An ethical reappraisal of postmodern and poststructuralist theory, including works by Levinas, Foucault, Derrida, Jameson, Zizek, and Butler.

With the economic and political rise of East Asia in the second half of the twentieth century, many Western countries have re-evaluated their links to their Eastern counterparts. Thus, in recent years, Asian German Studies has emerged as a promising branch within interdisciplinary German Studies. This collection of essays examines German-language cultural production pertaining to modern China and Japan, and explicitly challenges orientalist notions by proposing a conception of East and West not as opposites, but as complementary elements of global culture, thereby urging a move beyond national paradigms in cultural studies. Essays focus on the mid-century German-Japanese alliance, Chinese-German Leftist collaborations, global capitalism, travel, identity, and cultural hybridity. The authors include historians and scholars of film and literature, and employ a wide array of approaches from postcolonial, globalization, media, and gender studies. The collection sheds new light on a complex and ambivalentset of international relationships, while also testifying to the potential of Asian German Studies.

How do national stereotypes emerge? To which extent are they determined by historical or ideological circumstances, or else by cultural, literary or discursive conventions? This first inclusive critical compendium on national characterizations and national (cultural or ethnic) stereotypes contains 120 articles by 73 contributors. Its three parts offer [1] a number of in-depth survey articles on ethnic and national images in European literatures and cultures over many centuries; [2] an encyclopedic survey of the stereotypes and characterizations traditionally ascribed to various ethnicities and nationalities; and [3] a conspectus of relevant concepts in various cultural fields and scholarly disciplines. The volume as a whole, as well as each of the articles, has extensive bibliographies for further critical reading. Imagologyis intended both for students and for senior scholars, facilitating not only a first acquaintance with the historical development, typology and poetics of national stereotypes, but also a deepening of our understanding and analytical perspective by interdisciplinary and comparative contextualization and extensive cross-referencing.

Asian Alterity is an interdisciplinary theoretical analysis that vigorously contests the homogeneity of the mainstream Eurocentric values. Part I argues for the need for an alternate perspective to be introduced so as to understand the diversity of Asia's cultural differences at their varied development stages and to meet the complex challenges of the explosive urban expansion and disruptive changes in traditional cultures and lifestyles.Part II of the book consists of nine case studies of Asian major urban cities by well-established academic writers and urban theorists. Each author presents diverse aspects of urban dynamism. The case studies will collectively demonstrate a broad framework to understand the essentiality of the interdisciplinary mode of Cultural Studies as an important lens towards meeting the challenges in Asian Architecture and Urbanism.Highlights of the book:

This title was first published in 2001. This text looks at what being Russian means to a Russian politician, the country they live in and what they think it ought to be. It is a study of self-images in Russia, pertaining to the Russian state policy and the cognitive and affective strands regarding Russia's past, its friends and foes externally and internally, and Russia's role in the international arena, as well as key issues related to internal developments. This book attempts to assess to what extent a new sense of identity emerged in Russia during the decade after the dissolution of the Soviet Union. In this book Petersson argues that the development of a civic national identity, centered around belonging to the state and not an ethnic community, is the only viable option to prevent further disintegration and bring about stability and cohesion for the country.

Describing the field, spanning individual, organisation societal and cultural perspectives in a cross-disciplinary manner, this is the premier reference tool for students lecturers, academics and practitioners to gather knowledge about a range of important topics from the perspective of organisation studies.

Based upon academic research at the University of Amsterdam's Center for the History of Hermetic Philosophy and Related Currents, One Truth and One Spirit is a much-needed work that covers a previously unexplored history of the modern religious movement known as Thelema. This work details the theoretical framework of Aleister Crowley's spiritual legacy in the O.T.O. and the A?A? and covers the years of Thelema since Crowley's death in 1947. One Truth and One Spirit approaches a complex topic with a complex history, with exhaustive citations and sources, but it is written for anyone interested in the subject of Thelema. The author utilizes published source material as well as previously unavailable information, which makes this a unique contribution to the available literature. One Truth and One Spirit is expected to be of interest to the novice, the scholar, and the seasoned practitioner of Thelema. The work provides a general historical overview of Thelema from a theoretical vantage point, explores the historical development of the movement from the 1960s to the 1990s, and applies the author's own critical discussions on the topic itself.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This is the first book-length study in English of the Japanese-language literary activities of early Japanese migrants to Brazil. It provides a detailed history of Japanese-language bookstores, serialized newspaper fiction, original creative works, and critical apparatuses that existed in Brazil prior to World War II. This case study of the reading and writing of one diasporic population challenges the dominant mode of literary study, in which texts are often explicitly or implicitly understood through a framework of ethno-nationalism. Self-representations by writers in the diaspora reveal flaws in this prevailing framework through what Edward Mack calls “acquired alterity,” in which expectations about the stability of ethnic identity are subverted in surprising ways. Acquired Alterity encourages a reconsideration of the ramifications (and motivations) of cultural analyses of texts and the constructions of peoplehood that are often the true objects of literary knowledge production.