Seventeen-year-old Flora Mackey is not exactly thrilled to wake up from a car accident and find out she’s a ghost. Making this lifelike hell even worse is being trapped with her arch enemy and collision partner, Laney Tipps. The two normally couldn’t get along if their lives depended on it, but now they have no choice. After recovering from the initial shock of seeing their lifeless bodies—and that they can’t escape each other—Flora and Laney have to find a way out of the twisted, gray realm. But they quickly learn that the farther they stray from their motionless corpses, the weaker they become. Luckily Sara, a spirit guide, shows up to help. Sara informs them they’ll have to wait for someone in their city to die so they can take their place in the land of the living. What’s scarier than waiting in purgatory? Time. If Flora and Laney don’t return to the physical world and leave clues for their families that they’re still alive, they’ll never be found. Which sucks, because once their bodies give out, their souls will be permanently stuck in the afterlife.

'She is one of the best' Harlan Coben' The first victim is pushed to her death. The second suffers a fatal overdose. The third takes a bullet to the heart. Three down, more to go. They're people who deserve to die. They're people who are in the way. And when she's finished there will be no one left... Cissy Cahill's world is unravelling fast. One by one, her family are dying. Cissy's right to be afraid - but not for the reasons she thinks. The truth is much more terrifying and cunning. Hidden in the shadows of the Cahill family's twisted past is a shocking secret - a secret that will only be satisfied by blood. And Cissy must uncover the deadly truth before it's too late. Fear is coming home - with a vengeance. ******************** If you like Karin Slaughter, Tess Gerritsen and Karen Rose you will love Lisa Jackson. But don't take our word for it... 'WOW. This book kept me on the edge of my seat the whole time...Definitely recommend if you enjoy Murder Mysteries.' Goodreads reviewer 'One of my favourite authors, keeps you guessing to the end.' Goodreads reviewer 'A thoroughly suspenseful story that keeps you guessing until the very end' Goodreads reviewer

Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, Almost Dead reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean. The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often of degree rather than kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives’ need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. It was in these urban slave communities—within the connections between neighbors and kinfolk—that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives.

Somewhere between pure exhilaration and sheer terror is Almost Dead! After having an accident on her way home to visit her family, Sara Walker awakens to find that the world has changed. Now she must travel up the Eastern Seaboard, using suppressed survival skills she learned as a child, in hopes of reuniting with her loved ones in the midst of a viral pandemic that has turned humans into monsters. Set in modern day 2005, Sara unites with old acquaintances and new friends along the way, and her struggle to survive will be both an unexpectedly exciting journey and an absolute horror. Relentlessly vicious, Almost Dead isn’t your typical apocalyptic story. Tying in conspiracy with historical flashbacks and showing how perhaps everything we’ve learned in our textbooks has been altered over time.

The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world’s greatest band. The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London’s Marquee Club in 1962 through their latest record—setting Bridges to Babylon world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away. Now Stephen Davis, the New York Times bestselling author of Hammer of the Gods and Walk This Way, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones’ musical successes_and personal excesses. Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe. Among London’s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver’s only son, Charlie Watts, a jazz drummer. At the same time, popular and studious Michael Philip Jagger–who, as a boy, bawled out a phonetic version of “La Bamba” with an eye-popping intensity that scared his parents–began sharing blues records with a primary school classmate, Keith “Ricky” Richards, a shy underachiever, whose idol was Chuck Berry. In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the “the Rollin’ Stones” in honor of the Muddy Waters blues classic. Using the biography of the Rolling Stones as a narrative spine, Old God Almost Dead builds a new, multilayered version of the Stones’ story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan’s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol’s New York, the “Underground” politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution. At the same time, Old Gods Almost Dead documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. The first new biography of the Rolling Stones since the early 1980s, Old Gods Almost Dead is the most comprehensive book to date, and one of the few to cover all the band’s members. Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them. It is a saga as raunchily, vibrantly entertaining as the Stones themselves.

Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they’re true. Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word. From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City. Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.

This book considers how a culture of crisis management&—what Cazdyn calls "the new chronic"&— has come to dominate all aspects of contemporary life, from biomedicine to economics to politics. Drawing from his own experiences battling leukemia and the subsequent effects of his illness on the process of becoming a Canadian citizen, Cazdyn unravels the logic of the new chronic where people find themselves suspended in a space between life and death.

Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.

The dead detective and her assistant come to life in this manga adaptation! I, Kimihiko Kimizuka, was an ordinary high school student. Sure, I had a penchant for getting dragged into all sorts of trouble, but was otherwise ordinary—until I met her. The detective, Siesta. Her angelically beautiful face and cool disposition in the face of plane hijackers swept me off my feet…and the next thing I knew, I’d spent the next three years off on a whirlwind adventure acting as her assistant. After all, I was the Watson to her Sherlock. But then…she died. It didn’t end there, though. No, our story only really began a year later when I met a bratty, snotty high school girl who seemed oddly familiar…

Eitan Enoch -- nicknamed “Croc” -- is a thirty-something Tel Aviv yuppie whose life is turned upside down one morning when he narrowly escapes the suicide bombing of the bus he takes to work. Two days later, Croc finds himself in a second explosion, and manages to again emerge unscathed. A week after that, he’s sitting in a café in Jerusalem when another suicide bomber strikes. Again he survives. With the coincidence of these three attacks, Croc is turned into a (reluctant) media celebrity. To the Israeli resistance, he is “The Man They Couldn’t Kill!” So, of course, the Palestinian terrorists who have been organizing the attacks feel he must be taken out. Meanwhile, Fahmi, a young Palestinian bomb-maker with a conscience, is lying in a coma in a hospital somewhere in Israel. As Fahmi tells us his own story, we begin to realize that there is a fourth bombing to come -- one that involves both Famhi and Croc.