He is handsome, he is ruthless, he is feared by all, he is alpha Damian of the silver pack, and no one dares to stand against him. In a period of war, trials, and tribulations between the twelve wolf tribes and the rogues, what will happen when a mighty alpha’s heart is captured by a misesteemed Lotus princess? Miranda agrees to a union with the mighty alpha, all to save her people, but what will happen when this union brings the two, different but not so different together, more than they ever expected? Will Miranda later discover her true feelings for the one she is fated to?

Thea Quinn has no idea what she is. All she knows is that her abilities have been a plague upon her life since she was a child. After years of suffering at the hands of a megalomaniac, Thea escaped and has been on the run ever since. The leadership and protection of his pack are of the utmost importance to Conall MacLennan, Alpha and Chief of Clan MacLennan, the last werewolf pack in Scotland. Which is why watching his sister slowly die of a lycanthropic disease is emotional torture. When Conall is approached by a businessman who offers a cure for his sister in exchange for the use of Conall's rare tracking ability, Conall forges an unbreakable contract with him. He has to find and retrieve the key to the cure: dangerous murderer, Thea Quinn. Thea's attempts to evade the ruthless werewolf are not only thwarted by the Alpha, but by outside dangers. With no choice but to rely on one another for survival, truths are revealed, intensifying a passionate connection they both fight to resist. At war with themselves and each other, Conall and Thea's journey to Scotland forces them to face a heartrending choice between love and betrayal.

Cyberspace, the cyborg and cyberpunk have given feminists new imaginative possibilities for thinking about embodiment and identity in relation to technology. This is the first anthology of the key essays on these potent metaphors. Divided into three sections (Technology, Embodiment and Cyberspace; Cybersubjects: Cyborgs and Cyberpunks; Cyborg Futures), the book addresses different aspects of the human-technology interface. The extensive introduction surveys the ways cyborg and cyberspace metaphors have been used in relation to current critical theory and indicates the context for the specific essays. This is an invaluable guide for students studying any aspects of contemporary theory and culture.* Brings together in a unique collection the work of key authors in feminist and cyber theory* Demonstrates the wide range of contemporary critical work* Challenges constructions of gender, race and class* An extensive introduction surveys the ways cyborg and cyberspace metaphors have been used in relation to current critical theory* Brief section introductions indicate the context for the specific essays

Werewolf: The Apocalypse is about anger over the loss of what the shapeshifting Garou hold dearest: Gaia, the Earth itself. Corruption from without and within has caused the destruction not only of the Garou's environment, but also of their families, friends and culture, which extends in an unbroken line to the very dawn of life. No matter how righteously the Garou hold themselves, no matter how they prey on their destroyers, the corruption spreads. Now the time for reconciliation is past. This grave insult against Gaia can end in only one way: blood, betrayal... and rage. Details the werecrocodilians of the World of Darkness.

Dark Matter is a full science fiction conversion for the 5th Edition of the World's Greatest Roleplaying that unlocks a universe of adventure for your table, without leaving your favorite fantasy staples behind. This full campaign setting is rife with gorgeous art, easy to learn, and generic enough to use with any campaign.

This core rulebook introduces an innovative monster stat block format, that makes running monsters easier for the Dungeon Master, and presents a horde of iconic monsters that fit into any campaign.

This book examines the phenomenon of 'the male gaze', a concept which has spread beyond academia and become a staple of cultural conversations across disciplinary boundaries. Male gazing has typically been disparaged and even stigmatized as a reflection of misogyny and an instrument of objectification, often justifiably so. But as this book argues and illustrates, male gazing can also be understood as an illuminating, intellectually engaging, aesthetically compelling, and even politically progressive practice. This study recounts how the author’s own coming-of-an-age as a gazer became the basis for his long career teaching and writing about American fiction and poetry and poetry, canonical and contemporary, as well as about film, painting, TV, and rock-and-roll. It includes closely-reasoned analyses of work by James Baldwin, Rembrandt, Willa Cather, Philip Roth, Henry James, Charles Chesnutt, Bob Dylan, Robert Stone,Tim O’Brien, Edith Wharton, Theodore Dreiser, Frank O’Hara, Italo Calvino, John Schlesinger as well such cultural phenomena as the British Invasion of the 1960s, the Judgment of Paris in Greek mythology, the technology of seeing (kaleidoscopes, microscopes, telescopes) and the concept of 'objectification' itself.

"Koudelka's unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night."-Cornell Capa In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These gorgeously austere black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exilesis an exploration of the genesis and the making of this photographic journey. Enhanced by numerous photographs that have never been published--in particular the photographer's self-portraits--and captions by Koudelka, it includes numerous archival documents (such as reproductions of his travel journals), thumbnail reproductions of the book's layout, an introduction by curator Clément Chéroux and an essay by photo-historian Michel Frizot, who spent hours interviewing Koudelka. Josef Koudelkawas born in Moravia in 1938. Initially an aeronautic engineer, he launched full time into photography in the late sixties. In 1968, he photographed the Soviet invasion of Czechoslovakia, publishing the results under the pseudonym P.P. (Prague Photographer). Koudelka left Czechoslovakia in 1970 and was briefly stateless before obtaining political asylum in England. Shortly afterwards, he joined Magnum Photos. In 1975 he published Gypsies. Koudelka has exhibited at the MoMA and at the International Centre of Photography in New York, at the Hayward Gallery in London, the Stedelijk Museum in Amsterdam and the Palais de Tokyo in Paris.

The New York Times bestselling author of the On Dublin Street series returns to Hartwell, Delaware—the perfect place to get away from it all, and find what you never knew you needed.... Bailey Hartwell has many reasons to feel content—her successful business, a close circle of friends, and her steady boyfriend…even if their romance feels staid after ten years without a serious commitment. The only challenge in her life comes in the form of sexy businessman Vaughn Tremaine. She thinks the ex-New Yorker acts superior and that he considers her a small-town nobody. But when Bailey’s blindsided by a betrayal, she’s shocked to discover Vaughn is actually a decent guy. Vaughn admires Bailey’s free spirit, independence, and loyalty. As his passion for her has grown, his antagonism toward her has only worsened. Every little thing Bailey does seduces him. But when Vaughn’s painful emotional past makes him walk away in fear he will hurt her, it opens an old wound in Bailey, and she uncharacteristically retreats. Once Vaughn begins to realize he’s made the biggest mistake of his life, he has no choice but to fight like he’s never fought before to convince Bailey that the love they’ve found together only comes around once in a lifetime….