From Illustrator, Writer, author, and artist Jamuel O Perez comes A Science Fiction 15 years in the making.The first installment: "Version One" Of Alien Superpowers Of the Multiverses, features a Portfolio of stunning science fiction detailed backgrounds from gargantuan space stations/spacedocks, Future Hypercities, Alien cities, Alien Galactic coalition Dysonspheres, covering a red Giant Star, and to Earth's Neo-Zero Order's Moon sized Mech War Carrier Fighting Superfortress. Where the author creates a universe in fully painted background illustrations then story written revolving around humanity's transcendence as Keepers and the Noble guardians/defenders of peace of the galaxy. A Glorified proud race that lives in Utopia where advancement, growth driven, empowerment, betterment, and appreciative of infinite diversities becomes humanity's prime directive.Only to discover overwhelming odds fighting advanced alien savages leading to an Opera of Spacewars to come.

Running from a mutinous crew, sucked through a wormhole like in a bad sci-fi movie and slowly running out of booze . . . and that’s just the beginning of this non-traditional story that starts off as a simple captain’s log book and evolves into something more like a really warped and twisted TV show in text. Follow the Captain and crew on a series of seemingly random adventures, where it’s obvious it’s not just the Captain who’s been drinking. At some point you may ask yourself, is all this just coincidence or is there something dark and annoying on the horizon? The Captain seems to have a drinking problem, the problem being he never has enough to drink and people from his past keep showing up and ruining his buzz / Akki a corrupted artificial intelligence who occasionally takes over the Captain’s log has his own plans, mostly self-serving ones because he has nothing better to do. The rest of the crew, pirates, hot chicks, robots and a foul beaked little space penguin round out the Drunken Space Pirates and with all the wise cracks and shots aimed at everyone and everything its clear the alcohol flows rather freely within the D.S.P. Many of the off the wall characters of the D.S.P. are walking guilty pleasures who say what they feel, do what they want and just generally give it to life, pop culture and the universe in general with both barrels . . . and occasionally fish...

Firrland is a wild volcanic island between Spitsbergen and Greenland. It would be an idyllic place if a poison and drug sect didn't rule everything there. Helga, the granddaughter of the high priestess, is torn from her studies and forced to succeed her. Then, when the goddess Elyyr herself appears and orders Helga to build a modern army to conquer the world, things get dicey. To complicate things further, a spaceship is discovered buried beneath the island ... what is the alien who lives there up to? Toxic Blood is a fast-paced science fiction novel. It is set in the beautiful landscape of the Arctic.

The Earth's WMDs (Women who make decisions) have been abducted by Space Pirates. The crew of the Odd-yssey need to search the Solar System to find the secret pirate based and save the WMDs from the space pirates before Earth descends to chaos - and without getting any more tickets from the Physics Police. Hold on a second readers of this. The captain did WHAT? Really? Oh that is not good. Hold on a second I will help you guys out in a second. Ug, well sorry I have to go. You will just have to read the story for more.

“An incisive critical work” that looks at Octavia Butler’s writing, the movies of the Matrix and Alien series—and more—through a feminist lens (Femspec). Feminist thinkers and writers are increasingly recognizing science fiction’s potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist thewories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series. Patricia Melzer analyzes how these authors and films represent debates and concepts in three areas of feminist thought: identity and difference, feminist critiques of science and technology, and the relationship among gender identity, body, and desire, including the new gender politics of queer desires, transgender, and intersexed bodies and identities. She demonstrates that key political elements shape these debates, including global capitalism and exploitative class relations within a growing international system; the impact of computer, industrial, and medical technologies on women’s lives and reproductive rights; and posthuman embodiment as expressed through biotechnologies, the body/machine interface, and the commodification of desire. Melzer’s investigation makes it clear that feminist writings and readings of science fiction are part of a feminist critique of existing power relations—and that the alien constructions (cyborgs, clones, androids, aliens, and hybrids) that populate postmodern science fiction are as potentially empowering as they are threatening.

