Set in France and Italy, All's Well That Ends Well is a story of one-sided romance, based on a tale from Boccaccio's The Decameron. Helen, orphaned daughter of a doctor, is under the protection of the widowed Countess of Rossillion. In love with Bertram, the countess' son, Helen follows him to court, where she cures the sick French king of an apparently fatal illness. The king rewards Helen by offering her the husband of her choice. She names Bertram; he resists. When forced by the king to marry her, he refuses to sleep with her and, accompanied by the braggart Parolles, leaves for the Italian wars. He says that he will only accept Helen if she obtains a ring from his finger and becomes pregnant with his child. She goes to Italy disguised as a pilgrim and suggests a 'bed trick' whereby she will take the place of Diana, a widow's daughter whom Bertram is trying to seduce. A 'kidnapping trick' humiliates the boastful Parolles, whilst the bed trick enables Helen to fulfil Bertram's conditions, leaving him no option but to marry her, to his mother's delight.

One of Shakespeare's most thought-provoking comedies in which high-born Lord Bertram learns humility and the true worth of his wife.

Few writers have a deeper understanding of the foibles of human nature and life’s absurdities and tragedies than William Shakespeare. This makes him a fascinating companion for the season of Lent, a traditional time for a spot of self-examination. This engaging, wise and often amusing Lent book sets quotations from Shakespeare’s characters and poems alongside biblical passages and reflects on the resonance between them – one reflection for each day of the season. It starts with dust on Ash Wednesday (‘Golden lads and girls all must, As chimney-sweepers, come to dust’, from Cymbeline) and ends with resurrection as Easter Sunday approaches (‘It is required you do awake your faith’, from The Winter’s Tale). In between, it considers many rich spiritual themes: mercy, love, loyalty, trust, good vs evil, guilt, forgiveness, ageing, grief, death, hope and more. Each day’s reflection opens with a quotation from Shakespeare and explores its ideas in conversation with the Bible and Christian thought.

From the author of Bunny, which Margaret Atwood hails as “genius,” comes a “wild, and exhilarating” (Lauren Groff) novel about a theater professor who is convinced staging Shakespeare’s most maligned play will remedy all that ails her—but at what cost? Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged…genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is a “fabulous novel” (Mary Karr) about a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

NEW YORK TIMES BESTSELLER Bestselling author Ali Wentworth offers a comedic look at family, friendship, and lessons learned during the Covid-19 pandemic in her new collection of laugh-out-loud comic vignettes. Like many, Ali Wentworth spent the pandemic seesawing between highs, lows, and baking an unnecessary amount of chocolate cake. Between binging every tv show in existence to conquering TikTok to becoming a (semi) empty-nester, Ali experienced her share of turmoil (including an early case of Covid), but she also grew a little, learned a lot, and found comfort in some unexpected people and places. In Ali’s Well That Ends Well, Wentworth turns her gimlet eye to the year no one saw coming. With her signature irreverent style, she shares the most hysterical, absurd, and sometimes trying episodes that her family endured during the terrible global pandemic. Thoroughly relatable, absolutely charming, and filled with moments both hilarious and poignant, this terrific collection once again showcases the comedic genius of a beloved star who is “the girlfriend you want to have a glass of wine with, the one who makes you laugh because she sees the funny and the absurd in everything" (Huffington Post).

In this romantic reconciliation comedy, the sweetly mischievous Helena plots and plans her way to winning the aloof Bertram's hand in marriage. While the lovers are united by the close of the final act, Shakespeare pokes fun at the fantasy, wish fulfillment, and conventions of romantic comedy with the play's ambiguous resolution, which has intrigued scholars, readers, and theatergoers for centuries. This invaluable new study guide to one of Shakespeare's greatest plays contains a selection of the finest criticism through the centuries, plus an introduction by Harold Bloom, an accessible summary of the plot, a comprehensive list of characters, a biography of Shakespeare, and more.

Different can be great! Makayla is visiting friends in her neighborhood. She sees how each family is different. Some families have lots of children, but others have none. Some friends live with grandparents or have two dads or have parents who are divorced. How is her own family like the others? What makes each one great? This diverse cast allows readers to compare and contrast families in multiple ways.

This new Complete Works marks the completion of the Arden Shakespeare Third Series and includes all of Shakespeare's plays, poems and sonnets, edited by leading international scholars. New to this edition are the 'apocryphal' plays, part-written by Shakespeare: Double Falsehood, Sir Thomas More and King Edward III. The anthology is unique in giving all three extant texts of Hamlet from Shakespeare's time: the first and second Quarto texts of 1603 and 1604-5, and the first Folio text of 1623. With a simple alphabetical arrangement the Complete Works are easy to navigate. The lengthy introductions and footnotes of the individual Third Series volumes have been removed to make way for a general introduction, short individual introductions to each text, a glossary and a bibliography instead, to ensure all works are accessible in one single volume. This handsome Complete Works is ideal for readers keen to explore Shakespeare's work and for anyone building their literary library.

Barring the usual teenage pranks, all seems peaceful at Philly Prep, the private school in Philadelphia where Amanda Pepper teaches English. No doubt the money that appears to be missing from funds collected to aid victims of a catastrophic hurricane Down South will turn up. Probably the rumor that some of Amanda’s students have discovered the thrills of gambling is totally unfounded. In any case, Amanda has other things to think about. Her husband, private investigator C. K. MacKenzie, is struggling to help his Louisiana kinfolk reconstruct their post-hurricane lives. Her friend Sasha’s stepmother has just committed suicide–although, according to Sasha, Phoebe Ennis would never have killed herself, especially not while having a drink and wearing a red silk blouse and red sandals with four-inch heels. Amanda isn’t persuaded but reluctantly agrees to help investigate the woman’s demise, though the evidence for foul play is slim. True, the middle-aged compulsive collector of knickknacks wasn’t universally loved. Phoebe’s own son hated her and she bored her friends to death with hints of her “royal” lineage. And with four marriages behind her, she was already preparing to announce her renewed availability on the Net. But when another woman is found dead in Phoebe’s house, it becomes clear that something is indeed murderously amiss, and much closer to home than Amanda or anyone else could have imagined. All’s Well That Ends is the final novel in Gillian Roberts’s acclaimed Amanda Pepper series. It’s also the best, irresistibly intelligent, and richly entertaining. Amanda’s farewell adventure brings the genius of “the Dorothy Parker of mystery writers” (Nancy Pickard) into full flower, and the bloom is sweet and a wonder to behold. From the Hardcover edition.