"Womack and Kruppa present a thorough history of Harrison and Clapton's songmaking and recording sessions." — BooklistNewly revised and expanded, this paperback edition features exclusive material from the Malcolm Frederick Evans archives and draws on rare material released by the Harrison Estate. A new appendix includes a detailed sessionography and personnel listings for All Things Must Pass, assembled from recently discovered documentation. George Harrison and Eric Clapton embarked upon a singular personal and creative friendship that impacted rock's unfolding future in resounding and far-reaching ways. All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs traces the emergence of their relationship from 1968 though the early 1970s and the making of their career-defining albums, both released in November 1970. Authors Womack and Kruppa devote close attention to the climax of Harrison and Clapton's shared musicianship— the creation of All Things Must Pass, Harrison's powerful emancipatory statement in the wake of the Beatles, and Layla and Other Assorted Love Songs, Clapton's impassioned reimagining of his art via Derek and the Dominos— two records that advanced rock 'n' roll from a windswept 1960s idealism into the wild and expansive new reality of the 1970s. All Things Must Pass Away reveals the foundations of Harrison and Clapton's friendship, focusing on the ways their encouragement and support of each other drove them to produce works that would cast long shadows over the evolving world of rock music.

George Harrison was always known as the 'quiet Beatle' As part of the biggest band in pop history, he took a back seat to Paul McCartney and John Lennon, but his talent shone through in the composition of classic songs such as 'Something' and 'Here Comes The Sun'. In his solo career he occasionally threatened to eclipse both John and Paul on the world stage, and he joined forces with Bob Dylan, Tom Petty, Roy Orbison and Jeff lynne to create the massively succsessful supergroup the Traveling Wilburys. However, the success of his professional life was often met by turmoil in his private life, and the loss of first wife Patti to best friend Eric Clapton, the traumatic attempt on his life by a knife wielding intruder and his final struggle against cancer meant that George Harrison's life was nothing if not dramatic. Bestselling author Marc Shapiro has exclusively interviewed friends and former colleagues of the enigmatic guitar legend. This revealing biography reaffirms Harrison's importance as an innovative and hugely talented musician and shows that, as a member of the most important band ever, as well as in his multi-faceted career after the Beatles, George Harrison was no ordinary man.

Kronologisk gennemgang af George Harrisons sange med hovedvægt på tiden efter 1968

Please note: This is a companion version & not the original book. Sample Book Insights: #1 George’s first musical love affair was not with the blues, but with religion. He grew up in Liverpool, and observed how priests would come to his neighborhood to collect money for churches. He didn’t like the hypocrisy. #2 George’s blunt manner of speaking and behaving came from his family life. His mother, Louise, was warm and welcoming, but his father, Harold, was thin and thoughtful. They were tolerant, sensible, and loving people. #3 George’s early musical interests were inspired by skiffle, a jazz-oriented musical style derived from the blues, ragtime, and folk music during the 1920s in the American South. He began taking weekly lessons from a local guitarist who worked out of a nearby pub. #4 George’s friendship with Paul began when they were both students at the Liverpool Institute. In 1957, George joined the band the Quarry Men, which included Paul, and their sound improved immensely.

The "magisterial biography" (Chicago Tribune) of the most enigmatic Beatle, now in a paperback edition.

The second book of two, Sound Pictures traces the story of George Martin and the Beatles' incredible artistic trajectory after reaching the creative heights of Rubber Soul. As the bandmates engage in brash experimentation both inside and outside of the studio, creating such masterworks as Revolver, Sgt. Pepper's Lonely Hearts Club Band, The Beatles (The White Album), and Abbey Road, the internal stakes and interpersonal challenges become ever greater. During his post-Beatles years, Martin attempts to discover new vistas of sound recording with a host of acts, including Jeff Beck, America, Cheap Trick, Paul McCartney, and Elton John. Eventually, though, all roads lead Martin back to the Beatles.

‘Who gave the drugs to the Beatles? I didn’t invent those things. I bought it from someone who got it from somebody. We never invented the stuff.’ – John Lennon Riding So High charts the Beatles’ extraordinary odyssey from teenage drinking and pill-popping, to cannabis, LSD, the psychedelic Summer of Love and the darkness beyond. Drugs were central to the Beatles’ story from the beginning. The acid, pills and powders helped form bonds, provided escape from the chaos of Beatlemania, and inspired colossal leaps in songwriting and recording. But they also led to break-ups, breakdowns, drug busts and prison. The only full-length study of the Beatles and drugs, Riding So High tells of getting stoned, kaleidoscope eyes, excess, loss and redemption, with a far-out cast including speeding Beatniks, a rogue dentist, a script-happy aristocratic doctor, corrupt police officers and Hollywood Vampires. ‘The deeper you go, the higher you fly...’

Births, deaths and marriages, No1 singles, drug busts and arrests, famous gigs and awards... all these and much more appear in this fascinating 50 year almanac.Using a page for every day of the calendar year, the author records a variety of rock and pop events that took place on a given day of the month across the years.This Day in Music is fully illustrated with hundreds of pictures, cuttings and album covers, making this the must-have book for any pop music fan.

Hold On World revisits Lennon and Ono's love affair and startling collaborations. John Lennon's Plastic Ono Band was arguably the most emotionally honest album ever made. It wasn't merely another record but more like a sonic exorcism, a spiritual, public bloodletting. Lennon's album drove a stake through the heart of the Beatles' myth while confronting everything else in John's life, from Dylan to God to his glorified status as a "Working Class Hero." Determined to rid himself of past traumas—abandonment by his father and the death of his mother, Julia—Lennon wrote the most powerful song cycle of his career, confronting fear, disappointment, and illusion, all the while espousing his love for Yoko Ono. Released simultaneously, Ono's album Yoko Ono/Plastic Ono Band is emotionally raw and challenging. It inspired bands like the B-52s and Yo La Tengo to employ pure sound, whether shrieking vocals or guitar feedback, to express their deepest feelings.

Maximum Volume offers a glimpse into the mind, the music, and the man behind the sound of the Beatles. George Martin's working-class childhood and musical influences profoundly shaped his early career as head of the EMI Group's Parlophone Records. Out of them flowed the genius behind his seven years producing the Beatles' incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, and Abbey Road. The first book of two, Maximum Volume traces Martin's early years as a scratch pianist, his life in the Fleet Air Arm during the Second World War, and his groundbreaking work as the head of Parlophone Records, when Martin saved the company from ruin after making his name as a producer of comedy recordings. In its most dramatic moments, Maximum Volume narrates the story of Martin's unlikely discovery of the Beatles and his painstaking efforts to prepare their newfangled sound for the British music marketplace. As the story unfolds, Martin and the band craft numerous number-one hits, progressing towards the landmark album Rubber Soul—all of which bear Martin's unmistakable musical signature.