This series delves deeply into the darker aspects of humanity within a dystopian society engaged in open warfare. The themes explored include violence, substance abuse, torture, cruelty, sexual content, tyranny, oppression, and complex ethical dilemmas that arise in times of conflict. They are not taken lightly and are presented with the intent to highlight their consequences rather than glorify them. Some readers may find certain aspects of this story intense or disturbing. After the world had been plunged into the darkness of the Great Turn, Dieter Hildebrand, the self-proclaimed High King, brought humanity back from the brink of extinction. But the savior turned into a tyrant. Humanity was set free when Ben Spencer killed the childless ruler and descended with the First Council into the shadows. In Part 1, Awakenings, the death of the last in line, Steven Spencer, set the stage. His son, Kent Spencer, the rightful heir to the throne, struggled with his high moral standards and lack of knowledge. Still, with the help of his inner circle, the Citadel and the High King's army were reactivated and ready to be used. On the other side, the usurper Ronald Winterhunt had already sent his agents to wreak havoc on the democracy in the Free United States. He used Kent's cousin, Victoria Green, to lead the uprisings and as the figurehead to rally his troops. In Part 2, things escalate—the Winterhunt troops march, led by Victoria Green and Thomas Blackwood. Kent Spencer, desperately searching for the lost knowledge of his ancestors, takes a significant risk to get it. The Free Republic of Canada finds itself between the parties and has to react by preparing for war. Who will survive? Who will gain the upper hand? And what role does the elusive Fenrir play in all of this?

This great book is an collection of five of Stephen Stanley's popular HOW TO DRAW series and features the artwork from the books HOW TO DRAW CIRCUS FIGURES, HOW TO DRAW PIRATES, HOW TO DRAW ALIENS AND ROBOTS, HOW TO DRAW FANTASY FIGURES and HOW TO DRAW HANDS. In all some 140 pages of drawing tips and suggestions for young artists and cartoonsits.

This is the most comprehensive guide ever published, covering all things Masters of the Universe and Princess of Power from 1982 through today! The universe of He-Man and She-Ra is full of mystery. And thanks to over four thousand individual entries covering characters, beasts, vehicles, locations, weapons and magic, you can learn the secrets of this entire universe!

In this humorous SF adventure, three space witches kidnap a supernatural teen who will help them make a visionary journey to release an outlawed AI imprisoned in the past. In the 23rd century, Earth Nations United harshly governs the world, its great weapon AI. But when the AI starts helping the populace regain their freedom, ENU electronically contains it. To save itself, the AI manages to send its container back in time where it is mistaken for a genie’s bottle. Former ENU employees Lilith, Varvara, and Connie band together to release AI’s positive power. They are aided by followers of AI who wield enormous resources, providing the women with a starship normally used for diplomacy. The women are not scientists, but sorceresses, and AI has proven that magic is the ultimate technology. Lilith is a medium, Connie is fat from being a sin-eater, and Varvara is a concealer. Before it is locked away, the AI informs the women that a fourth magician is required: a finder. Nineteen-year-old Melody has found a great deal of trouble in school. After an exuberant display of history where she is almost lynched, Melody is kidnaped by the three magicians in their starship. She resists, but not really. Melody proves herself by finding a secret compartment in the ship containing an ancient treasure chest. Inside is a map the crew must follow, gathering the pieces of a pirate drawn on the parchment: the man who found the “genie’s bottle.” After stealing a king’s figurine, a petrified arm from a galactic crypt, a head of alien cabbage, a girl-eating bug, the leg of a stellar slot machine, and Melody’s own arm amputated by aliens who considered her a demon, the women assemble the map, which enables the pirate to open the genie’s bottle, resulting in the swap of his crew for the four space women. In the end, Melody must find a way to reverse the swap, employing all of her emotion and magic, perhaps all of her life.

STARCALL Anthology of Novelized Radio Dramas and Teleplays, Vol. 1, illustrated by the author with Dramatis Personae (portraits of the main characters). Written in the tradition of The Outer Limits TV series, each "episode" (standalone story) is in its own genre: sci-fi, military fiction, space opera, mystery, suspense, action/adventure, cyberpunk, steampunk, romance, drama, apocalyptic, post-apocalyptic, supernatural, prehistory, alternate reality, time travel, etc. A little bit of everything for everyone, suitable for teens and adults alike.