From Ed McBain to Sara Paretsky: a celebration of over fifty years of mystery masterworks. For over fifty years, Alfred Hitchcock’s Mystery Magazine has been one of the foremost magazines of mystery and suspense. This celebratory anthology features such bestselling writers as Lawrence Block, Ed McBain, and Jan Burke, just three of the esteemed contributors to have appeared in the magazine’s pages over the past five decades. This impressive anthology reflects the diversity of every issue of the magazine: historicals and police procedurals, cozies and noirs, humor and suspense. From Jim Thompson in the fifties and Donald Westlake in the sixties, to recent stories by S. J. Rozan, Martin Limon, and Rhys Bowen, this anthology documents over a half century of superb storytelling.

For over 50 years Alfred Hitchcock's Mystery Magazine has been one of the foremost magazines of mystery and suspense. This commemorative anthology features such well-known writers as Ed McBain and Sara Paretsky. Landrigan presents some of the best stories of each decade from the magazine's early years right up to the present day.

A rich account that combines media-industry history and cultural studies, Their Own Best Creations looks at women writers' contributions to some of the most popular genres of postwar TV: comedy-variety, family sitcom, daytime soap, and suspense anthology. During the 1950s, when the commercial medium of television was still being defined, women writers navigated pressures at work, constructed public personas that reconciled traditional and progressive femininity, and asserted that a woman's point of view was essential to television as an art form. The shows they authored allegorize these professional and personal pressures and articulate a nascent second-wave feminist consciousness. Annie Berke brings to light the long-forgotten and under-studied stories of these women writers and crucially places them in the historical and contemporary record.

When a different kind of justice is needed -- swift, effective, and personal -- a new type of avenger must take action. Vengeance features new stories by bestselling crime writers including Lee Child, Michael Connelly, Dennis Lehane, and Karin Slaughter, as well as some of today's brightest rising talents. The heroes in these stories include a cop who's seen too much, a woman who has been pushed too far, or just an ordinary person doing what the law will not. Some call them vigilantes, others claim they are just another brand of criminal. Edited and with an introduction by Lee Child, these stories reveal the shocking consequences when men and women take the law into their own hands.

Drawing from classical myth, the history of philosophy, literature, film, music, and painting, Workman connects the artistic claims of Chaucer and tests them against similar gestures in the history of philosophy and literature. What results is a radical retake on Chaucer as a philosopher and poet, upending any preconceived views.

A one-stop resource for all kinds of readers' advisory issues, including: how to advise patrons on all kinds of media, from fiction and nonfiction to audiobooks, graphic novels and even reference materials; how to provide services to senior citizens, teens and even readers who are incarcerated; how to handle author visits and book groups; how to enhance storytelling, even for adults; how to market and promote RA; and much more.

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.

A collection of suspenseful stories that originally appeared in Alfred Hitchcock's Mystery Magazine.

Thomas Cook is one of today's most acclaimed writers of psychological thrillers, penning hypnotic tales of forbidden love and devastating secrets. Now he has written an unforgettable novel that weaves one man's tortured life with a deadly mystery that spans five decades.... Riverwood is an artists' community in the Hudson River valley, a serene place where writers can perfect their craft. But for all its beauty and isolation, it was once touched by a terrible crime--the murder of a teenage girl who lived on the estate fifty years ago. Faye Harrison's killer was never caught--and now her dying mother is desperate to learn the truth about her daughter's murder. Enter Paul Graves, a writer who draws upon the pain of his own tragic past to write haunting tales of mystery. Graves has been summoned to Riverwood for an unusual assignment: to apply the art of fiction to a crime that was real, and then write a story that will answer the questions that keep Faye's mother from a peaceful death. Just a story. It doesn't have to be true. Or does it?