Even the most painful paths can be guided to divine destinations... A single father and former Army Ranger, Ken Holbrook struggles to reconcile his resolute faith with immense grief. When Stacey James, a skittish but alluring newcomer, crosses Ken’s path and immediately bonds with Ginny, his young daughter, his world tilts further off balance. Slowly, Ken softens to Stacey as he realizes her poise in the face of hidden atrocity and the ease he feels in her presence. Stacey’s trust doesn’t come easily though, even if she is drawn to Ken’s peaceful, observant nature. As their lives overlap and they come to need one another in unsettling ways, Ken and Stacey must face the demons of their past. With unwavering support from the Holbrook family, the two discover their roads, though jarring, have been directed to the same destination: each other. While many tout the phrase “everything happens for a reason,” Ken and Stacey make deeper meaning within their choices and circumstances. Freedom from their emotional shackles will require forsaking the belief we must be fully healed to be fully embraced. If they can summon the courage, divine love could carry them around an oncoming sharp turn and through arduous, unforeseen territory. But if they can’t, their chance at soul-deep connection might feel lost forever. Sensual and nuanced, ALL MY ROADS is a story of holding heartache in one hand and joy in the other; of learning we are never outside the realm of beauty and healing.

A repackaged edition of the revered author’s diary from his early twenties—a thought-provoking work that reveals his earliest thinking about war, atheism, religion, and humanity. While serving his country in the Great War, C. S. Lewis’ the great British writer, scholar, lay theologian, broadcaster, and Christian apologist—made a pact with a close friend and fellow soldier. If one of them died, the survivor would take care of his family—a promise Lewis honored. Developing a deep friendship with his fallen friend’s mother, Jane King Moore, Lewis moved into the Moore household after the war. Returning to Oxford, the twenty-three-year old Lewis—then a staunch atheist—struggled to adapt to life in post-war England. Eager to help the tormented young man, Jane encouraged him keep a diary of his day-to-day life. Those reflections are collected in this illuminating journal. Covering five remarkable years in Lewis's life, All My Road Before Me charts the inspirations and intellectual and spiritual development of a man whose theology and writing—including Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—has had immense influence on the Christian world.

In June 1939 Annemarie Schwarzenbach and fellow writer Ella Maillart set out from Geneva in a Ford, heading for Afghanistan. The first women to travel Afghanistan's Northern Road, they fled the storm brewing in Europe to seek a place untouched by what they considered to be Western neuroses. The Afghan journey documented in All the Roads Are Open is one of the most important episodes of Schwarzenbach's turbulent life. Her incisive, lyrical essays offer a unique glimpse of an Afghanistan already touched by the "fateful laws known as progress," a remote yet "sensitive nerve centre of world politics" caught amid great powers in upheaval. In her writings, Schwarzenbach conjures up the desolate beauty of landscapes both internal and external, reflecting on the longings and loneliness of travel as well as its grace. Maillart's account of their trip, The Cruel Way, stands as a classic of travel literature, and, now available for the first time in English, Schwarzenbach's memoir rounds out the story of the adventure. Praise for the German Edition "Above all, [Schwarzenbach's] discovery of the Orient was a personal one. But the author never loses sight of the historical and social context. . . . She shows no trace of colonialist arrogance. In fact, the pieces also reflect the experience of crisis, the loss of confidence which, in that decade, seized the long-arrogant culture of the West."--Süddeutsche Zeitung

“ Chau' s voice is strong, the stories tense. Readers should snatch this collection up.” — Mat Johnson, author of Loving DayUnflinching portrayals of desire and alienation fill Bonnie Chau's award-winning story collection. Chau's short fiction explores the lives of young women navigating love, failure, heritage, and memory, and presents a fresh perspective of second-generation Chinese-Americans. Moving back and forth between California and New York, and ranging as far away as Paris, Chau's exquisitely written stories are bold, highly imaginative, and haunting, featuring characters who defiantly exert their individuality.

All Roads Lead to the American City provides an original view of the urban culture in America seen through its irrevocable ties with the cities and roads. Examining the history, cinema, literature, cultural myths and social geography of the United States, the book puts some of the greatest as well as the "baddest" American cities under the microscope. Taking the role of the roads that crisscross and connect the cities as their shared point of reference, these essays explore ways to understand the people who live, commute, work, create, govern, commit crime and conduct business in them.Cities, for the most part, are America. Their values and problems define not only what the United States is, but what other nations perceive the United States to be. Roads and transportation, on the other hand, and their impact on the American culture and lifestyle, form not only the integral part of the historical rise-and-shine of the modern city, but a physical release from and a cultural antidote to its pressure-cooker stresses. Tracing the boundless variety and complexity of these twin themes, All Roads Lead to the American City is built around an interlinked series of essays on the urban culture in America. Juxtaposing the city and the road, it looks alternatively at cities as historical, geographical, social and cultural centres of life in the land, and at roads as physical as well as metaphorical arteries that lead in and out of the city.

Chronicles the lives of several generations of a close-knit Choctaw family as they are forced from their traditional homeland in nineteenth-century Mississippi and endure unspeakable sorrows during their journey before settling in southeastern Oklahoma.

Finn has escaped Incarceron, but Keiro and Attia are still Inside. Outside, things are not at all what Finn expected - and both Finn's and Claudia's very lives hang on Finn convincing the Court that he is the lost prince. Back Inside, Keiro and Attia are on the hunt for Sapphique's glove, which legend says he used to escape. In order to find it, they must battle the prison itself. Incarceron has built itself a body and it wants to go Outside - just like Sapphique, the only prisoner Incarceron ever loved. "High-intensity, mind-bending . . . Fisher further explores themes of reality, illusion, and freedom without losing her intensely original world-building and authentic characters." - Booklist, starred review "Even as the steadily ratcheting certainty of impending catastrophe keeps the pages turning, the sheer richness of the evocative descriptions demands that every sentence be savored. . . . For those who can appreciate the interplaying reflections of lies, myths and memory, a modern masterpiece." - Kirkus Reviews, starred review

The fourteen stories in All Roads explore childhood trauma, addiction, and the reckless materialism of mainstream American culture. Set mostly in Chicago, the stories range from the perspective of a nine-year-old girl intensely observing her new stepmother to a woman trying to make sense of her body after cancer surgery. The collection offers a complex and candid view of class privilege, gender oppression, and the idiosyncratic forms of refuge we take in a culture that demands our self-objectification. In “Charlie,” a new mother tells the story of her confusing attachment to a former mentor, uncovering the deep pain that has largely defined her life. In “The Fathers,” an awkward bachelor party leads to an unexpected moment of overdue connection between the bride’s father and brothers. The title story tracks the drunken monologue of a nihilistic middle-aged man attempting to seduce a young woman into a threesome, while “The Deal” alternates perspectives between a cynical divorced woman and her adult son, the only person with whom she’s been able to sustain a lasting relationship. Relentlessly self-revealing, these characters vacillate between vulnerability and self-protection, exposing the necessity of both. Dark, comic, and altogether unforgettable, All Roads introduces an original voice attuned to the docility of the stingray as well as the ancient spear of its tail.

Cars and car travel have been a large part of the authors life, plus living within hearing distance of the Indianapolis Five Hundred Mile Race as a teenager. She has collected here a number or memoirs involving automobiles and travel.