This is the intelligent fair and logical examination of modern UFO phenomena that countless readers have been looking for written by a renowned scientist and philosopher. also explores possible UFO incidents recounted in the the ancient Vedic DESCRIPTIONs of flying craft floating cities cosmic battles and other wonders. It examines the extraordinary and the extraterrestrial in European folk tales and looks at religious reports of miraculous visitations particularly the 1917 apparition at Fatima Portugal bringing fresh and convincing insights into the identity and purposes of UFO visitors throughout the centuries.

A lively reexamination of the 'alien' as metaphor in film and fiction. Case studies include The Fly movies, Alien series, and Dracula.

The Alien films are perceived to be a fractured franchise, each one loosely related to the others. They are nonlinear, complicated, convoluted: a collection of genre movies ranging from horror to war to farce. But on closer examination, the threads that bind together these films are strong and undeniable. The series is a model of Catherine Keller's cosmology as a cycle of order out of chaos, an illustration of her concept of evil as discreation. When viewed through the lens of Keller's Face of the Deep, the Alien films resolve into a cohesive whole. The series becomes six views of the idea of evil-as-exploitation, its origins, and its consequences. Each film expands on the concept of evil set forth by its predecessors, complicating that conception, and retroactively enriching readings of the films that came before.

From The War of the Worlds, Mars Attacks!, Mission to Mars and Independence Day; Neil Badmington explores our relationship with aliens and how thinkers such as Descartes, Barthes, Freud, Lyotard and Derrida have conceptualised what it means to be human (and post-human).

For decades, researchers have exhaustively documented modern UFO phenomena, but questions remain about the origins of these strange objects and the intentions of the beings associated with them. In Parallels, Richard L. Thompson shows that answers may lie in the records of ancient civilizations claiming thousands of years of contact with races appearing to have an unearthly origin. Startling parallels between modern UFO accounts and events described in the ancient Sanskrit writings of India offer fresh insight into the nature of exotic incidents reported throughout human history. PUBLISHER'S NOTE: This book was originally published as Alien Identities: Ancient Insights into Modern UFO Phenomena. The new title, Parallels, was the author's original choice.

“ . . . an important and outstanding contribution.” —Erich von Däniken, bestselling author of Chariots of the Gods “The Ancient Alien Question provides a captivating adventure around the world and sheds an interesting perspective on the Ancient Astronaut Theory.” —Giorgio A. Tsoukalos, producer of Ancient Aliens: The Series “Philip Coppens covers all the bases on this controversial topic. His research is thorough and he addresses each topic with a balanced overview that cuts through the jungle of confusion with a very sharp machete of reason.” —David Hatcher Childress, author of Technology of the Gods The Ancient Alien Question reveals an array of astonishing truths, including: A radically different understanding of the pyramids and how they were constructed The extraordinary stories behind monuments such as the Nazca lines and Puma Punku How extraterrestrials came to our planet and the evidence that supports this Analyzing the historical and archaeological evidence, Philip Coppens demonstrates that there is substantial proof that our ancestors were far more technologically advanced than currently accepted, and that certain cultures interacted with nonhuman intelligences. Our ancestors were clearly not alone. Fifty years after Erich von Däniken posed these questions in Chariots of the Gods, Coppens provides clear, concise answers to the great historical enigmas in an accessible, readable format. Your view of human history will never be the same again!

"The figure of the alien is at the heart of science fiction and has helped us to understand and explore interactions with other cultures and the possibilities of life beyond both the modern configuration of the nation-state and the natural order of life on earth. Alien Imaginations brings together canonical and contemporary works in the cinema and literature of science fiction, transnationalism, and globalization in order to examine the role of the alien as well as the realities of migration, labor, and life in the twenty-first century. The essays in this collection discuss films such as District 9, Avatar, and Code 46, as well as novels by H.G. Wells, Philip K. Dick, or Ray Bradbury. As we continue down the road to a global economy and culture, Alien Imaginations offers a critical reflection upon our 'imagined realities' while also turning to speculative fiction and cinema to provide us with examples of resistance, if not a utopian horizon"--

In this sweeping work, Elliott Young traces the pivotal century of Chinese migration to the Americas, beginning with the 1840s at the start of the "coolie" trade and ending during World War II. The Chinese came as laborers, streaming across borders legally and illegally and working jobs few others wanted, from constructing railroads in California to harvesting sugar cane in Cuba. Though nations were built in part from their labor, Young argues that they were the first group of migrants to bear the stigma of being "alien." Being neither black nor white and existing outside of the nineteenth century Western norms of sexuality and gender, the Chinese were viewed as permanent outsiders, culturally and legally. It was their presence that hastened the creation of immigration bureaucracies charged with capture, imprisonment, and deportation. This book is the first transnational history of Chinese migration to the Americas. By focusing on the fluidity and complexity of border crossings throughout the Western Hemisphere, Young shows us how Chinese migrants constructed alternative communities and identities through these transnational pathways.

SHOCKING. CONTROVERSIAL. UNPRECEDENTED. A CASE LIKE UNLIKE ANY OTHER IN THE ANNALS OF UFO INVESTIGATION, DNA RESEARCH, OR ALIEN ABDUCTION. Sydney, Australia. July 23, 1992. Twenty-eight-year-old Peter Khoury was awoken by what appeared to be two females—both striking and unearthly—kneeling on his bed. What transpired between them was a physical assault as bizarre and disorienting as it was unnatural. Then, as quickly as they had arrived, they vanished. Khoury had become one of a legion of alien abductees with inexplicable experiences, but this particular incident stood apart from all the others. This time, there was evidence—two strands of white-blond hair from one of the females. Khoury’s case would result in the very first forensic DNA analysis of “alien abduction” evidence and revealed an extraordinary biological anomaly—one genetically close to human yet almost impossibly far from the human mainstream. A gripping account of one of the great mysteries of our time, Hair of the Alien, brings us closer than ever before to understanding our past, our origings, and our place in the universe.

In Alien Capital Iyko Day retheorizes the history and logic of settler colonialism by examining its intersection with capitalism and the racialization of Asian immigrants to Canada and the United States. Day explores how the historical alignment of Asian bodies and labor with capital's abstract and negative dimensions became one of settler colonialism's foundational and defining features. This alignment allowed white settlers to gloss over and expunge their complicity with capitalist exploitation from their collective memory. Day reveals this process through an analysis of a diverse body of Asian North American literature and visual culture, including depictions of Chinese railroad labor in the 1880s, filmic and literary responses to Japanese internment in the 1940s, and more recent examinations of the relations between free trade, national borders, and migrant labor. In highlighting these artists' reworking and exposing of the economic modalities of Asian racialized labor, Day pushes beyond existing approaches to settler colonialism as a Native/settler binary to formulate it as a dynamic triangulation of Native, settler, and alien populations and positionalities.