Welded, a three-act play features The Capes.

This is a three-act play that revolves around a playwright, Michael Cape, and his wife Eleanor. Eleonore's acting career is built on the plays Michael wrote for her. Michael has a romantic notion of what the perfect marriage ought to be like, and he has little tolerance for any instance in which his marriage falls short of this ideal love. Eleonore, understandably, finds it difficult to live up to such unrealistic expectations of blissful devotion. This creates tension in their relationship. Will they reconcile their differences?

Lucidly written and encompassing an enormous historical expanse, "Masks" uncovers the changing ways we have tried to understand the elusive and often illusory nature of racial identity in Western thought and literature.

This study attempts to trace Eugene O'Neill's theatrical contour from its origin to its end, by discussing each of his works in the approximate chronological order of composition. The book is thus a form of biography, although it pays no heed to those events of O'Neill's life that did not have direct bearing on his professional career. By virtue of O'Neill's central position in the drama of the modern world, this study also has become, within the limits its subject sets for it, a form of theatrical history. An appendix contains a complete factual record of important productions of O'Neill's plays. ISBN 0-19-504548-3 (pbk.): $12.95.

This study explores the personal, historical, and artistic influences that combined to form such dark and influential American masterpieces as 'The Iceman Cometh', 'The Emperor Jones', 'Mourning Becomes Electra', 'Hughie', and - arguably the finest tragedy ever written by an American - 'Long Day's Journey into Night'.