology for all region-specific studies on alternative policies for GEO-2000.

references throughout; part of the Goals, processes and indicators of development project

The treatment of long-term agricultural transformation remains a lively topic for historians. Much debate arose when agricultural development patterns were discovered that did without a dominant, production-oriented cereal crop, even when it was accompanied by livestock farming. Joan Thirsk hoped to conclude this debate by putting forward the hypothesis that such "alternative agriculture" was the farmers' way of responding to the difficulties caused by periods of low agricultural prices. This theory stirred up controversy and arguments both for and against.00The contributions to this volume take this hypothesis seriously and attempt to assess its validity. Examining a large number of "alternative agricultures" over the long term, from the fifteenth to the twentieth century, they discuss the issues encountered in tracing the links between the spread of alternative crops, such as fruits and vegetables, flowers, and industrial crops, and the general economic environment, across a vast swathe of territory stretching from Flanders to Spain and from France, through Italy and Switzerland, as far as Russia.

The first detailed analysis of the legal and practical implications of the AIFMD at regional and national level.

Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer