ÒCRIMINALS TO LOVERSÓ Author MARIA LLOVET (CRAVE, Luna, Porcelain) returns with this** sexy one-shot** compilation of her 3-part story, previously published in the IMAGE 30TH ANNIVERSARY ANTHOLOGY. Mamen is a young art historian who has become a jewelry thief because of a trauma from her past. Damon is a hitman tired of his bosses. Oblivious to their secret lives, they meet cute and promise to go on a date. But fate unites them before they planned, as both witness each otherÕs crime.

In this poignant and introspective dual memoir, Marion Garrard Barnwell embarks on a deeply personal journey. Inspired by the memoir of her maternal grandmother, Mary DuBose Trice Clark, affectionately known as “Ganny,” the narratives, though separated by decades, are brought together to offer readers a unique and moving exploration of growing up in Mississippi and the intersections of family, motherhood, and self-discovery. Clark’s memoir, penned in 1956, offers readers a glimpse into the past, telling the story of her life in Mississippi with unwavering commitment to “just plain facts.” Her narrative traverses the landscapes of Okalona, Nettleton, Verona, and Tupelo, revealing their histories and the vibrant tapestry of her life while artfully sidestepping the complexities of her relationships and emotional vulnerabilities. Reflecting on an era when discussions of emotion and self-awareness were often shrouded in reticence, Clark’s story leaves a void in which Barnwell seeks to uncover the unspoken truths that shaped their family dynamics. Written at the age of seventy-seven, the same age as her grandmother when she wrote her memoir, Barnwell’s writing emerges as a response to the enigmatic silence within her grandmother’s narrative. It paints a vivid and expansive picture of her own life in the Mississippi Delta while also addressing profound themes of alcoholism, racism, shared family history, and the intricate dynamics between generations of women. As Barnwell weaves her own memoir into the fabric of this book, she takes readers on her emotional journey of self-discovery and truth-telling that leads to healing. All the Things We Didn’t Say: Two Memoirs is a testament to the power of storytelling and a captivating ode to the enduring human spirit and the timeless pursuit of understanding the intricate threads that connect us across generations.

All families have secrets but what if your father was hiding a secret that was destroying him – and the rest of the family? An emotional story of family perfect for all fans of The Memory Keeper’s Daughter.

Michael Williams, in Melbourne’s The Age, wrote of this award-winning, dazzling debut collection, “By turns horrific and beautiful . . . Humanity at its most fractured and desolate . . . Often moving, frequently surprising, even blackly funny . . . Things We Didn’t See Coming is terrific.” This is just one of the many rave reviews that appeared on the Australian publication of these nine connected stories set in a not-too-distant dystopian future in a landscape at once utterly fantastic and disturbingly familiar. Richly imagined, dark, and darkly comic, the stories follow the narrator over three decades as he tries to survive in a world that is becoming increasingly savage as cataclysmic events unfold one after another. In the first story, “What We Know Now”—set in the eve of the millennium, when the world as we know it is still recognizable—we meet the then-nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown. The remaining stories capture the strange—sometimes heartbreaking, sometimes funny—circumstances he encounters in the no-longer-simple act of survival; trying to protect squatters against floods in a place where the rain never stops, being harassed (and possibly infected) by a man sick with a virulent flu, enduring a job interview with an unstable assessor who has access to all his thoughts, taking the gravely ill on adventure tours. But we see in each story that, despite the violence and brutality of his days, the narrator retains a hold on his essential humanity—and humor. Things We Didn’t See Coming is haunting, restrained, and beautifully crafted—a stunning debut.

The inaugural winner of Simon & Schuster’s Books Like Us contest, Elba Iris Pérez’s lyrical, cross-cultural coming-of-age debut novel explores a young girl’s childhood between 1950s Puerto Rico and a small Massachusetts factory town. Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return. Months later, when Andrea and Pablo are brought back to Massachusetts, they find their hometown significantly changed. As they navigate the rifts between their family’s values and all-American culture and face the harsh realities of growing up, they must embrace both the triumphs and heartache that mark the journey to adulthood. A heartfelt, evocative portrait of another side of life in 1950s America, The Things We Didn’t Know establishes Elba Iris Pérez as a sensational new literary voice.

Biography of Glen Orrin Richardson, son of Justin V. and Hortense Earl Richardson, compiled by Hope R. Barrowes. Cover design and book layout by Samuel Richardson, owner of Silver Storm Imaging and Printing. Contains Glen's journal entries, letters he's written and his achievements. Also contains writing to or about him by his family and friends. Included is a scrapbook of his life.

Headstrong Johanna Berglund, a linguistics student at the University of Minnesota, has very definite plans for her future . . . plans that do not include returning to her hometown and the secrets and heartaches she left behind there. But the US Army wants her to work as a translator at a nearby camp for German POWs. Johanna arrives to find the once-sleepy town exploding with hostility. Most patriotic citizens want nothing to do with German soldiers laboring in their fields, and they're not afraid to criticize those who work at the camp as well. When Johanna describes the trouble to her friend Peter Ito, a language instructor at a school for military intelligence officers, he encourages her to give the town that rejected her a second chance. As Johanna interacts with the men of the camp and censors their letters home, she begins to see the prisoners in a more sympathetic light. But advocating for better treatment makes her enemies in the community, especially when charismatic German spokesman Stefan Werner begins to show interest in Johanna and her work. The longer Johanna wages her home-front battle, the more the lines between compassion and treason become blurred--and it's no longer clear whom she can trust.

A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person. Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a good person to commit a terrible act? Jeannie interviews Mark, exploring how rape has impacted his life as well as her own. Unflinching and courageous, Things We Didn’t Talk About When I Was a Girl is part memoir, part true crime record, and part testament to the strength of female friendships—a recounting and reckoning that will inspire us to ask harder questions, push towards deeper understanding, and continue a necessary and long overdue conversation.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.