This look at the Dixie Chicks, who have almost single-handedly reinvented a classic country sound, covers their career and evolution of the group, including their professional struggles to get Nashville to take them seriously, and their personal struggles. Color and bandw photos.

This all-female trio that has topped the country music charts is profiled in-depth--from their musical beginnings on Dallas street corners to their rise as Group of the Year by the Country Music Association--in this unauthorized biography. Includes an 8-page insert of the latest color photos of the group.

Just two short years ago, The Dixie Chicks were practically unheard-of outside of Texas, but today, they're the hottest act in country music. The explosive popularity of their album Wide Open Spaces has rocketed the Chicks to the top of the charts, and in the last year alone, they have won three Grammys (Best Country Album, Best New Artist and Best Country performance by a duo or group with vocal), two Country Music Association awards and an American Music Award. Their new album is expected to do even better. Now, veteran country music writer Ace Collins has captured their whole inspiring story, from their early days playing to loyal fans in Dallas, right up to their current success and thrilling future!

When lead singer Nathalie Maines criticized President George W. the music group became country radio pariahs overnight. Enduring lost airtime, plummeting album sales, record burning rallies, and death threats, the Dixie Chicks Soldiered on, without apology or regrets. Gradually and with great determination, they built a new fan base and climbed back up to the top, triumphing at the 2006 Grammy Awards and starring in a documentary about their struggles. This is their story, with all of its exhilarating, poignant, and inspiring ups, downs, and ultimate vindication.

Willman looks at the way country music's increasing popularity and conservative drift parallel the transformation of the Democratic South into the heart of the Republican mainstream.

In Dixie Chicks: Down-Home and Backstage, James L. Dickerson tells the behind-the-scenes story of the band, drawing from interviews with former band members, scores of insiders, and the band's enormous Internet fan base. This book recounts the early struggles to make it in the male-dominated country music world, the sometimes-fun and sometimes-wild adventures of life on the road, and the intimate details of the Chicks' evolution from bluegrass purists to country-pop divas.

The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.

Chronicles the rise to fame of the girl group whose music combines the traditional sounds of country with a mixture of modern country, Texas swing, bluegrass, and a touch of rockabilly.

(Piano/Vocal/Guitar Artist Songbook). 27 hits from these rock legends in piano/vocal/guitar arrangements. Includes: The Chain * Don't Stop * Dreams * Gold Dust Woman * Gypsy * Hold Me * Landslide * Little Lies * Over My Head * Rhiannon * Say You Love Me * You Make Lovin' Fun * and more.

Feisty radio sensation Laura Ingraham is tired of the Hollywood Left--and she has all the answers in this pugnacious, funny, and devastating critique of the liberals who hate America.