Our tale is the story of a young English archer who has become famous because of his rescue of English sailors, and his capture of a Spanish galleon loaded with treasure. Proficient in the use of flaming arrows, Alon wins the King’s archery contest and is then asked by the King to free the Archbishop of Canterbury from pirates. On his way back to England after accomplishing the mission, Alon comes across a stolen English revenue cutter, which he recaptures. Due to all his successful and daring exploits, the East India Trading Company asks Alon to help the company eliminate pirates off the coast of Africa, vicious men who have been harassing English shipping. “In the year 1624, a young archer by the name of Alon was caught poaching deer on Lord Harold’s property. The punishment for poaching was death, but Alon’s life was spared by Lord Harold because Alon had won the king’s archery contest. Instead of punishing Alon, he was instead made Lord Harold’s gamekeeper and chief hunter.” Thus starts this seafaring adventure.

Alon the Archer is an exciting romance adventure set in England and other countries, during the Middle Ages.

In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).

This book argues that the destruction of Jerusalem is a key explanatory trope for early modern texts.

From AD 1550 to 1850, the Araucanian polity in southern Chile was a center of political resistance to the intruding Spanish empire. In this book, Tom D. Dillehay examines the resistance strategies of the Araucanians and how they used mound building and other sacred monuments to reorganize their political and culture life in order to unite against the Spanish. Drawing on anthropological research conducted over three decades, Dillehay focuses on the development of leadership, shamanism, ritual, and power relations. His study combines developments in social theory with the archaeological, ethnographic, and historical records. Both theoretically and empirically informed, this book is a fascinating account of the only indigenous ethnic group to successfully resist outsiders for more than three centuries and to flourish under these conditions.

This is a collection of 128 of William Cecil, Lord Burghley's letters to his son Sir Robert Cecil, 1593-8.

This is a filmography of not only all of the English-language movies made during the 1960s that had a theatrical release but major foreign films exhibited in the United States as well. The films are listed alphabetically and the following information is provided for each: year of release, nation of origin if other than the United States, production/distribution company, black and white notation (if not in color), running time, genre, production credits, cast and characters, and a brief synopsis. This turbulent decade is unusually interesting in the history of cinema. Those films released in the early part of the decade were similar to those of the 1950s, but as the years passed, the offerings changed in many ways.